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Alfred Tennyson
W.H. Auden said of Tennyson that 'he had the finest ear, perhaps, of any English poet'. Many readers have relished his opulent word-music, but less simply admiring critics have sometimes regarded that marvellous verbal gift with something like suspicion - as though it were merely a matter of beautifully empty words, or worse, a distracting screen used to pass off disreputable Victorian values. In this study, Seamus Perry returns to the extraordinary language of Tennyson's verse, and finds in the intricacies of his greatest poetry, not an evasion of responsibilities, but rather the memorably intricate expression of hesitancies and honest doubts - including doubts, not least, about the charms and obligations of his own art. Covering the great range of the poet's long career, Perry describes the rich life of Tennyson's lyrical imagination, exploring in turn its complex and paradoxical fascinations with recurrence, progress, narrative, and loss.
Coleridge and the Uses of Division
Throughout, close attention is paid to Coleridge the writer, the metaphor-maker and stylist, exhibited across the wide range of his oeuvre, in public and private works, prose and poetry. A coda offers a reading of 'The Ancient Mariner', tracing back the central threads of the study to Coleridge's early and surprising masterpiece."--BOOK JACKET.
Thomas Hardy
Because Thomas Hardy’s poetry and fiction are so closely associated with Wessex, it is easy to forget that he was, in his own words, half a Londoner, moving between country and capital throughout his life. This self-division, Mark Ford says, can be traced not only in works explicitly set in London but in his most regionally circumscribed novels.
Coleridge's Notebooks
Coleridge was one of the Romantic Age's most enigmatic figures and author of some of the most famous poems in the English language. He confided his thoughts and emotions to his notebooks, a selection of which are presented in this text.
Take Arms Against a Sea of Troubles
“The great poems, plays, novels, stories teach us how to go on living. . . . Your own mistakes, accidents, failures at otherness beat you down. Rise up at dawn and read something that matters as soon as you can.” So Harold Bloom, the most famous literary critic of his generation, exhorts readers of his last book: one that praises the sustaining power of poetry. "Passionate. . . . Perhaps Bloom’s most personal work, this is a fitting last testament to one of America’s leading twentieth-century literary minds."—Publishers Weekly “An extraordinary testimony to a long life spent in the company of poetry and an affecting last declaration of [Bloom's] passionate and deeply unfashionabl...
Lives of Houses
"A group of notable writers ... celebrate our fascination with the houses of famous literary figures, artists, composers, and politicians of the past"--Provided by publisher.
William Wordsworth's The Prelude
William Wordsworth's poem 'The Prelude' is a fascinating work, both as an autobiography and as a fragment of historical evidence from the revolutionary and post-revolutionary years. This volume gathers together 13 essays on 'The Prelude', and is useful as a companion for students and general readers of Wordsworth's greatest poem.
T.S. Eliot's The Wasteland
The Waste Land, first published in 1922, is not far from a century old, and it has still not been surpassed as the most famous of all modern poems. In many ways, it continues to define what we mean by modern whenever we begin to speak about modern verse. At the same time, as Ted Hughes once observed, it is also genuinely popular, and not just among the cogniscenti or the degree-bearing. “I remember when I taught fourteen-year-old boys in a secondary modern school,” Hughes once said, “of all the poetry I introduced them to, their favourite was The Waste Land.” Not for nothing was it included, in its entirety, in The Oxford Book of Twentieth Century English Verse (1973), edited by Phil...
Coleridge, Romanticism and the Orient
While postcolonial studies of Romantic-period literature have flourished in recent years, scholars have long neglected the extent of Samuel Taylor Coleridge's engagement with the Orient in both his literary and philsophical writings. Bringing together leading international writers, Coleridge, Romanticism and the Orient is the first substantial exploration of Coleridge's literary and scholarly representations of the east and the ways in which these were influenced by and went on to influence his own work and the orientalism of the Romanticists more broadly. Bringing together postcolonial, philsophical, historicist and literary-critical perspectives, this groundbreaking book develops a new understanding of 'Orientalism' that recognises the importance of colonial ideologies in Romantic representations of the East as well as appreciating the unique forms of meaning and value which authors such as Coleridge asscoiated with the Orient.
A Companion to Romanticism
The Companion to Romanticism is a major introductory survey from an international galaxy of scholars writing new pieces, specifically for a student readership, under the editorship of Duncan Wu.
