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Creating African Fashion Histories
Creating African Fashion Histories examines the stark disjuncture between African self-fashioning and museum practices. Conventionally, African clothing, textiles, and body adornments were classified by museums as examples of trade goods, art, and ethnographic materials—never as "fashion." Counterposing the dynamism of African fashion with museums' historic holdings thus provides a unique way of confronting ways in which coloniality persists in knowledge and institutions today. This volume brings together an interdisciplinary group of scholars and curators to debate sources and approaches for constructing African fashion histories and to examine their potential for decolonizing museums, fa...
David Livingstone
Exhibition book of essays and objects celebrating the 200th anniversary of the birth of the great African explorer and missionary doctor, the Victorian hero David Livingstone.
Being and Becoming Hausa
Hausa society in West Africa has attracted researchers’ attention for decades, and has featured in the historical record for at least 500 years. Yet, no clear picture is available of the historical trajectories that underpin Hausa ethnogenesis. This book addresses this gap, deploying interdisciplinary approaches to revisit questions to which single disciplines have given partial answers, often due to the paucity of written sources for early periods of Hausa history. Contributors draw from the disciplines of anthropology, linguistics, economic history, and archaeology to enquire into how a ‘Hausa’ identity took shape and what have been its changing material and cultural manifestations. The result is a compelling overview of one of the most iconic groups of modern West Africa.
Africa Interweave
Catalog of an exhibition held at the Samuel P. Harn Museum of Art, University of Florida, Gainesville, Feb. 8-May 8, 2011.
Empire of Sentiment
This is the first emotional history of the British Empire. Joanna Lewis explores how David Livingstone's death tied together British imperialism and Victorian humanitarianism and inserted it into popular culture. Sacrifice and death; Superman like heroism; the devotion of Africans; the cruelty of Arab slavery; and the sufferings of the 'ordinary man', generated waves of sentimental feeling. These powerful myths, images and feelings incubated down the generations - through grand ceremonies, further exploration, humanitarianism, Christian teaching, narratives of masculine endeavour and heroic biography - inspiring colonial rule in Africa, white settler pioneers, missionaries and Africans. Empire of Sentiment demonstrates how this central African story shaped Britain's romantic perception of itself as a humane power overseas when the colonial reality fell far short. Through sentimental humanitarianism, Livingstone helped sustain a British Empire in Africa that remained profoundly Victorian, polyphonic and ideological; whilst always understood at home as proudly liberal on race.
Geography, Technology and Instruments of Exploration
Focusing on aspects of the functioning of technology, and by looking at instruments and at instrumental performance, this book addresses the epistemological questions arising from examining the technological bases to geographical exploration and knowledge claims. Questions of geography and exploration and technology are addressed in historical and contemporary context and in different geographical locations and intellectual cultures. The collection brings together scholars in the history of geographical exploration, historians of science, historians of technology and, importantly, experts with curatorial responsibilities for, and museological expertise in, major instrument collections. Ranging in their focus from studies of astronomical practice to seismography, meteorological instruments and rockets, from radar to the hand-held barometer, the chapters of this book examine the ways in which instruments and questions of technology - too often overlooked hitherto - offer insight into the connections between geography and exploration.
Summary of Sarah Vowell's Assassination Vacation
Please note: This is a companion version & not the original book. Sample Book Insights: #1 I had intended to spend the first act of 1776, a musical about the Declaration of Independence, ignoring the stage and staring at Abraham Lincoln's box from my balcony seat. But I was sucked into the play, and I spent the second act in the Lincoln Museum basement. #2 The play gives the audience a sense of the anguish, embarrassment, and disappointment Adams and Jefferson felt when they yielded to the southerners’ demands. This country was formed for the white, not for the black man, John Wilkes Booth reportedly wrote on the day he shot Lincoln. #3 The contents of John Wilkes Booth’s pockets also get the glass case treatment. At Ford’s Theatre, I looked at the five photographs of women in his pockets when he died, and I couldn’t help but believe that I had picked up new insight into his character. #4 I love reading the Second Inaugural speech, which was delivered at the end of the war. It is full of sarcasm and writing, and it shows how Lincoln thought and governed.
Ethnographic Collecting and African Agency in Early Colonial West Africa
The early collections from Africa in Liverpool's World Museum reflect the city's longstanding shipping and commercial links with Africa's Atlantic coast. A principal component of these collections is an assemblage of several thousand artefacts from western Africa that were transported to institutions in northwest England between 1894 and 1916 by the Liverpool steam ship engineer Arnold Ridyard. While Ridyard's collecting efforts can be seen to have been shaped by the steamers' dynamic capacity to connect widely separated people and places, his Methodist credentials were fundamental in determining the profile of his African networks, because they meant that he was not part of official colonia...
A Place That Matters Yet
A Place That Matters Yet unearths the little-known story of Johannesburg’s MuseumAfrica, a South African history museum that embodies one of the most dynamic and fraught stories of colonialism and postcolonialism, its life spanning the eras before, during, and after apartheid. Sara Byala, in examining this story, sheds new light not only on racism and its institutionalization in South Africa but also on the problems facing any museum that is charged with navigating colonial history from a postcolonial perspective. Drawing on thirty years of personal letters and public writings by museum founder John Gubbins, Byala paints a picture of a uniquely progressive colonist, focusing on his philoso...
