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A Companion to Folklore presents an original and comprehensive collection of essays from international experts in the field of folklore studies. Unprecedented in depth and scope, this state-of-the-art collection uniquely displays the vitality of folklore research across the globe. An unprecedented collection of original, state of the art essays on folklore authored by international experts Examines the practices and theoretical approaches developed to understand the phenomena of folklore Considers folklore in the context of multi-disciplinary topics that include poetics, performance, religious practice, myth, ritual and symbol, oral textuality, history, law, politics and power as well as the social base of folklore Selected by Choice as a 2013 Outstanding Academic Title
Authenticity is a notion much debated, among discussants as diverse as cultural theorists and art dealers, music critics and tour operators. The desire to find and somehow capture or protect the “authentic” narrative, art object, or ceremonial dance is hardly new. In this masterful examination of German and American folklore studies from the eighteenth century to the present, Regina Bendix demonstrates that the longing for authenticity remains deeply implicated in scholarly approaches to cultural analysis. Searches for authenticity, Bendix contends, have been a constant companion to the feelings of loss inherent in modernization, forever upholding a belief in a pristine yet endangered cu...
World War I marks a well-known turning point in anthropology, and this volume is the first to examine the variety of forms it took in Europe. Distinct national traditions emerged and institutes were founded, partly due to collaborations with the military. Researchers in the cultural sciences used war zones to gain access to »informants«: prisoner-of-war and refugee camps, occupied territories, even the front lines. Anthropologists tailored their inquiries to aid the war effort, contributed to interpretations of the war as a »struggle« between »races«, and assessed the »warlike« nature of the Balkan region, whose crises were key to the outbreak of the Great War.
What happens when UNESCO heritage conventions are ratified by a state? How do UNESCO’s global efforts interact with preexisting local, regional and state efforts to conserve or promote culture? What new institutions emerge to address the mandate? The contributors to this volume focus on the work of translation and interpretation that ensues once heritage conventions are ratified and implemented. With seventeen case studies from Europe, Africa, the Caribbean and China, the volume provides comparative evidence for the divergent heritage regimes generated in states that differ in history and political organization. The cases illustrate how UNESCO’s aspiration to honor and celebrate cultural diversity diversifies itself. The very effort to adopt a global heritage regime forces myriad adaptations to particular state and interstate modalities of building and managing heritage.
In recent years, digital technologies have become pervasive in academic and everyday life. This comprehensive volume covers a wide range of concepts for studying the new cultural dynamics that are evident as a result of digitisation. It considers how the cultural changes triggered by digitisation processes can be approached empirically. The chapters include carefully chosen examples and help readers from disciplines such as Anthropology, Sociology, Media Studies, and Science & Technology Studies to grasp digitisation theoretically as well as methodologically.
1. This book is the first collection of essays by noted folklorist, Regina F. Bendix, that explore how cultures create, give, and maintain value for cultural elements and artifacts. 2. Bendix's work seeks to transcend specialized perspectives on cultural heritage and integrate this booming research area into general folklore and anthropology research. 3. Includes new content including an introduction to the book, introductions to each of the three sections in the book, and two articles that have been translated into English from the original German for the first time.
Im Zeitalter verknappender Ressourcen ist Kultur - beispielsweise in Form von traditionellem Wissen oder Kulturerbe - in den Brennpunkt wirtschaftlicher, politischer wie ideeller Interessen gerückt. Die Rechte an Eigentum oder Nutzung solcher Kulturgüter werden von internationalen Bühnen bis zu lokalen Schauplätzen verhandelt und implementiert. Nach sechs Jahren intensiver, interdisziplinärer Zusammenarbeit legt die DFG-Forschergruppe 772 ("Die Konstituierung von Cultural Property: Akteure, Diskurse, Kontexte, Regeln") einen mehrgliedrigen Ergebnisband zu diesem wichtigen, spätmodernen Phänomen der Konstituierung kulturellen Eigentums vor. Ein erster Teil bietet griffige Vorstellungen verschiedener internationaler Instrumente und Arenen, in denen Handhabung von Schutz und Inwertsetzung von Kultur im Mittelpunkt stehen. Der zweite Teil versammelt Beiträge, die zentrale Handlungsmotive und Legitimationsweisen der Inwertsetzung von Kultur erörtern und Konzepte, die dabei von besonderer Relevanz sind, durchleuchten. Im dritten Teil werden Ergebnisse aus den verschiedenen Teilprojekten der Forschergruppe vorgestellt.
Mit Vehemenz durchdringen die Anforderungen der Sicherheit die Begegnungsräume von Nachbarschaft und Community. Im Fluss alltäglicher Kommunikation perpetuieren sie Verunsicherung, Krise und Angst; zwischen Ermächtigung und Kontrolle, Fiktion und Realität macht sich Absurdität breit. Im ethnografischen Mitgehen entfaltet die Studie, wie subjektive Erfahrungen und gesellschaftliche Mythologien im gelebten Alltag ineinandergreifen und in einem Spannungsfeld von intimer Verletzlichkeit und Terror die Transformationen zur Sicherheitsgesellschaft vorantreiben. Der Inhalt- Zugänge zu einem liminalen Forschungsraum- Übergänge und Schilderräume- Baustellen. Zur Geschichte der Sicherheitsregime- Die Verunsicherung des Gesprächsanfangs- Innenräume der Nachbarschaft- Angst und Alltagserzählen- Einbruch und Erfahrung- Die absurde Welt der Sicherheit Die ZielgruppenFachpublikum aus den Kultur-, Sozial- und Gesellschaftswissenschaften und die interessierte Öffentlichkeit. Die AutorinKatharina Eisch-Angus ist Professorin am Institut für Kulturanthropologie und Europäische Ethnologie der Universität Graz.