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Provides an examination of the use of enslavement and emancipation in classic literary works.
Starting with the figure of the bold, boisterous girl in the mid-19th century and ending with the “girl power” movement of the 1990’s, Tomboys is the first full-length critical study of this gender-bending code of female conduct. Michelle Abate uncovers the origins, charts the trajectory, and traces the literary and cultural transformations that the concept of “tomboy” has undergone in the United States. Abate focuses on literature including Louisa May Alcott's Little Women and Carson McCullers's The Member of the Wedding and films such as Peter Bogdanovich's Paper Moon and Jon Avnet's Fried Green Tomatoes. She also draws onlesser-known texts like E.D.E.N. Southworth's once wildly ...
American culture has long had a conflicted relationship with assistance to the poor. Cotton Mather and John Winthrop were staunch proponents of Christian charity as fundamental to colonial American society, while transcendentalists harbored deep skepticism towards benevolence in favor of Emersonian self-reliance and Thoreau's insistence on an ascetic life. Women in the 19th century, as these essays show, approached issues of benevolence far differently than their male counterparts, consistently promoting assistance to the impoverished, in both their acts and their writings.
The tale of Demeter and Persephone, a central myth of Victorian women's culture, is used to interpret the life and work of a 19th-century Maine writer.
This is a collection of new essays on one of the most important works of New England local colour fiction, The Country of the Pointed Firs by Sarah Orne Jewett. It builds on feminist literary scholarship that affirms the importance and value of Jewett's work, but goes beyond previously published studies by offering an analysis of how race, nationalism, and the literary marketplace shape her narrative. The volume constitutes a major rethinking of Jewett's contribution to American literature, and will be of broad interest to the fields of American literary studies, feminist cultural criticism, and American studies.
Ever since William Dean Howells declared his "realism war" in the 1880s, literary historians have regarded the rise of "realism" and "naturalism" as the great development in American post-Civil War fiction. Yet there are many problems with this generalization. It is virtually impossible, for example, to extract from the novels and manifestoes of American writers of this period any consistent definitions of realism or naturalism as modes of literary representation. Rather than seek common traits in widely divergent "realist" and "naturalist" literary works, Michael Davitt Bell focuses here on the role that these terms played in the social and literary discourse of the 1880s and 1890s. Bell ar...
A picaresque novel of the remarkable life of a liberated 19th-century woman.
The origins of the modern fashion industry as seen through the works of Edith Wharton
A picaresque saga of a young French-Canadian woman in Vermont, available in a new paperback edition
As professional golfer Jack Austin battles the worst slump of his career as a PGA Tour player, he begins an investigation doomed to lead to secrets, betrayals, lies, and, ultimately, to murder.