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Belfast Aurora
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Belfast Aurora
'Soon the summer storms became mainly man-made, rumbling and crackling their way up from the terraces and rolling in from the sprawling new estates. Troubles had come again to Belfast, this city of history, hard men and hatred.' A wordsmith by trade, in Belfast Aurora the late author Seamus Kelters captures his time growing up on the Falls Road at the height of the Troubles. However, this is not just a Troubles book. It's a testimony to the love of family and friends in the midst of chaos and tragedy. Within these fifteen unique stories there are lessons, laughter, and awareness--a precious gift for the readers he would never meet. It's a rich journey through the eyes of a child in a troubled place. A place he called home, offering not just the tapestry of a life touched by war, but also the brilliant colours of a child's world bursting like a rich waving flare in his very own Belfast Aurora.
Eyewitness
By turns beautiful, poignant, frightening and funny, Eyewitness is a personal pictorial record of Northern Ireland life over nearly forty years. Brendan Murphy's photographs of sporting events, everyday life, politicians, riots, IRA operations and exercises, funerals, children and celebrities are accompanied by detailed and candid captions revealing the events, people and atmosphere of four decades in the province, and the lengths to which Brendan sometimes had to go to get his picture.
Lost Lives
This is a unique work filled with passion and violence, with humanity and inhumanity. It is the story of the Northern Ireland troubles told through the lives of those who have suffered and the deaths which have resulted from the conflict.
Lost Lives
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Fight, Flight, Mimic
FIight, Flight, Mimic is the first systematic study of deceptive mimicry in the context of wars. Deceptive mimicry -- the manipulation of individual or group identity -- includes passing off as a different individual, as a member of a group to which one does not belong, or, for a group, to 'sign' its action as another group. Mimicry exploits the reputation of the model it mimics to avoid capture (flight), to strike undetected at the enemy (fight), or to hide behind or besmirch the reputation of the model group ('false flag' operations). These tactics have previously been described anecdotally, mixed in with other ruses de guerre, but the authors show that mimicry is a distinct form of decept...
The Wrong Country
This engaging, personal chronicle by Irish poet Gerald Dawe explores the lives and times of leading Irish writers, including W.B. Yeats, Elizabeth Bowen, Samuel Beckett and Stewart Parker, alongside lesser-known names from the earlier decades of the twentieth century, such as Ethna Carberry, Alice Milligan, Joseph Campbell and George Reavey. It also portrays the changing cultural backgrounds of the author’s contemporaries, such as Derek Mahon, Eavan Boland, Eileán Ní Chuilleanáin, Colm Tóibín, Leontia Flynn and Sinéad Morrissey. Gerald Dawe presents an accessible view of modern Irish literature, filtered perceptively through his own distinctive lens, and raises important questions about cultural belonging, the commercialisation of contemporary writing, and the influence of Irish literary culture in a digital age. In this lyrical exploration of national identity, The Wrong Country repositions our understanding of modern Irish writing in a wider context for today’s readers.
Trauma Journalism
A narrative approach advocating education for students and professionals on the impact of stress, trauma and intervention in the life of a journalist. >
A Treatise on Northern Ireland
The third volume of the definitive political history of Northern Ireland.
The Order of Victimhood
This book explores how the construction and contestation of victims in societies emerging from conflict impact processes of peacebuilding. It locates its inquiry in Northern Ireland where highly politicized, unresolved narratives of violence and a so-called ‘hierarchy of victims’ illuminate inherent paradoxes of victimhood in intergroup conflict. The author critiques how mechanisms designed to address the legacy of conflict often reify exclusive ‘victim’ and ‘perpetrator’ identities and obscure complex harm. Adopting an interdisciplinary lens, the book examines how the image of the ideal victim interacts with intergroup processes in a polarizing and intractable victim-perpetrator paradigm. The analysis of these issues in Northern Ireland suggests that exclusive policies and mechanisms reinforce rather than repair societal divisions, and that inclusive, complex approaches to victimhood are necessary to build sustainable peace. This book will be of particular interest to scholars of peace studies, transitional justice and criminology.
