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'Do not read this. No reader deserves to be terrified like this' Linwood Barclay 'Explosively exciting' SUNDAY MIRROR 'Brutally compelling serial killer thriller... told at blistering pace' DAILY MAIL 'Completely mesmerizing!' Lisa Gardner When the two strangers turn up at Rowena Cooper's isolated Colorado farmhouse, she knows instantly that it's the end of everything. For the two haunted and driven men, on the other hand, it's just another stop on a long and bloody journey. And they still have many miles to go, and victims to sacrifice, before their work is done. For San Francisco homicide detective Valerie Hart, their trail of corpses - women abducted, tortured and left with a seemingly ra...
Critically acclaimed author Saul Black returns with a heart-racing thriller in which a brutal murder forces one woman to reckon with her own past—and her future. On a hot summer night, a watchful neighbor locks eyes with an intruder and unwittingly alerts the police to a vicious crime scene next door: a lavish master bedroom where a man lies dead. Next to him, his wife is bleeding out onto the hardwood floor, clinging to life. The victim, Adam Grant, was a well-known San Francisco prosecutor—a man whose connection to Homicide detective Valerie Hart brings her face-to-face with a life she’s long since left behind. Adam’s career made him an easy target, and forensic evidence points tow...
Originally published: London, England: Orion Books, 2016.
"Saul Leiter's early black and white photographs are as innovative and challenging as his highly regarded early work in color. Breaking with the documentary tradition, Leiter responded to the dynamic street life of New York City with a spontaneity and openness that resulted in vibrant, impressionistic images that have the immediacy of an accomplished artist's sketch. With his unconventional framing and nuanced use of light, shadow and tone, Leiter created images with a lyrical subtlety like no other photographer of his era, and brought the same sensibility to his intimate and frank portrayals of family members and friends. Early Black and White shows the impressive range of Leiter's early photography."--Slipcase.
An inspiring, practical plan to transform Australia’s energy system and supercharge our response to the climate crisis Climate change is a planetary emergency. We have to do something now – but what? Australian visionary Saul Griffith has a plan. In The Big Switch, Griffith lays out a detailed blueprint – optimistic but feasible – for fighting climate change while creating millions of new jobs and a healthier environment. Griffith explains exactly what it would take to transform our infrastructure, update our grid, and adapt our households. Billionaires may contemplate escaping our worn-out planet on a private rocket ship to Mars, but the rest of us, Griffith says, will stay and figh...
'A photographer's gift to the viewer is sometimes beauty in the overlooked ordinary' Saul Leiter Photography lovers the world over are now embracing Saul Leiter, who has enjoyed a remarkable revival since fading into relative obscurity in the 1980s. This collection reveals the secrets of his appeal, from his life philosophy and lyricism to masterful colours and compositions. Some 200 works - including early street photographs, images for advertising, nudes and paintings - cover Leiter's career from the 1940s onwards, accompanied by quotations from the artist himself that express his singular world view.
“A fiendishly sharp, intelligent examination of modern human life that is as funny as hell.” —The Times (London) The end is nigh and the Prince of Darkness has just been offered one hell of a deal: reentry into Heaven for eternity—if he can live out a well-behaved life in a human body on earth. It’s the ultimate case of trying without buying and, despite the limitations of the human body in question (previous owner one suicidally unsuccessful writer, Declan Gunn), Luce seizes the opportunity to run riot through the realm of the senses. This is his chance to straighten the biblical record (Adam, it’s hinted, was a misguided variation on the Eve design), to celebrate his favorite a...
This revealing collection of Saul Leiter’s work, much of it published here for the first time, underscores the photographer’s unique contributions to the development of twentieth-century photography and the use of color. Saul Leiter’s painterly images evoke the flow and rhythm of life on the midcentury streets of New York in luminous color, at a time when his contemporaries were shooting in black and white. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing, and mirroring effects are married to a very personal printing style, creating a unique kind of urban view; his complex and impressionistic photographs are as much abou...
John Saul knows how to make the blood run cold and the heart race wild with fear. Now the author of the New York Times bestsellers Creature and The Homing delivers a chilling novel of a convicted serial killer sentenced to death—and hell-bent on revenge. For five years Seattle journalist Anne Jeffers has pursued the horrifying story of a sadistic serial killer’s bloody reign, capture, trial, and appeal—crusading to keep the wheels of justice churning toward the electric chair. Now the day of execution has come. A convicted killer will meet his end. Anne believes her long nightmare is over. But she’s dead wrong. . . . Within days, a similar murder stuns the city. As the butcher stalks...
Fed by thrilling recent discoveries from Saul Leiter's vast archive, In My Room provides an in-depth study of the nude, through intimate photographs of the women Leiter knew. Showing deeply personal interior spaces, often illuminated by the lush natural light of the artist's studio in New York City's East Village, these black-and-white images reveal the unique collaboration between Leiter and his subjects. In the 1970s, Leiter planned to make a book of his nudes, but never realized the project in his lifetime. Now we are granted a first-time look at this body of work, which Leiter began on his arrival in New York in 1946 and chipped away at over the next two decades. Leiter, who was also a painter, incorporates abstract elements into these photographs and often shows the influence of his favorite artists, including Bonnard, Vuillard and Matisse. The prolific Leiter, who painted and took pictures fervently up to his death, worked in relative obscurity well into his eighties. Leiter preferred solitude in life, and resisted any type of explanation or analysis of his work. With In My Room, Leiter ushers viewers into his private world while retaining his strong sense of mystery.