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The far north coast of Scotland. Spring 1745. It begins with a murder. But is it a murder when someone is forced to kill his brother, so that he might save his own life? The guilty man is a nobody, a poor fisherman. The person who arrogantly and unthinkingly makes him commit this terrible act, simply to see how he behaved, is the richest man in Scotland, the Earl of Dunbeath. Dunbeath invents his game of life the Prisoner s Dilemma. He invites his old friend, David Hume, to Caithness to play the new game with him. But into their planned discussions blow two survivors from a shipwreck - the beautiful and brilliant Sophie Kant and the calm, charismatic captain, Alexis Zweig. What follows is a claustrophobic and fast-moving game of cat and mouse, as the characters drive relentlessly towards their destinies in life and death, love and betrayal and the passion they each have to achieve their different ambitions. Under the game-playing, the deceits and feints, the science and the philosophy, is a simple tale of three utterly determined and ruthless men struggling to the death to succeed in the race for an extraordinary woman. Which of them will win? How? And why? ,
Yeats Annual No.8 has two distinct themes: Yeats's poetic technique and his aims for an Irish Theatre. Essays from Helen Vendler, Richard Taylor, Timothy Armstrong and Wayne Chapman place the poetry under close scrutiny and offer challenging new studies. Yeats himself writes the remaining essays, including the long-awaited first publication of his Wildean dialogue and an uncollected address on the Irish National Theatre delivered in 1934. Richard Londraville edits four of Yeats's lectures given in England and America in 1902-4.
Excerpts from the Story It was the morning of their fourth day at sea, and Nathan, awakened suddenly, sat up; something was different. He threw on a few clothes, and ran out on deck. It didnt take long to figure out what was different. The Catherine Ross was running with full sail aloft, filled by a strong gale, and Captain Stuart was making good use of the wind while it lasted. Thus far, the passengers had been spared the usual scourge of new seafarers; seasickness. However, on the fifth day, it caught up with Reverend Wolde. The cook took charge, fed him special food, and said it would run its course in a day or so. However, Nathan was not reassured, and felt certain he would be buried at ...
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When Gavin Meckler's light aircraft encounters a mysterious cloud and crashes to earth, he discovers that the eerily quiet landscape in which he has landed is 200 years older than the one from which he took off. In this gentle, peaceful, sustainable new world, it is possible to travel from one side of the globe to the other in a matter of minutes without burning fuel, and everyone is a gardener because that's how they can be sure to eat. Inspired by William Morris's utopian novel News from Nowhere, Robert Llewellyn shows us a future where we don't burn anything to make anything else and which isn't hovering on the brink of disaster; where aliens haven't invaded, meteors haven’t hit and zombies haven’t taken over. In short, a world where humanity eventually gets it right. All the technology described in the novel has seen the light of day in reality. Llewellyn's future isn't perfect and may not be very likely, but it is entirely possible.
"Arranged chronologically by decade, from the 1890s to the 1990s, each decade is divided into two different types of writing: critical/documentary and imaginative writing, and is accompanied by a headnote which situates it thematically and chronologically. The Reader is also structured for thematic study by listing all the pieces included under a series of topic headings. The wide range of material encompasses writings of well-known figures in the Irish canon and neglected writers alike. This will appeal to the general reader, but also makes Irish Writing in the Twentieth Century ideal as a core text, providing a unique focus for detailed study in a single volume."--BOOK JACKET.
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Following the structure of other titles in the Continuum Introductions to Literary Genres series, Irish Fiction includes: A broad definition of the genre and its essential elements. A timeline of developments within the genre. Critical concerns to bear in mind while reading in the genre. Detailed readings of a range of widely taught texts. In-depth analysis of major themes and issues. Signposts for further study within the genre. A summary of the most important criticism in the field. A glossary of terms. An annotated, critical reading list. This book offers students, writers, and serious fans a window into some of the most popular topics, styles and periods in this subject. Authors studied ...