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Publisher description.
Tomas O'Crohan's sole purpose in writing The Islandman was, he wrote, "to set down the character of the people about me so that some record of us might live after us, for the like of us will never be seen again." This is an absorbing narrative of a now-vanished way of life, written by one who had known no other.
This book is a collection of essays that examines the social, political and cultural impact of tourism on Irish society. Irish Tourism deals with both the historical experience of Irish tourism and with the contemporary influence of tourism on different areas of Irish life and cultural self-representation. The work situates the developments in Irish tourism within the broader context of globalisation and the role of tourism in a changing international order.
Island Cross-Talk, first published in 1928, was the first book to come out of the Blasket Islands, that remote, tiny community off the West Kerry coast speaking a dying language. In these pages from his diary, Ó'Crohan jotted down snatches of conversation, anecdotes, descriptions of the landscape and the sea.
A translation of the classic autobiography by Tomas O'Crohan based on the fullest and most definitive 2002 Irish language edition by Prof. Sean Coileain.
This is an authoritative account of the a major, but neglected aspect of the Irish cultural renaissance- prose literature of the Gaelic Revival. The period following the War of Independence and Civil War saw an outpouring of book-length works in Irish from the state publishing agency An Gum. The frequency and production of new plays, both original and translated, have never been approached since. This book investigates all of these works as well as journalism and manuscript material and discusses them in a lively and often humorous manner. -- Publisher description
This engaging and provocative work consists of 29 chapters and discusses over 50 books that have been instrumental in the development of Irish social and political thought since the early seventeenth century. Steering clear of traditionally canonical Irish literature, Bryan Fanning and Tom Garvin debate the significance of their chosen texts and explore the impact, reception, controversy, debates and arguments that followed publication. Fanning and Garvin present these seminal books in an impelling dialogue with one another, highlighting the manner in which individual writers informed each other s opinions at the same time as they were being amassed within the public consciousness. From Jonathan Swift s savage indignation to Flann O'Brien s disintegrative satire, this book provides a fascinating discussion of how key Irish writers affected the life of their country by upholding or tearing down those matters held close to the heart, identity and habits of the Irish nation.
An account of life on the Blasket Island and on the island's eventual demise.
This is the story of a boy's growing up on the Great Blasket, a sparsely inhabited, Gaelic-speaking island off the coast of Ireland. It tells of the simple life of a society that no longer exists, with a humor and poetry refreshingly remote from the modern world that replaced it.
Traces development of Irish literary modernism from the 1920s to the 1990s through the writings of James Joyce, John Millington Synge, Samuel Beckett, Sean O'Faolain, Frank McCourt, and the Blasket Island autobiographers, Tomas O'Crohan and Maurice O'Sullivan. Considers Irish literature in relation to Irish nationalism and aftermath of British empire.