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The Song Seekers
As the monsoon rains wash over the city of Kolkata, four women sit and read and talk in the kitchen of Kailash—the old mansion of the Chattopadhyays where Uma comes to live after her marriage in the summer of 1962. Her husband’s silence about his mother and the childhood tragedy that beckons him from the shadowy landing of Kailash, the embroidered handkerchiefs in an old soap box in her father-in-law’s room and the presence of the old, green-eyed Pishi intrigue Uma. But it is only as she begins to read aloud the traditional Chandimangal composed by her husband’s grandfather to celebrate the goddess that the smothered stories begin to emerge... The novel weaves in the history of the militant goddess recast as wife, the Portuguese in Bengal, the rise of print and the making of memories from the swadeshi movement to the turbulent sixties in Bengal as Uma discovers that the foundation of Kailash is not only very deep but also camouflages the stink of death. Published by Zubaan.
Textual Practice
A general issue of Textual Practice with the usual combination of scholarly discourse and reviews. This book should be of interest to academics and students of literature, literary criticism, media studies and philosophy.
Mutating Goddesses
Mutating Goddesses traces the shifting fortunes of four specific Hindu deities---Manasa, Candi, Sasthi and Laksmi---from the fifteenth century to the present time. It focuses on the goddess-invested tradition of Bengal's Hinduism, and especially its laukika archive as opposed to the sastrik deriving from Sanskrit scriptures authorized by the Brahman, to argue for a historical evolution/devolution of divinities and the knotted correlation of gender, caste and class inthe sanctioning of female subjectivities through goddess formation.
Lotus
Visual Poetry Collections by eminent artist Amitabh Sengupta and Saswati Sengupta.
Mutating Goddesses
Mutating Goddesses traces the shifting fortunes of four specific Hindu deities—Manasa, Candi, Sasthi and Laksmi—from the fifteenth century to the present time. It focuses on the goddess-invested tradition of Bengal's Hinduism to argue for a historical evolution/devolution of divinities in tandem with sectarian interests and illumines in the process the knotted correlation of gender, caste and class in the sanctioning of female subjectivities through goddess formation. The critical studies of Hindu goddesses have been dominated by the sastrik perspective deriving from the Sanskrit scriptures authorized by the male Brahman. But there are religious practices and beliefs under the broad rubr...
Novelist Tagore
Rabindranath Tagore is widely regarded as a poet-philosopher and educationist, but his novels remain a relatively underexplored aspect of his oeuvre. Focusing on gender and modernity as key features of his fiction, this book charts Tagore's evolution as a novelist from self-conscious psychologizing in Chokher Bali to an engagement with nationalism in Gora and Ghare Baire (The Home and the World); a portrayal of asceticism and desire in Chaturanga (Quartet); an analysis of marriage, sexuality and change in Bengali society in Yogayog (Relationships); an effervescent fusion of social satire and literary experimentation in Shesher Kabita (Farewell Song); and an intense, dramatic study of love, p...
Between Ethics and Politics
Is it possible to build an authentically democratic system in politics without concrete ethical foundations? Addressing this question in the wake of the contemporary crisis in democracy worldwide, the volume re-evaluates Mohandas Karamchand Gandhi’s key thoughts. It foregrounds their relevance to the ongoing struggles that attempt to reconcile the apparently dissimilar orientations of politics and ethics. Collecting fresh interdisciplinary researches, the book provides insights into Gandhi’s complex — and occasionally turbulent — intellectual and political relationships with influential figures of Indian society and politics, whether critics such as B. R. Ambedkar and friends like Rabindranath Tagore and Jawaharlal Nehru. It also presents an informed political biography of Gandhi, encapsulating the salient details of his long trajectory as a unique mass mobilizer, socio-political activist and ideologue — from his days in South Africa to his death in independent India. This book will immensely interest scholars and students of political theory, philosophy, ethics, history, and Gandhian studies.
AKASHVANI
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
Asian Classics on the Victorian Bookshelf
The interest among Victorian readers in classical literature from Asia has been greatly underestimated. The popularity of the Arabian Nights and The Rubaiyat of Omar Khayyam is well documented. Yet this was also an era in which freethinkers consulted the Quran, in which schoolchildren were given abridgements of the Ramayana to read, in which names like 'Kalidasa' and 'Firdusi' were carved on the façades of public libraries, and in which women'sbook clubs discussed Japanese poetry. But for the most part, such readers were not consulting the specialist publications of scholarly orientalists. What then were the translations that catalysed these intercultural encounters? Based on a unique metho...
'Bad' Women of Bombay Films
This book presents a feminist mapping of the articulation and suppression of female desire in Hindi films, which comprise one of modern India’s most popular cultural narratives. It explores the lineament of evil and the corresponding closure of chastisement or domesticity that appear as necessary conditions for the representation of subversive female desire. The term ‘bad’ is used heuristically, and not as a moral or essential category, to examine some of the iconic disruptive women of Hindi cinema and to uncover the nexus between patriarchy and other hierarchies, such as class, caste and religion in these representations. The twenty-one essays examine the politics of female desire/s from the 1930s to the present day - both through in-depth analyses of single films and by tracing the typologies in multiple films. The essays are divided into five sections indicating the various gendered desires and rebellions that patriarchal society seeks to police, silence and domesticate.
