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Manner of Correspondence
Examines a literary club whose members included Jonathan Swift and Alexander Pope, and shows how members were bound by correspondent values, complementary talents, and a united satiric program. Traces their shared vision in works such as Memoirs of Scriblerus and The Beggar's Opera, identifies the pastoral as their common ideal, and highlights the Scriblerian influence on later writers such as John Barth and James Joyce. Annotation copyrighted by Book News, Inc., Portland, OR
Riffing on Strings
Riffing on Strings is a unique collection of creative writing that explores the cosmic and cultural resonances of string theory. The book includes thought-provoking essays, short stories, poems, and a play from over 40 acclaimed authors, including Nobel Laureate Sheldon Glashow, Michio Kaku, Peter Woit, Adam Roberts, Colette Inez, Brenda Hillman, Joseph Radke, Bruce Holland Rogers, and Carole Bugge. "Sean Miller and Shveta Verma have put together an exhilaratingly eclectic anthology of creative and expository writing about one of the most exciting (even if controversial) intellectual fields of our time: string theory. Just Miller's erudite introduction by itself is worth the price of this sparkling collection." - S. Abbas Raza, Managing Editor of 3 Quarks Daily "Putting together a theory of everything requires a lot of creativity, and more than a little audacity - qualities which are also abundant in this collection of stories and poems inspired by string theory. Riffing on Strings is guaranteed to stimulate both hemispheres of your brain." - Sean Carroll, Theoretical Physicist, California Institute of Technology & Creator of Cosmic Variance
Hobbes, the Scriblerians and the History of Philosophy
Satire was core to the work of Thomas Hobbes although his critics also used it as a weapon to ridicule him. Condren uses Hobbes as an example to demonstrate that an examination of the persona is needed to advance our understanding of a writer's philosophy.
The Cambridge History of English Literature, 1660-1780
The Cambridge History of English Literature, 1660-1780 offers readers discussions of the entire range of literary expression from the Restoration to the end of the eighteenth century. In essays by thirty distinguished scholars, recent historical perspectives and new critical approaches and methods are brought to bear on the classic authors and texts of the period. Forgotten or neglected authors and themes as well as new and emerging genres within the expanding marketplace for printed matter during the eighteenth century receive special attention and emphasis. The volume's guiding purpose is to examine the social and historical circumstances within which literary production and imaginative writing take place in the period and to evaluate the enduring verbal complexity and cultural insights they articulate so powerfully.
Higher Speculations
A historical account of highly ambitious attempts to understand all of nature in terms of fundamental physics. Presenting old and new 'theories of everything' in their historical contexts, the book discusses the nature and limits of scientific explanation in connection with concrete case studies.
Parody, Scriblerian Wit and the Rise of the Novel
Parody was a crucial technique for the satirists and novelists associated with the Scriblerus Club. The great eighteenth-century wits (Alexander Pope, John Gay, Henry Fielding, Laurence Sterne) often explored the limits of the ugly, the droll, the grotesque and the insane by mocking, distorting and deconstructing multiple discourses, genres, modes and methods of representation. This book traces the continuity and difference in parodic textuality from Pope to Sterne. It focuses on polyphony, intertextuality and deconstruction in parodic genres and examines the uses of parody in such texts as «The Beggar’s Opera», «The Dunciad», «Joseph Andrews» and «Tristram Shandy». The book demonstrates how parody helped the modern novel to emerge as a critical and artistically self-conscious form.
The Kingdom of Science
The Kingdom of Science examines Baconian utopias as blueprints for a scientific sociologyøof knowledge that founded a new social and economic world in the seventeenth century. Looking backward, Paul A. Olson begins with More's Utopia and Shakespeare's The Tempest, static state utopias designed to woo us toward a moral as opposed to a scientific reform. To these, Olson then contrasts the primary subjects of his study?Bacon's New Atlantis, the Commonwealth educational utopias, and the utopianism of Adam Smith and his Utilitarian followers. These later utopias increasingly point to an ideal world to be dominated by a science linked to technology, compelled education, and competitive capitalism...
Swift and Science
It is thought that Swift was opposed to the new science that heralded the beginning of the modern age, but this book interrogates that assumption, tracing the theological, political, and socio-cultural resonances of scientific knowledge in the early eighteenth century, and considering what they can reveal about Swift's imagination.
Slavery and Augustan Literature
Slavery and Augustan Literature investigates slavery in the work of Jonathan Swift, Alexander Pope and John Gay. These three writers were connected with a Tory ministry, which attempted to increase substantially the English share of the international slave trade. They all wrote in support of the treaty that was meant to effect that increase. The book begins with contemporary ideas about slavery, with the Tory ministry years and with texts written during those years. These texts tend to obscure the importance of the slave trade to Tory planning. In its second half, the book analyses the attitudes towards slavery in Pope's Horatian poems, An Essay on Man, Polly, A Modest Proposal and Gulliver's Travels. John Richardson shows how, despite differences, Swift, Pope and Gay adopt a mixed position of admiration for freedom alongside implicit support for slavery.
The Oxford Handbook of English Prose, 1640-1714
The Oxford Handbook of English Prose, 1640-1714 is the most wide-ranging overview available of prose writing in English during one of the most tumultuous periods in British and Irish history. Stretching from the outbreak of the English Civil Wars to the death of Queen Anne, the last Stuart monarch, the volume is unprecedented in the breadth of its coverage of an age in which prose moved from the margins of cultural life in Britain to its centre. The volume also breaks new ground in the diversity of the prose writing it covers: its thirty-six chapters by an array of established literary critics and historians capture the excitingly multiple forms that prose took in what was a golden age for n...
