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Wingbeats
Wingbeats: Exercises & Practice in Poetry is an exciting collection from poets who teach both in and outside academia. Fifty-eight poets in various stages of their careers have contributed sixty-one exercises ranging from quick and simple to involved and multi-layered. In seven chapters, ranging from "Springboards to Imagination" to "Chancing the Accidental" to "Complicating the Poem," each exercise includes not only clear step-by-step instructions, but numerous poems that exemplify the successful completion of the exercise. Wingbeats, edited by Scott Wiggerman and David Meischen, includes exercises for working in pairs and/or groups, for incorporating research and/or the Internet, for writi...
Wingbeats II: Exercises and Practice in Poetry
WINGBEATS II: EXERCISES & PRACTICE IN POETRY, the eagerly awaited follow-up to the original WINGBEATS, is an exciting collection from teaching poets—58 poets, 59 exercises. Whether you want a quick exercise to jump-start the words or multi-layered approaches that will take you deeper into poetry, WINGBEATS II is for you. The exercises include clear step-by-step instruction and numerous example poems, including work by Lucille Clifton, Li-Young Lee, Cleopatra Mathis, Ezra Pound, Kenneth Rexroth, Patricia Smith, William Carlos Williams, and others. You will find exercises for collaborative writing, for bending narrative into new poetic shapes, for experimenting with persona, for writing nonlinear poems. For those interested in traditional elements, WINGBEATS II includes exercises on the sonnet, as well as approaches to meter, line breaks, syllabics, and more. Like its predecessor, WINGBEATS II will be a standard in creative writing classes, a standard go-to in every poet's library.
Lifting the Sky
Poetry. Foreword by Penny Harter. LIFTING THE SKY is the first in a new series from Dos Gatos Press: Poetry of the American Southwest. A perfect marriage of form--haiku--and subject--the limitless inspirations of the American Southwest--LIFTING THE SKY is essential reading for haiku and poetry lovers everywhere. With thirty-three stunning haiga, this collection is also a treat for the eye. Penny Harter, co-author of The Haiku Handbook (25th Anniversary Edition, 2010), contributed the foreword. Here, Harter says, we enter haiku and haiga that take us through the beauties of the landscape--from desert and mountains to the sea; poems that express the poets' political, spiritual, mythical, cultural, and deeply personal connections to the Southwest; poems that make us laugh or cry; and poems drenched in light that repeatedly carry us from the Earth into the stars and galaxies. As does the landscape, these poems lift us out of ourselves.
Leaf and Beak
Most mornings for the past decade, poet Scott Wiggerman has walked the trails at Austin's Mueller Lake Park, an urban space created on land that once held the city's airport. Awake to the landscape as he walked, Wiggerman stopped from time to time and jotted a word or phrase for a poem that would come later. Leaf and Beak is the product of these walks, of the poet's ever watchful eye, of the discipline he learned mastering the sonnet. Readers are in good hands here. The sonnets-seventy-five of them-flow so smoothly you can forget you're reading a sonnet and just let the images take you in, the rhythms move you forward. The poems of Leaf and Beak are quiet poems, reflective poems, poems that ask you to walk in stillness for moments at a time, to absorb "the hidden in full view," to appreciate "a lone green leaf / that hangs on like a weekend birthday, deaf / to bitter winds." Wiggerman moves from the observed image, letting some details turn him inward while others lead to meditations on his fellow beings, on the world he walks. "What will / tomorrow bring that now cannot be seen?" he asks. "What change, what wonders to discover?"
Très Di-verse-city
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The Queer South
This anthology features poetry and prose that explores the queer experience in the American South.
Writing and Enjoying Haiku
This inspiring book shows how to write and appreciate the spiritual essence of haiku in English.
Scientists and Poets #Resist
Scientists and Poets #Resist is a collection of creative nonfiction, personal narrative, and poetry. This volume is a conversation between poets and scientists and a dialogue between art and science. The authors are poets, scientists, and poet-scientists who use the seven words—"vulnerable," "entitlement," "diversity," "transgender," "fetus," "evidence-based" and "science-based"—banned by the Trump administration in official Health and Human Service documents in December 2017 in their contributions. The contributors use the seven words to discuss their work, reactions to their work, and the creative environment in which they work. The resulting collection is an act of resistance, a political commentary, a conversation between scientists and poets, and a dialogue of collective voices using banned words as a rallying cry—Scientists and Poets #Resist—a warning that censorship is an issue connecting us all, an issue requiring a collective aesthetic response. This book can be read for pleasure, is a great choice for book clubs, and can be used as a springboard for reflection and discussion in a range of courses in the social sciences, education, and creative writing.
City of the Big Shoulders
Chicago has served as touchstone and muse to generations of writers and artists defined by their relationship to the city’s history, lore, inhabitants, landmarks, joys and sorrows, pride and shame. The poetic conversations inspired by Chicago have long been a vital part of America’s literary landscape, from Carl Sandburg and Gwendolyn Brooks to experimental writers and today’s slam poets. The one hundred contributors to this vibrant collection take their materials and their inspirations from the city itself in a way that continues this energetic dialogue. The cultural, ethnic, and aesthetic diversity in this gathering of poems springs from a variety of viewpoints, styles, and voices as...
The Practicing Poet
Organized into ten sections with each devoted to a poetic concept, The Practicing Poet begins with "Discovering New Material," "Finding the Best Words," "Making Music," "Working with Sentences and Line Breaks," "Crafting Surprise," and "Achieving Tone." The concepts become progressively more sophisticated, moving on to "Dealing with Feelings," "Transforming Your Poems," and "Rethinking and Revising." The final section, "Publishing Your Book," covers manuscript organization, book promotion, and presentation of a good public reading. The book includes thirty brief craft essays, each followed by a model poem and analysis of the poem's craft, then a prompt based on the poem. Ten recyclable bonus prompts are also included. Ten Top Tips lists are each loaded with poetry wisdom from an accomplished poet. The Practicing Poet pushes poets beyond the basics and encourages the continued reading, learning, and writing of poetry. It is suitable as a textbook in the classroom, a guidebook in a workshop, or an at-home tutorial for the practicing poet working independently. The craft essays, poems, and top tips lists include the work of 113 contemporary poets.
