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Artaud and the Gnostic Drama
* The first study of the intricate parallels between the heretical dramaturgy of Antonin Artaud (1896-1948) and the heresies of ancient Gnosticism. Artaud has been mythologized by influential post-structuralist critics as an icon of failure and madness, overlooking the self-mythologizing which permeates his vast oeuvre. This book uses 'heresy' rather than 'madness' to designate the impassioned thought processes which escape the terms oforthodox Western epistemology, and situates Artaud, as the most extravagant of heretics, in company with the Gnostics whose speculations served to define heresy in the beginnings of the Christian tradition. Assessing the implications for contemporary criticism, Jane Goodall argues that the neglectof these elements of Artaud's work by recent theorists signals post-structuralism's anxiety towards the powerful assault upon the founding tenets of Western thought presented in Gnostic drama.
Geosophia
Tracing the development of magic from the Greeks to the grimoires, it lays bare the chthonic roots of goetic ritual. By exposing the necromantic origins of much of modern magic we are able to reconnect with the source of our ritual tradition. There is a continuity of practice in the West which encompasses the pre-Olympian cults of Dionysus and Cybele, is found in the Greek Magical Papyri and Picatrix and flows into the grimoires. Rather than a muddle of superstition, the grimoire tradition is revealed as the living descendant of the ancient practices of the Goes.
The Eloquent Blood
The Eloquent Blood focuses on the changing construction of femininity and feminine sexuality in interpretations of the goddess Babalon. A central deity in Thelema, the religion founded by the notorious British occultist Aleister Crowley (1875-1947), Babalon is based on Crowley's favorable reinterpretation of the biblical Whore of Babylon, and is associated with liberated female sexuality and the spiritual ideal of passionate union with existence. Combining research on historical and contemporary Western esotericism with feminist and queer theory, the book sheds light on the ways in which esoteric movements and systems of thought have developed over time in relation to political movements.
Awakening the Witchblood
Drawing on the myriad of beliefs from European witch traditions, Nathan King has created an impressive guidebook, combining mythology and folklore with operative rituals designed to enliven and quicken the metaphorical Witch Blood that courses through our veins. The Witchblood Awakens Witches are not just users of magick; we are a physical embodiment, reflection, and power of the source. Coursing through our veins is a potent, magickal elixir called the Witchblood, our personal source of power that creates the spark igniting our spells and rituals. In his first book, Awakening the Witch Blood, folkloric witch and high priest Nathan King takes the reader on a truly magickal journey through witch-lore, ultimately leading you on a journey of self discovery.
Catalog of Copyright Entries, Third Series
The record of each copyright registration listed in the Catalog includes a description of the work copyrighted and data relating to the copyright claim (the name of the copyright claimant as given in the application for registration, the copyright date, the copyright registration number, etc.).
Song of the Dark Man
• Explains the Dark Man phenomenon through centuries-old folklore and mythology, testimony from British witch trials, and modern accounts • Challenges the simplistic concept of the Devil as “evil,” explaining how encounters with this entity can reveal one’s life purpose and how the Dark Man can be an initiator into witchcraft • Presents interviews with those who have witnessed the Dark Man firsthand, offering insights into how he can serve as a guide to a more positive life From the fortean phantoms that terrorized Victorian England to the haunted crossroads of the Irish hinterlands, the Devil—also known as the Dark Man—has found countless novel ways to influence culture and ...
Roger Zelazny's Chaos and Amber (HC)
In CHAOS AND AMBER, Dworkin and his son Oberon arrive at the Courts of Chaos to discover, and confront, their hidden enemies. But things don't go as planned. Oberon has a terrible physical reaction to being in Chaos, while assassination attempts are made on both his and Dworkin's lives—and the traitor in their family remains a hidden but quite real threat. Dworkin takes Oberon on a desperate journey, pressing deeper into Shadow than ever before. Here, Oberon discovers more of the true nature of his father...and of his real mother. But they have been followed, and a horde of hell-creatures attacks. Ultimately, Dworkin must create a new Pattern with his own blood to save himself, his family, and the future.
Now Comes Theodora
"A richly colorful novel," said the New York Times, but in the author's home town, the bookstore manager kept it under the counter and sold it only to those who dared ask for it. Woodstock was still four years in the future, and American students were more concerned about nuclear weapons than a war in Vietnam. But already there was something blowing in the wind, as the young Daniel Ford was among the first to document in his debut novel. "It is impossible not to keep on watching them," said The New Yorker of his heroine and his anti-heroes, and the Los Angeles Times agreed: "An effervescent eye-opener."
