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This anthology contains the winning entries of the Malaysian Migrant Poetry Competition 2015 and 2016 as well as all the finalists. It contains poetry of migrant workers and refugees from Afghanistan, Bangladesh, Indonesia, Myanmar, Pakistan, the Philippines, Sri Lanka and Syria in 10 languages, including Bengali, Tagalog and Hakha Chin, with accompanying English translations. The Migrant and Refugee Poetry Competition demonstrates the real need for voices from the fringes of Malaysian society, reflective in the work of these migrant poets who portray the influence of the mighty literary traditions from their countries of origin. —Bernice Chauly, Author of Once We Were There, Onkalo and Growing up with Ghosts These are poems not about migrants and refugees but by migrants and refugees. They remind us that poetry cannot be thought of as an elite activity, and that people of all backgrounds – national, cultural, ethnic, class, gender, and generation – have come naturally to poetry in times of crisis, struggle, and confusion. —Sharmani Patricia Gabriel, Professor of English, Universiti Malaya
By offering perspectives from Indonesian female workers, this book discusses the contemporary progress of working-class feminism from the Global South. It presents a critical reading of the socio-political conditions that allow female workers to narrate their lives and work as precariat labor toiling under the forces of globalization. Its analysis centers on their writings which appear in the form of legal documents, personal accounts, essays, and short stories. Thus, the book shows how these women change their situation by challenging the political order and demanding gender justice with their fearless speech.
When 7-year-old Anna told a lie to get out of trouble, she didn’t expect her older sister to go missing. Faced with her mother’s wrath and riddled with guilt, Anna tries to make amends as she grapples with the aftermath of her actions. Until her daughter’s body is found, Su Lai refuses to believe that she has simply disappeared. Turning to a medium as her obsession to find her daughter escalates, the family is sucked into a web of pain and deceit that forces them to confront their own measures of loss. A masterful debut by Jinny Koh, The Gods Will Hear Us Eventually boldly interrogates the extent of familial love and expectation while unravelling the complexities of hope and redemption.
As the first baby boomers have reached 65, more prescriptions than ever are being dispensed, and the need for properly trained pharmacists is critical. Now in its third edition, Pharmacy: What It Is and How It Works continues to provide a comprehensive review of all aspects of pharmacy, from the various roles of pharmacists to particular health car
* Chosen as a 2020 Kirkus Prize Finalist for Young Readers' Literature! * A Malaysian folk tale comes to life in this emotionally layered, chilling middle grade debut, perfect for fans of The Book of Boy and The Jumbies. I am a dark spirit, the ghost announced grandly. I am your inheritance, your grandmother’s legacy. I am yours to command. Suraya is delighted when her witch grandmother gifts her a pelesit. She names her ghostly companion Pink, and the two quickly become inseparable. But Suraya doesn’t know that pelesits have a dark side—and when Pink’s shadows threaten to consume them both, they must find enough light to survive . . . before they are both lost to the darkness. Fans of Holly Black’s Doll Bones and Tahereh Mafi’s Furthermore series will love this ghostly middle grade debut that explores jealousy, love, and the extraordinary power of friendship.
My South Seas Sleeping Beauty is a captivating coming-of-age tale set in the magical jungles of Borneo. Told through the vivid recollections of a Chinese-Malay youth, the novel recounts the life of Su Qi, a troubled, sensitive son of a wealthy family, and exemplifies the imaginative range of one of Taiwan's most innovative writers. "There were all sorts of stories about how my younger sister died," Su Qi begins, hinting at the power of memory to bend and refract truth. Yet whichever the real story may be, the fact is that the death of Su Qi's sister created an irrevocable rift in Su Qi's family, driving his father into the arms of aboriginal women and his mother into a world of her own inven...
A handbook of practical, objective, and clinically oriented information on the use of herbalism in health care. Potentially useful herbal medicines are differentiated from the many popular herbs of dubious value A "report card" format allows quick reading and easy access to relevant information Herbs are graded, with grades determined by usefulness, effectiveness, availability, and safety Handbook size-can be carried in lab coat Analyses-based on controlled studies, or meta-analyses or systematic reviews of the primary literature Sections of each report card include: Uses; Pharmacology; Clinical Trials; Adverse Effects; Preparations and Dose; Contraindications, Interactions, and Warnings; Conclusion and Recommendations; References An appendix lists and reviews other herbal medicine information resources Nonherbal dietary supplements also are addressed in a separate section.
Terry Fernandez is a musician on the run. His friends have just been killed on the night of his bachelor party. He thinks he's next – and he suspects the Minister of Education. Ning Somprasong is a Thai hooker who normally keeps herself out of trouble. But one night, she bites off more than she can chew and ends up with a bag of ill-gotten US$18 million – and many pursuers. Terry and Ning have to team up to save their own lives. The madcap chase through the streets of Kuala Lumpur also feature: a taxi driver who’s fond of conspiracy theories; a CIA agent; a terrorist on a mission to wipe out infidels; an opportunistic journalist; a crooked cop; and a pimp called Fellatio Lim who is just about to discover what his name means. DEVIL'S PLACE is a cult Malaysian novel about terrorism, prostitution, politics and other funny stuff. (Buku Fixi)
In this riveting memoir, Beth persuades her aging parents on a road trip around their former home, Malaysia. She intends to retrace their honeymoon of 45 years before, but their journey doesn't quite work out as she planned. Only the family mantra, "Eat first, talk later," keeps them (and perhaps the country) from falling apart. Around them, corruption, censorship of the media, detentions without trial, and deaths in custody continue. Protests are put down, violently, by riot police. Her parents argue while, lovelorn after the end of a grand amour in Paris, Beth tries to turn their story into a Technicolor love story. Meanwhile, she's embroiled in a turbulent relationship with an supposititi...