Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Jews Among Christians
Jews among Christians explores a corpus of illuminated Hebrew manuscripts of the Lake Constance region produced in the first decades of the fourteenth century. The author Sarit Shalev-Eyni, Professor at the Hebrew University of Jerusalem, provides a detailed and insightful study of the content, design, and iconography of the illustrations and decorations of a group of Ashkenahzi codices, thereby uncovering a surprising interface between Jews and Christians in the urban workshops of the time. Here, Christian artists would include midrashic components required by their Jewish instructor while drawing on the iconographic traditions of their Christian education, and artists of both religions wer...
The Monk's Haggadah
This fifteenth-century haggadah, with a prologue by a Dominican friar, offers a unique view of contemporary Christian perceptions of Judaism. This edition includes a facsimile of the codex; a critical edition and translation of the prologue; a translation of the haggadah; and essays describing the historical and theological background.
Between Judaism and Christianity
The essays collected in this volume present a multi-faceted range of scholarship from late antique synagogues, Jewish funerary art, early Christian and Byzantine mosaics, to Byzantine and Jewish book art, and the representation of the Old Testament in Western manuscripts.
Sephardic Book Art of the 15th Century
The current volume presents ten different studies dealing with the final stages of Hebrew book art production in medieval Iberia. Ranging from the Farhi Codex, copied and illuminated in the late 14th century, to the Philadelphia Bible, copied and illuminated in Lisbon in 1496, this volume discusses a wide scope of topics related with the production, consumption and circulation of medieval decorated Hebrew manuscripts. Among the issues discussed in this volume we highlight the role played by three distinct artistic languages (Mudejar, Late Gothic and Renaissance) in the shapping of 15th century Sephardic illumination, the codicological specificity of some solutions in terms of layout and the relation between the layout of these manuscripts and Hebrew incunabula, the use of geometric decoration in scientific diagrams, or the afterlife of these manuscripts in Europe and Asia following the expulsion of the Jews from Iberia.
Resounding Images
"This study brings together for the first time scholars of Christian, Islamic and Jewish art and music to reconstruct the complex intersection between art, architecture and sound in the medieval world. Case studies explore how ambient and programmatic sound, including chant and speech, and its opposite, silence, interacted with objects and the built environment to create the multisensory experiences that characterized medieval life. While sound is probably the most difficult component of the past to reconstruct, it was also the most pervasive, whether planned or unplanned, instrumental or vocal, occasional or ambient. Acoustics were central to the perception of performance; images in liturgical manuscripts were embedded in a context of song and ritual actions; and architecture provided both visual and spatial frameworks for music and sound. Resounding Images brings together specialists in the history of art, architecture, and music to explore the manifold roles of sound in the experience of medieval art. Moving beyond the field of musical iconography, the contributors reconsider the relationship between sound, space and image in the long Middle Ages."--
Illuminated Haggadot from Medieval Spain
Emerging in Spain after 1250, Jewish narrative figurative painting became a central feature in a group of illuminated Passover Haggadot in the early decades of the fourteenth century. Illuminated Haggadot from Medieval Spain describes how the Sephardic Haggadot reflect different visualizations of scripture under various conditions and aimed at a variety of audiences. Though the specifics of the creation of these works remain a mystery, this book delves into the cultural struggles that existed during this period in history and shows how those conflicts influenced the work. The culture surrounding the creators of the Sephardic Haggadot was saturated in conflict revolving around acculturation, polemics with Christianity, and struggles within Sephardic Jewry itself. Kogman-Appel presents the Sephardic Haggadot as visual manifestations of a minority struggling for cultural identity both in relation to the dominant culture and within its own realm.
Visual Constructs of Jerusalem
In documenting the increasing emphasis on studying the earthly proliferations of the city, this book witnesses a shift in theoretical and methodological insights since the publication of 'The Real and Ideal Jerusalem in Jewish, Christian, and Islamic Art' in 1998. Its main focus is on European translations of Jerusalem in images, objects, places, and spaces that evoke the city through some physical similarity or by denomination and cult - all visual and material aids to commemoration and worship from afar. The book discusses both well-known and long-neglected examples, the forms of cult they generate and the virtual pilgrimages they serve, and calls attention to their written and visual equivalents and companions.
Between Jerusalem and Europe
Between Jerusalem and Europe: Essays in Honour of Bianca Kühnel analyses how Jerusalem is translated into the visual and material culture of medieval, early modern and contemporary Europe, and in what ways European encounters with the city have shaped its holy sites. The volume also demonstrates methodological shifts in the study of Jerusalem in Western art by mapping the diversity of concepts that underlie imaginations of the city as an earthly presence and a heavenly realization, as a physical and a mental space, and as a unique location which is multiplied and re-imagined in numerous copies elsewhere. Contributors are Lily Arad, Pnina Arad, Barbara Baert, Neta B. Bodner, Iris Gerlitz, Anastasia Keshman Wasserman, Katrin Kogman-Appel, Ora Limor, Galit Noga-Banai, Robert Ousterhout, Yamit Rachman-Schrire, Bruno Reudenbach, Alessandro Scafi, Tsafra Siew, and Victor I. Stoichita.
Medieval Ashkenaz
Professor Alfred Haverkamp, founder of the Arye Maimon Institute for Jewish History at Trier University, has been a leading scholar and successful mentor for medieval historical research on Jews and Judaism in Central Europe (Ashkenaz) since the 1970s. This Festschrift joins together current multi-disciplinary perspectives on medieval Jewish life and Jewish-Christian relations, in studies based on archival and manuscript sources as well as medieval sculpture and artefacts. With contributions by Elisheva Baumgarten, Thilo Becker, Eveline Brugger, Nicolo Bucaria, Jorn R. Christophersen, Christoph Cluse and Carsten Ginsheimer, Johannes Deissler, Simcha Emanuel, Rachel Furst and Sophia Schmitt, Johannes Heil, Elisabeth Hollender, Ephraim Kanarfogel, Katrin Kogman-Appel, Andreas Lehnertz, Ivan G. Marcus, Gerd Mentgen, Rachel Zohn Mincer, Jorg R. Muller, Judith Olszowy-Schlanger, Lucia Raspe, Rene Richtscheid, Michael Schlachter, Merav Schnitzer Maimon, Christian Scholl, Sarit Shalev-Eyni, Ephraim Shoham-Steiner, Alessandra Veronese, Markus J. Wenninger, and Birgit Wiedl. Foreword by Israel J. Yuval.
The Serpent Column
Paul Stephenson twists together multiple strands to relate the cultural biography of a unique monument, the Serpent Column, which stands today in Istanbul 2,500 years after it was raised at Delphi.
