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A boy tells about a story he wrote when dealing with his father's death about a savage kid living in a ruined chapel in the woods--and the tale about the savage kid coming to life in the real world.
In this New York Times bestselling “imperative how-to for creativity” (Nick Offerman), Adam Savage—star of Discovery Channel’s Mythbusters—shares his golden rules of creativity, from finding inspiration to following through and successfully making your idea a reality. Every Tool’s a Hammer is a chronicle of my life as a maker. It’s an exploration of making, but it’s also a permission slip of sorts from me to you. Permission to grab hold of the things you’re interested in, that fascinate you, and to dive deeper into them to see where they lead you. Through stories from forty-plus years of making and molding, building and breaking, along with the lessons I learned along the...
The voices of Tusiata Avia are infinite. She ranges from vulnerable to forbidding to celebratory with forms including pantoums, prayers and invocations. And in this electrifying new work, she gathers all the power of her voice to speak directly into histories of violence.Avia addresses James Cook in fury. She unravels the 2019 Christchurch massacre, walking us back to the beginning. She describes the contortions we make to avoid blame. And she locates the many voices that offer hope. The Savage Coloniser Book is a personal and political reckoning. As it holds history accountable, it rises in power.
Wilhelmina Silver's world is golden. Living half-wild on an African farm with her horse, her monkey and her best friend, every day is beautiful. But when her home is sold and Will is sent away to boarding school in England, the world becomes impossibly difficult. For lions and hyenas are nothing compared to packs of schoolgirls. Where can a girl run to in London? And will she have the courage to survive?
From the New York Times bestselling author of The Cartel, The Force, and The Border A New York Times, Entertainment Weekly, and Chicago Sun-Times Favorite Book of the Year “A revelation…This is Butch Cassidy and the Sundance Kid on autoload.” —Stephen King, Entertainment Weekly “Startling…Stylish…Mega-cool.” —Janet Maslin, The New York Times Ben, Chon, and O are twentysomething best friends living the dream in Southern California. Together they have made a small fortune producing premium grade marijuana, a product so potent that the Mexican Baja Cartel demands a cut. When Ben and Chon refuse to back down, the cartel kidnaps O, igniting a dizzying array of high-octane negotiations and stunning plot twists as they risk everything to free her. The result is a provocative, sexy, and darkly engrossing thrill ride, an ultracontemporary love story that will leave you breathless.
A boy tells about a story he wrote when dealing with his father's death about a savage kid living in a ruined chapel in the woods--and the tale about the savage kid coming to life in the real world.
The second race-against-time thriller from the author of ROTTEN GODS, in the tradition of le Carre, Ludlum and Clancy. Intelligence officer Marika Hartmann captures an extremist foot-soldier guilty of a massacre of school children and aid workers in Southern Somalia. Renditioned to a CIA 'black site' in Djibouti, the prisoner hints at a terror plot in the making. Marika and ex-Special Forces colleague PJ Johnson team up to investigate, uncovering a cold-blooded conspiracy that will decimate the cities of the West. From the refugee camps of East Africa to the azure waters off the Iranian coast, the marshes of Iraq to Syria's parched eastern desert, Savage Tide is a manhunt, a quest for truth,...
A reissue of Jon Savage's landmark book on punk culture.
* Chicago Tribune "Fall literary preview: books you need to read now" * Vulture "The Best and Biggest Books to Read This Fall" * The Guardian "A best book of 2019" After moving with his wife and two children to a smallholding in Ireland, Paul Kingsnorth expects to find contentment. It is the goal he has sought — to nest, to find home — after years of rootlessness as an environmental activist and author. Instead he finds that his tools as a writer are failing him, calling into question his foundational beliefs about language and setting him at odds with culture itself. Informed by his experiences with indigenous peoples, the writings of D.H. Lawrence and Annie Dillard, and the day-to-day travails of farming his own land, Savage Gods asks: what does it mean to belong? What sacrifices must be made in order to truly inhabit a life? And can words ever paint the truth of the world — or are they part of the great lie which is killing it?