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In 1976, twenty-one-year-old Sebastian Abineri was cast in Richard Attenborough’s epic war film, A Bridge Too Far. He joined "Attenborough’s Private Army" (APA), a group of fifty young British actors, who were brought together to train under the eagle eye of a former director of The SAS to represent the heroic band of Paratroopers who held Arnhem Bridge against insurmountable odds in 1944. The APA worked for six months alongside major stars such as Anthony Hopkins, Sean Connery, Michael Caine and Sir Laurence Oliver. It was one of the hottest summers on record; so hot that the APA drank the local bars dry! The Boys from the Bridge recounts their extraordinary story.
A Bridge Too Far, released in 1977, proved to be the last epic WWII movie made in the Hollywood studio system. Its ambitious goal: to recreate the doomed Allied plan called Operation Market-Garden in September 1944. Market-Garden' s goal was to surprise the Germans with a mammoth parachute drop behind their lines and bring a quick end to the war, but the plan became a disaster for the Allies, with the battle for the Arnhem bridge vicious as the “ Red Devils” of British First Airborne held out against overwhelming odds. Producer Joseph E. Levine packed his cast with the top stars of the 1970s, including Anthony Hopkins, Robert Redford, Sean Connery, James Caan, Michael Caine, Elliott Goul...
With its mix of family drama, sex and violence, Britain's Tudor dynasty (1485-1603) has long excited the interest of filmmakers and moviegoers. Since the birth of movie-making technology, the lives and times of kings Henry VII, Henry VIII, and Edward VI and queens Mary I, Jane Grey and Elizabeth I have remained popular cinematic themes. From 1895's The Execution of Mary Stuart to 2011's Anonymous, this comprehensive filmography chronicles every known movie about the Tudor era, including feature films; made-for-television films, mini-series, and series; documentaries; animated films; and shorts. From royal biographies to period pieces to modern movies with flashbacks or time travel, this work reveals how these films both convey the attitudes of Tudor times and reflect the era in which they were made.
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Who doesn't remember Kevin Keegan's haircut? Or David Seaman's? Or David Beckham's latest...'
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