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Of all the architectural delights of British seaside resorts, the most astonishing and idiosyncratic is the seaside pier. Remarkable visual spectacles, piers are architecturally extraordinary in concept and at times outrageous in execution. They brought together the Victorian genius for technological and material innovation, architectural ambition and engineering ingenuity in the search for new designs for leisure (as well as profit) over the sea. This superbly illustrated book explores the history of the design processes leading to the architectural and engineering innovations that have allowed people to walk on water in such diverse and delightful ways. Coverage includes the development of...
"In Designing the Seaside Fred Gray provides a history of seaside architecture from the 18th century to the present day, investigating leisure, entertainment, taste, fashion and gender, and shows how the seaside even became a hotbed for moral and sexual issues - from the early use of bathing machines to twentieth-century beauty pageants and naturist groups. He relates the evolution of resort architecture to sweeping changes in how seaside nature was experienced and used by holidaymakers. The book also traces the history of the coastal resort, with examples ranging from Regency Sidmouth to Victorian Scarborough and early 20th-century Morecambe, as well as assessing seaside developments in the USA and Continental Europe, from Coney Island and Santa Barbara to Nice and Trouville." "Featuring many colourful, informative and often entertaining photographs, drawings, guidebook illustrations, postcards and publicity posters from resorts around the world, Designing the Seaside is a thoroughly readables as well as a visually fascinating account of changing attitudes to holidaymaking and its setting."--BOOK JACKET.
Originally constructed as landing stages for trippers by boat in the nineteenth century, piers later developed into attractions in themselves, with ornate pavilions, delicate ironwork and exotic lighting. Lynn F. Pearson, an architectural historian, outlines the fascinating history of pier and pavilion construction, using colour illustrations and photographs to show the development of these attractions from simple wooden structures to complex entertainment venues. This book explores the allure of seaside developments from the Victorian charm of Weston-super-Mare's grand pier to the seaside developments of the twenty-first century, such as Ilfracombe's Landmark Theatre, which continues to impress and entertain to this day.
Time magazine noted that Seaside "could be the most astonishing design achievement of its era…." Visions of Seaside is the most comprehensive book on the history and development of the nation’s first and most influential New Urbanist town. The book chronicles the thirty-year history of the evolution and development of Seaside, Florida, its global influence on town planning, and the resurgence of place-making in the built environment. Through a rich repository of historical materials and writings, the book chronicles numerous architectural and planning schemes, and outlines a blueprint for moving forward over the next twenty-five to fifty years. Among the many contributors are Deborah Berke, Andrés Duany, Steven Holl, Léon Krier, Elizabeth Plater-Zyberk, Aldo Rossi, and Robert A. M. Stern.
A sweeping, richly illustrated architectural study of the large, historic New England coastal resort hotels
A nostalgic exploration of Britain’s distinctive and architecturally significant seafront buildings from the 1920s to the new millennium. British seaside resorts enjoyed phenomenal popularity for much of the twentieth century and as climate change strikes in the modern era, domestic travel has witnessed a renewed popularity. Told chronologically, this book is the first look at how resort architecture around the UK coast kept pace with changing fashions and the increasing competition of foreign destinations. Using vintage postcards, Kathryn Ferry showcases the inherent playfulness of seaside architecture as it evolved from interwar classicism, through art deco and international modernism, to Festival of Britain–inspired mid-century style, then later to seafront tower blocks and the artificial beaches of 1970s leisure centers. Featuring a wide range of building types, Twentieth-Century Seaside Architecture explores everything from beach huts and bandstands to lidos, piers, theatres, hotels, and amusement arcades and offers a compelling reassessment of domestic tourism that will appeal to architecture and design fans who love to reside by the sea.
Richly colourful photographs that capture the nostalgia and vulnerability of British seaside resorts. From Blackpool to Brighton, the pastel colours, faded arcades and worn-out carpets of British coastal towns evoke a particular nostalgia. With the changing tides of the British political landscape these traditional resorts appear fragile and some are falling into disrepair. Nevertheless some are thriving (thanks to regeneration funds), and all retain a special charm and retro appeal. Shooting for more than a decade since 2009, Rob Ball has documented over 35 coastal towns. His images serve as a record of a unique culture that is at risk of disappearing forever.
In Seaside Shelters, Will Scott documents and celebrates the wide variety of shelters adorning the British seasides. A testament to the heyday of British summer holidays and the country's notorious fickle weather, the shelters now mostly stand deserted. Scott's talented eye captures the, at times faded, beauty of the buildings. Most of the shelters were built in the late-19th and early-20th century and cover a wealth of architectural styles, from Victorian to Art Deco to Bauhaus. Locations range from iconic seaside resorts to lesser-known gems along the coast, including Blackpool, Great Yarmouth, the Isle of Wight, Clacton-on-Sea, Portsmouth, Aberystwyth, Swanage and Cromer.