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The Best Microfiction anthology series provides recognition for outstanding literary stories of 400 words or fewer. Co-edited by award-winning microfiction writer/editor Meg Pokrass, and Flannery O'Connor Prize-winning author Gary Fincke, the anthology features Tania Hershman serving as final judge,
One of the great hidden gems of the past decade.
'Do you remember that first time we met? It was in the old studio in Brunson Road. How much did we miss, love, by not being together?'In the early 1960s, Maureen Griffiths, married with children, accompanies a friend to a modelling shoot, never intending to be in front of the camera herself. But after meeting photographer Martin Morris, Maureen is transformed - and Martin quickly falls for her. It is forty years later. Shortly after Maureen's death, Martin moves into Pilgrim House, a retirement home, in part because Maureen's husband, George, is also a resident there. Through the letters he continues to write to Maureen, Martin reveals a lifetime of tireless devotion to his one true love. He...
Claire, five-year-old daughter of Irish doctors, Connie and Liam, dies suddenly in 1963. The novel follows the devastation in the family - consequences that reverberate over the next fifty years. There's the shock as Connie deserts Liam and their children and the mystery of the pact she makes with Anne, a Catholic nun. All who witnessed the child's death, even the youngest, feel responsible and have their own stories as they leave home, reject religion, start careers. Connie's ambivalence about mothering seems to follow the next generation of women. One cousin, most deeply affected, tries to escape the past as she takes up work in Nigeria. Do her choices repeat Connie's actions? And to whom does it fall to fulfil the pact Connie made fifty years before? A heartbreaking story of motherhood and the limitations of love.
The Poetry of Sex - a raucous, highly enjoyable anthology by acclaimed poet Sophie Hannah 'We've been at it all summer, from the Canadian border to the edge of Mexico . . .' It's hard to imagine a more fruitful subject for poets than sex, in all its glorious manifestations: from desire and hope, through disappointment and confusion, to conclusion and consequence. And little has changed over the centuries, as Sophie Hannah's anthology vividly demonstrates, from Catullus pleading with Lesbos to Walt Whitman singing the body electric. Moods and attitudes may vary but the drive persists as does the desire to write about it. Sophie Hannah's selection ranges from ancient Rome to modern New York, f...
Growing up in a rural recording studio, Halo Llewellyn is rarely star-struck, but when one of the visiting singers gives birth to Fred, she knows right away that he's special. As the golden child grows into the gilded man, she remains dazzled by his ambition and his talent. Up on stage, being screamed at by hundreds of teenage girls, Fred will always turn his spotlight on Halo in the crowd. But that's the problem with falling in love with your charismatic almost-brother - it can never be a secret. In the end, the whole world has to know.
These are stories about power: children without it and adults vying to get or keep it. A small boy struggles with his parents' divorce, a doctor fails to understand the limits of his medical power, a wronged wife finds a uniquely powerful way to wreak revenge. Sometimes satirical, sometimes innovative and lyrical, the stories home in on those moments when power can spill into powerlessness: the split-second when a self-satisfied teenager is held at knifepoint by muggers, the trip to the woods with the 'poor kids' which teaches a small girl she's no better than them. They chart the opposite moments when people wrest back power: a daughter rebels against her violent father, a struggling writer decides to expose a con man arts worker, a little girl who wishes her lost father would come back finds she has magic powers.But it's a slippery thing, power, and these vivid, wry stories spring surprises: for nothing, in the end, is ever quite what it seems.
Can we believe in magic and spells? Can we put our faith in science?A young mother married to a scientist fears for her children's safety as the natural world around her becomes ever more uncertain. Until, that is, she meets a charismatic stranger who seems to offer a different kind of power... But is he a saviour or a frightening danger? And, as her life is overturned, what is happening to her children whom she vowed to keep safe? Why is her son Danny now acting so strangely?In this haunting, urgent and timely novel, Elizabeth Baines brings her customary searing insight to the problems of sorting our rational from our irrational fears and of bringing children into a newly precarious world. In prose that spins its own spell she exposes our hidden desires and the scientific and magical modes of thinking which have got us to where we are now.
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