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Aquatint Engraving
Hardcover reprint of the original 1909 edition - beautifully bound in brown cloth covers featuring titles stamped in gold, 8vo - 6x9. No adjustments have been made to the original text, giving readers the full antiquarian experience. For quality purposes, all text and images are printed as black and white. This item is printed on demand. Book Information: Prideaux, S. T. (Sarah Treverbian). Aquatint Engraving; A Chapter In The History Of Book Illustration. Indiana: Repressed Publishing LLC, 2012. Original Publishing: Prideaux, S. T. (Sarah Treverbian). Aquatint Engraving; A Chapter In The History Of Book Illustration, . London: Duckworth & Co., 1909. Subject: Ackermann, Rudolph, 1764-1834
Women Bookbinders, 1880-1920
During the period 1880 to 1920 the number of women bookbinders in Britain increased dramatically. This is an introduction to the role and work of women craft binders during the period, including Sarah Prideaux, Katharine Adams, Sybil Pye and the Guild of Women Binders.
Aquatint
How an ingenious printmaking technique became a cross-cultural phenomenon in Enlightenment Europe Driven by a growing interest in collecting and multiplying drawings, artists and amateurs in the eighteenth century sought a new technique capable of replicating the subtlety of ink, wash, and watercolor. They devised an innovative and versatile new medium—aquatint—which would spread in use across Europe within a few decades, its distinctive dark tones making possible a remarkable variety of ingenious imagery. In this illuminating book, Rena M. Hoisington traces how the aquatint technique flourished as a cross-cultural and cosmopolitan phenomenon that contributed to the rise of art publishin...
London and the Emergence of a European Art Market, 1780-1820
Showcasing diverse methodologies, this volume illuminates London's central role in the development of a European art market at the turn of the nineteenth century. In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art market flourished in London. London and the Emergence of a European Art Market, 1780–1820 explores the commercial milieu of art sales and collecting at this turning point. In this collection of essays, twenty-two scholars employ methods ranging from traditional art historical and provenance studies to statistical and economic analysis; t...
Hard Pressed
This volume surveys the history of printmaking with a particular focus on artists and works that expanded the boundaries of various media, including woodcuts, etchings, engravings, lithographs, mezzo-tints, screen prints and more, right up to the digital and photographic processes of today. Originally published in hardback in 2000 this title received excellent reviews. Now republished in paperback making it more accessible to an even wider market 84 colour illustrations
A Bibliographic History of the Book
"...skillfully compiled...should be useful to anyone interested in placing his or her studies in the context of printed and bound literature..." --ENGLISH LITERATURE IN TRANSITION 1880-1920
