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Proceedings of the Massachusetts Historical Society
  • Language: en
  • Pages: 590

Proceedings of the Massachusetts Historical Society

  • Type: Book
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  • Published: 1862
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  • Publisher: Unknown

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South Park and Philosophy
  • Language: en
  • Pages: 256

South Park and Philosophy

If you think Saddam and Satan make a kinky couple, wait till you get a load of South Park and Philosophy. Get your Big Wheels ready, because we’re going for a ride, as 22 philosophers take us down the road to understanding the big-picture issues in this small mountain town. A smart and candid look at one of television’s most subversive and controversial shows, celebrating its 10th anniversary this year Draws close parallels between the irreverent nature of South Park and the inquiring and skeptical approach of philosophy Addresses the perennial questions of the show, and the contemporary social and political issues that inspire each episode Uses familiar characters and episodes to illustrate topics such as moral relativism, freedom of expression, gay marriage, blasphemy, democracy, feminism, animal ethics, existential questions and much more makes you laugh out loud

Hitchcock and Philosophy
  • Language: en
  • Pages: 288

Hitchcock and Philosophy

  • Type: Book
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  • Published: 2011-09-30
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  • Publisher: Open Court

The shower scene in Psycho; Cary Grant running for his life through a cornfield; “innocent” birds lined up on a fence waiting, watching — these seminal cinematic moments are as real to moviegoers as their own lives. But what makes them so? What deeper forces are at work in Hitchcock’s films that so captivate his fans? This collection of articles in the series that’s explored such pop-culture phenomena as Seinfeld and The Simpsons examines those forces with fresh eyes. These essays demonstrate a fascinating range of topics: Sabotage’s lessons about the morality of terrorism and counter-terrorism; Rope’s debatable Nietzschean underpinnings; Strangers on a Train’s definition of morality. Some of the essays look at more overarching questions, such as why Hitchcock relies so heavily on the Freudian unconscious. In all, the book features 18 philosophers paying a special homage to the legendary auteur in a way that’s accessible even to casual fans.

Metallica and Philosophy
  • Language: en
  • Pages: 278

Metallica and Philosophy

Hit the lights and jump in the fire, you're about to enter the School of Rock! Today's lecture will be a crash course in brain surgery. This hard and fast lesson is taught by instructors who graduated from the old school—they actually paid $5.98 for The $5.98 EP. But back before these philosophy professors cut their hair, they were lieutenants in the Metal Militia. A provocative study of the 'thinking man's' metal band Maps out the connections between Aristotle, Nietzsche, Marx, Kierkegaard, and Metallica, to demonstrate the band's philosophical significance Uses themes in Metallica's work to illuminate topics such as freedom, truth, identity, existentialism, questions of life and death, metaphysics, epistemology, the mind-body problem, morality, justice, and what we owe one another Draws on Metallica's lyrical content, Lars Ulrich's relationship with Napster, as well as the documentary Some Kind of Monster Serves as a guide for thinking through the work of one of the greatest rock bands of all time Compiled by the editor of Seinfeld and Philosophy: A Book about Everything and Nothing and The Simpsons and Philosophy: The D'oh! of Homer

Music for the Superman
  • Language: en
  • Pages: 233

Music for the Superman

  • Type: Book
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  • Published: 2017-06-09
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  • Publisher: McFarland

Friedrich Nietzsche regarded himself as the most musical philosopher--he played the piano, wrote his own compositions and espoused a philosophy encouraging all to dance for joy. Central to his life and his ideas were the music and personality of Richard Wagner, whom he both loved and loathed at different times of his life. Nietzsche had considerable influence on composers, many of whom employed Wagnerian sonorities to set his words and respond to his ideas. This book explores Nietzsche's relationship with Wagner, the influence of his writings on the music of Strauss, Mahler, Delius, Scriabin, Busoni and others, his place in Thomas Mann's critique of German Romantic music in the novel Doctor Faustus and his impact on 20th-century popular music.

Bruce Springsteen: Like a Killer in the Sun
  • Language: en
  • Pages: 609

Bruce Springsteen: Like a Killer in the Sun

Bruce Springsteen – Like a Killer in the Sun, originally published in Italian, is the definitive book on the work of Bruce Springsteen, showing his unique narrative talent and offering an accurate critical examination of his poetics. It presents 117 among his best lyrics, expounded and annotated with the philological care used for the classics of literature. In his introduction, Leonardo Colombati draws the attention to the fact that Springsteen is an author grafted on the line that goes from Whitman to Steinbeck, from Flannery O'Connor to Raymond Carver. The book also contains Springsteen's biography and discography, plus an exclusive interview with Bruce Springsteen. With forewords by Academy Award-winner Ennio Morricone and music critic Dave Marsh, a committee member of the Rock and Roll Hall of Fame and Springsteen's biographer. Like a Killer in the Sun is a book for anyone who wants to listen to a powerful and inspired voice coming from the heart of America.

The Red Sox and Philosophy
  • Language: en
  • Pages: 578

The Red Sox and Philosophy

Loyalty to a great cause raises some of the most profound issues in philosophy, and loyalty to the greatest of all causes, the Boston Red Sox, poses these questions in the sharpest possible way. The Red Sox and Philosophy brings together a team of thirty of America's leading thinkers (twenty-eight of them citizens of Red Sox Nation), to unravel some of the mysteries of the Red Sox.Can we adapt Anselm's proof of the existence of God to prove that the Red Sox are the greatest conceivable sports team? Why are Red Sox fans moral heroes? Can the science of sabermetrics be reconciled with the religion of baseball? Are pink Red Sox hats rationally defensible? These and other challenging problems are solved in The Red Sox and Philosophy. ''From Immanuel Kant to Manuel Aristides Ramirez, it's all here. Proof positive that all thinking men are Red Sox fans. The Red Sox and Philosophy reminds us that the Boston American League franchise is much more than a mere baseball team. ''

Seinfeld and Philosophy
  • Language: en
  • Pages: 362

Seinfeld and Philosophy

How is Jerry like Socrates? Is it rational for George to ''do the opposite? '' Would Simone de Beauvoir say that Elaine is a feminist? Is Kramer stuck in Kierkegaard's aesthetic stage? Seinfeld and Philosophy is both an enlightening look at the most popular sitcom of the decade and an entertaining introduction to philosophy via Seinfeld's plots and characters. These fourteen essays, which explore the ideas of Plato, Aristotle, Lao-Tzu, Heidegger, Kant, Marx, Kierkegaard, Nietzsche, Sartre, and Wittgenstein, will show readers how to be masters of their philosophical domain.

Pink Floyd and Philosophy
  • Language: en
  • Pages: 284

Pink Floyd and Philosophy

  • Type: Book
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  • Published: 2011-04-15
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  • Publisher: Open Court

With their early experiments in psychedelic rock music in the 1960s, and their epic recordings of the 1970s and '80s, Pink Floyd became one of the most influential and recognizable rock bands in history. As "The Pink Floyd Sound," the band created sound and light shows that defined psychedelia in England and inspired similar movements in the Jefferson Airplane's San Francisco and Andy Warhol's New York City. The band's subsequent recordings forged rock music's connections to orchestral music, literature, and philosophy. "Dark Side of the Moon" and "The Wall" ignored pop music's ordinary topics to focus on themes such as madness, existential despair, brutality, alienation, and socially induce...

Critique of Pure Music
  • Language: en
  • Pages: 226

Critique of Pure Music

James O. Young seeks to explain why we value music so highly. He draws on the latest psychological research to argue that music is expressive of emotion by resembling human expressive behaviour. The representation of emotion in music gives it the capacity to provide psychological insight—and it is this which explains a good deal of its value.