Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
English Satire
None
English Satire and Satirists (Classic Reprint)
Excerpt from English Satire and Satirists The word satire, then, has more than one meaning. As there is a Comic Spirit, so there is a Satiric Spirit; and as there is a form of the drama we call Comedy, so there is a form of verse we call Satire. But as the Comic Spirit may manifest itself in the novel or the poem no less than in the comedy, so the Satiric Spirit may appear in prose as well as in verse, and both in verse and in prose it assumes manifold shapes. There are satirical novels and tales, essays and allegories. There are satirical lyrics and even satirical odes; and Paradise Lost itself: contains fragments of satire. What may be called the classical satire of England is derived from...
The Brink of All We Hate
"Is it not monstrous, that our Seducers should be our Accusers? Will they not employ Fraud, nay often Force to gain us? What various Arts, what Stratagems, what Wiles will they use for our Destruction? But that once accomplished, every opprobrious Term with which our Language so plentifully abounds, shall be bestowed on us, even by the very Villains who have wronged us" -- Laetitia Pilkington, Memoirs (1748). In her scandalous Memoirs, Laetitia Pilkington spoke out against the English satires of the Restoration and eighteenth century, which employed "every opprobrious term" to chastise women. In The Brink of All We Hate, Felicity Nussbaum documents and groups those opprobrious terms in order...
Satire and Sentiment, 1660-1830
Claude Rawson examines the evolution of satirical writing in the period 1660-1830. In a sequence of linked chapters, some new and others revised substantially from earlier articles, he focuses on English writers from Rochester to Austen, both within a contemporaneous European context and as part of a tradition deriving from classical and sixteenth-century Humanist predecessors (Homer, Virgil, Erasmus, Montaigne) and leading to later writers like Flaubert and Yeats. Within the period 1660-1830 satire moved from an unusually dominant position to a relatively modest one, softened by the cult of 'sensibility' or 'sentiment'. The transition was connected with large social and cultural changes culminating in the French Revolution. Rawson's method is to concentrate on stress points, on evasions and internal contradictions, and on continuities and discontinuities with earlier and later periods and with literatures and modes of thought outside Britain.
English Satires
None
English Satire
Professor Sutherland's Clark Lectures begin with a definition of satire, distinguishing it from comedy and emphasising the special qualities of the satirical author's motives and his participation in and enjoyment of the use of his talent. He then discusses primitive and popular forms; and there follow four chapters in satire in verse, in prose, in the novel and in the theatre. Each is historical, ranging from the beginnings of modern English literature to Shaw and Orwell. Due consideration if given to classical and medieval traditions, but the real core of the argument is an analysis of the great English satirists, their standpoint, style and method, with ample and enjoyable quotation. Dryden, Swift and Pope are given the most attention but in each chapter Professor Sutherland touches on a number of topics and authors including Fielding, Austen, Peacock, Dickens and Thackeray. A valuable unified account of the nature and resources of satire and the achievements of English satirists.
English Verse Satire 1590-1765
First published in 1978 English Verse Satire aims to provide a critical study of the major English verse satirists as well as an account of the historical development of verse satire. Critical accounts are offered of important writers including Donne, Vaughan, Butler, Rochester, Dryden, Oldham, Swift, Pope, Young, Dr. Johnson and Churchill. An account of verse satire commences historically with the Roman satirists and Dr Selden has provided a substantial treatment of Horace and Juvenal as the basis for a study of the evolution of verse satire from the Elizabethan period to the end of the Augustan period. A special feature of the book is the emphasis on tradition, continuity, and innovation. This book is an interesting read for scholars of English literature.
English Satire
None
