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Historically, the idea that the stars and planets influence the Earth and its inhabitants has proved powerful in almost every culture, offering an important context for the use of mathematical and astronomical instruments. In the past, however, historians of astronomy have paid relatively little attention to astrology and other “non-scientific” topics, while historians of astrology have tended to concentrate on the analysis of texts rather than surviving artefacts, scientific instruments in particular. Heaven and Earth United is an attempt to redress the balance through an exploration of the astrological contexts in which instruments once found a place. Contributors are Silke Ackermann, Marisa Addomine, Jim Bennett, Marvin Bolt, Louise E. Devoy, Richard Dunn, Seb Falk, Stephen Johnston, Richard L. Kremer, Günther Oestmann, Josefina Rodríguez-Arribas, Petra G. Schmidl, Giorgio Strano, and Sylvia Sumira.
Does the natural world divide neatly into 'animal, vegetable, mineral'? Discoveries in the 18th century threw the question wide open; debates raged, and fed into wider religious and political battles concerning God's creation and the natural social order.
In fantastic worlds like Gondor, Westeros, Ankh-Morpork, Waterdeep, and Hogsmeade, the societies that inhabit them play important roles in capturing the feel of their settings. Societies create characters and plots, provide space for action, and reflect history. Building vibrant and interesting societies is a core element of worldbuilding in the fantasy genres. This guide walks the reader through different aspects of societies to help construct fictional worlds with greater ease. Examples of societies built by numerous authors in the fantasy, urban/modern fantasy, and paranormal romance genres are interwoven to illustrate concepts. Throughout, this book is descriptive and suggestive rather than prescriptive, and is intended to inform as well as inspire the worldbuilder.
Brings 'new formalist' approaches to Chaucer, focusing on formal agency, bodies, disability, ethics, poetics, reception, and scale.
A window into cultures of scientific practice drawing on the collection of the Whipple Museum of the History of Science. This title is also available as Open Access on Cambridge Core.
Provides a rich and varied reference resource, illuminating the different contexts for Chaucer and his work.
Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural worl...
In Cambridge in the late Regency, Gregory Hardiman is learning the ropes as a university constable. But his quiet life is about to be disrupted by the gentlemanly sport of horse-racing and the lengths people will go to to win... In the spring of 1826, ex-soldier Gregory Hardiman is settling in to civilian life as an ostler and university constable in Cambridge. When an undergraduate is found hanged in his rooms at St Clement’s College, the Master asks Gregory to find out what could have driven the seemingly happy young man to take such a drastic step. A second death at the same college suggests something altogether more sinister, and Gregory sets out to discover whether a love of illegal gambling on horse races could lie at the heart of the tragedies. In the second of the Cambridge Hardiman Mysteries, Gregory finds himself on shifting sands – torn between family ties in Spain and the possibility of new affections in Cambridge.
In The Orce Man: Controversy, Media and Politics in Human Origins Research, Miquel Carandell presents a thrilling story of a controversy on an Spanish “First European” that involved scientists, politicians and newspapers. In the early 1980s, with Spanish democracy in its beginnings, the Orce bone was transformed from a famous human ancestor to an apparently ridiculous donkey remain. With a chronological narrative, this book is not centered on whether the bone was human or not, but on the circumstances that made a certain claim credible or not, from both the scientific community and the general public. Carandell’s analysis draws on the thin line that separates success from failure and the role of media and politics in the controversy.