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A New York Times Notable Book 2012 The rural town of Stockton, New York, is famous for nothing: no one was born there, no one died there, nothing of any historical import at all has ever happened there, which is why Solomon Kugel, like other urbanites fleeing their pasts and histories, decided to move his wife and young son there. To begin again. To start anew. But it isn’t quite working out that way for Kugel… His ailing mother stubbornly holds on to life, and won’t stop reminiscing about the Nazi concentration camps she never actually suffered through. To complicate matters further, some lunatic is burning down farmhouses just like the one Kugel bought, and when, one night, he discovers history—a living, breathing, thought-to-be-dead specimen of history—hiding upstairs in his attic, bad quickly becomes worse. Hope: A Tragedy is a hilarious and haunting examination of the burdens and abuse of history, propelled with unstoppable rhythm and filled with existential musings and mordant wit. It is a comic and compelling story of the hopeless longing to be free of those pasts that haunt our every present.
Shalom Auslander was raised with a terrified respect for God. Even as he grew up, defying and eventually being cast out of his community, he could not find his way to a life in which he wasn’t locked in a daily struggle with Him. Foreskin’s Lament is a rich and fascinating portrait of a man grappling with his faith, his family and his community. ‘Bracing and witty . . . Never, frankly, can there have been a more blasphemous book . . . Foreskin’s Lament somehow expresses the ideas of Richard Dawkins in the tone of David Sedaris. You can read it for the humour, you can read it as reportage into a secretive and bizarre world, you can read it as a personal tale of triumph over adversity,...
SUNDAY TIMES BOOK OF THE YEAR 2021 ‘Outrageous satire . . . extremely funny, weirdly touching’ – Guardian ‘A work of genius’ – Scotsman ‘Close-to-the-knuckle farce with a big beating heart’ – Daily Mail This is the story of an unusual family. Though they are nothing like yours, you will recognize them. They are the last Cannibal-Americans. And they have a problem. When their mother dies, twelve children gather to dispose of the body in the traditional manner . . . by eating it. But can they follow the ancient rituals of consumption? Is their unique cultural heritage worth preserving if it's this gross? And what about dietary requirements - one of them is vegan. Surely it can't be this hard to do the right thing? Mother for Dinner is a dark comedy about modern life and its many difficulties.
Violent rabbis, lovelorn wives, a busy Grim Reaper, shame-filled simians, and one seriously angry deity populate this humorous and disquieting collection. Shalom Auslander's stories in Beware of God have the mysterious punch of a dream. They are wide ranging and inventive: A young Jewish man's inexplicable transformation into a very large, blond, tattooed goy ends with a Talmudic argument over whether or not his father can beat his unclean son with a copy of the Talmud. A pious man having a near-death experience discovers that God is actually a chicken, and he's forced to reconsider his life -- and his diet. At God's insistence, Leo Schwartzman searches Home Depot for supplies for an ark. And a young boy mistakes Holocaust Remembrance Day as emergency preparedness training for the future. Auslander draws upon his upbringing in an Orthodox Jewish community in New York State to craft stories that are filled with shame, sex, God, and death, but also manage to be wickedly funny and poignant.
In his bitingly funny memoir of growing up in a dysfunctional Jewish family and wrestling with a vengeful God, Auslander's combination of unrelenting humor and anger renders a rich and fascinating portrait of a man grappling with his faith, family, and community.
In a series of 100 illustrations with accompanying text, Orli Auslander has captured a mood and emotional ambivalence that will be all too familiar for readers: trying to be the best wife, mother, and friend she can be, while simultaneously feeling shitty about virtually everything she does. With a distinctive style that brings to mind Robert Crumb and Edward Gorey, I Feel Bad is a book that readers will buy for themselves and for a best friend, and where every reader will find the precise moment that Auslander voiced their deepest anxiety in her poignant and hilarious illustrations.
From the acclaimed author of Foreskin’s Lament, a memoir of the author’s attempt to escape the biblical story he’d been raised on and his struggle to construct a new story for himself and his family Shalom Auslander was raised like a veal in a dysfunctional family in the Orthodox community of Monsey, New York: the son of an alcoholic father; a guilt-wielding mother; and a violent, overbearing God. Now, as he reaches middle age, Auslander begins to suspect that what plagues him is something worse, something he can't so easily escape: a story. The story. One indelibly implanted in him at an early age, a story that told him he is fallen, broken, shameful, disgusting, a story we have all b...
Shalom Auslander's stories have the mysterious punch of a dream: a pious man having a near-death experience discovers that God is actually a chicken, and is forced to reconsider his life - and his diet. Leo Schwartzman searches Home Depot for supplies for an ark. And a young boy mistakes Holocaust Remembrance Day as emergency-preparedness training for the future. Auslander draws upon his Orthodox Jewish upbringing to craft stories that are filled with shame, sex, God and death. 'Absurd juxtapositions, dead-pan delivery and wryly sharp observations ...Lovingly blasphemous stories, crackling with irreverence' "The Times" 'A fearlessly entertaining book, riffing on sex, death and shame' "Observer " 'Rumbustious...Playful ...Brilliant' Clive Sinclair, "Independent "
Donated to the Library of Congress in the mid-1960s, Groucho Marx's correspondence was first crafted into this celebration of wit and wisdom in 1967. Reissued today with his original letters and humor intact, The Groucho Letters exposes one of the twentieth century's most beloved comedian's private insights into show biz, politics, business, and, of course, his illustrious personal life. Included are Marx's conversations with such noted personalities as E. B. White, Fred Allen, Goodman Ace, Nunnally Johnson, James Thurber, Booth Tarkington, Alistair Cooke, Harry Truman, Irving Berlin, and S. J. Perelman. To Confidential Magazine Gentlemen: If you continue to publish slanderous pieces about me, I shall feel compelled to cancel my subscription. Sincerely, Groucho Marx