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The Birth of Intertextuality
Why was the term ‘intertextuality’ coined? Why did its first theorists feel the need to replace or complement those terms – of quotation, allusion, echo, reference, influence, imitation, parody, pastiche, among others – which had previously seemed adequate and sufficient to the description of literary relations? Why, especially in view of the fact that it is still met with resistance, did the new concept achieve such popularity so fast? Why has it retained its currency in spite of its inherent paradoxes? Since 1966, when Kristeva defined every text as a ‘mosaic of quotations’, ‘intertextuality’ has become an all-pervasive catchword in literature and other humanities departmen...
'Strandentwining Cable'
Scarlett Baron explores the works of two of the most admired and mythologized masters of nineteenth- and twentieth-century prose: Gustave Flaubert (1822-1880) and James Joyce (1882-1941). She uncovers the lifelong fascination that Joyce harboured for Flaubert and investigates how this heightened interest inflected his own creative practice.
'Strandentwining Cable'
'Strandentwining Cable' explores the works of two of the most admired and mythologized masters of nineteenth- and twentieth-century prose: Gustave Flaubert (1822-1880) and James Joyce (1882-1941). This book is a study of their literary relationship. In six chronologically ordered chapters it carries out a detailed intertextual analysis of Joyce's engagement with Flaubert over the entire course of his writing career. In doing so it delineates the contours and uncovers the effects of one of the most crucially formative artistic relationships of Joyce's life. Travelling through Flaubert's native Normandy in 1925, on a holiday trip which bears all the appearances of a pilgrimage journey, Joyce a...
I Do I Undo I Redo
The manuscripts of modern writers are a labyrinth, but they have become an exciting new destination for literary scholarship. In this lively, lucid and original study, Finn Fordham looks at the draft manuscripts of six great modernist writers - Hopkins, Yeats, Conrad, Forster, Joyce and Woolf - to compare their variety of writing processes.
The Cambridge Centenary Ulysses: The 1922 Text with Essays and Notes
James Joyce's Ulysses is considered one of the greatest novels of the twentieth century. This new edition - published to celebrate the book's first publication - helps readers to understand the pleasures of this monumental work and to grapple with its challenges. Copiously equipped with maps, photographs, and explanatory footnotes, it provides a vivid and illuminating context for the experiences of Leopold Bloom, Stephen Dedalus, and Molly Bloom, as well as Joyce's many other Dublin characters, on June 16, 1904. Featuring a facsimile of the historic 1922 Shakespeare and Company text, this version also includes Joyce's own errata as well as references to amendments made in later editions. Each of the eighteen chapters of Ulysses is introduced by a leading Joyce scholar. These richly informative pieces discuss the novel's plot and allusions, while also explaining crucial questions that have puzzled and tantalized readers over the last hundred years.
The Cambridge Companion to Ulysses
Through a series of incisive and insightful essays by accomplished scholars, this Companion offers readers a new window to the world of Ulysses.
Invention
For early modern authors, the meaning of invention lay between the classical world's omnipresent notion of imitation and what would later become Romantic ideals of genius and originality. In that sense, their era was a transitional phase, smoothing the passage from the classical notion of poetry as imitation to the understanding of literature as the product of the author's creative imagination and original thought. Yet a great conceptual richness lay in this intermediate position, capturing many of the political, religious and social tensions of the Renaissance. Rocío G. Sumillera is Associate Professor at the Universidad de Granada.
