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The Middle Voice
Updated and expanded version of the author's Taking charge/managing conflict, c1987.
No Place in Time
An exploration of the temporal function that "the Jew" plays in literature. No Place in Time: The Hebraic Myth in Late-Nineteenth-Century American Literature examines how the Hebraic myth, in which Jewishness became a metaphor for an ancient, pre-Christian past, was reimagined in nineteenth-century American realism. The Hebraic myth, while integral to a Protestant understanding of time, was incapable of addressing modern Jewishness, especially in the context of the growing social and national concern around the "Jewish problem." Sharon B. Oster shows how realist authors consequently cast Jews as caught between a distant past and a promising American future. In either case, whether creating o...
Discussions in Dispute Resolution
Negotiation -- Mediation -- Arbitration -- Dispute resolution public policy.
Hagitude
'There can be a perverse pleasure, as well as a sense of rightness and beauty, in insisting on flowering just when the world expects you to become quiet and diminish.' Sharon Blackie What is Hagitude ? It means being at ease with the unique power women embody in the second half of their life. It means having a strong sense of who we are and what we have to offer the world. And a firm belief in our place in the ever-shifting web of life. For the woman who wishes to flourish without chasing eternal youth comes Hagitude. Interweaving myth, psychology, landscape and ecofeminism, acclaimed author Sharon Blackie reclaims the mid years as an alchemical moment - from which to shift into your chosen, authentic and fulfilling future - and the elder years as a path to dynamic influence. 'A fascinating book ... well researched, packed with stories and bursting with lovely descriptions of the natural world. There's plenty in it to inspire women of every age.' Christina Patterson, Sunday Times
The Bond of the Furthest Apart
In the French filmmaker Robert Bresson’s cinematography, the linkage of fragmented, dissimilar images challenges our assumption that we know either what things are in themselves or the infinite ways in which they are entangled. The “bond” of Sharon Cameron’s title refers to the astonishing connections found both within Bresson’s films and across literary works by Tolstoy, Dostoevsky, and Kafka, whose visionary rethinkings of experience are akin to Bresson’s in their resistance to all forms of abstraction and classification that segregate aspects of reality. Whether exploring Bresson’s efforts to reassess the limits of human reason and will, Dostoevsky’s subversions of Christi...
Concerning Evil
This volume was first published by Inter-Disciplinary Press in 2013. The chapters within this volume expose a need to discuss and challenge both the practise of evil and the judgement of acts and persons as being ‘evil.’ The reader will find a diverse and intriguing selection of representative texts and themes, including: discussions of the monstrous, the consideration of evil objects, a reading of the wicked language of lying and ‘bullshitting’, and investigations of madness. A range of literature from medieval to contemporary texts, including poetry, novels, television and cinema, are considered and analysed through cultural and historical contexts in the hopes to extend the discussion that intrigues many of us: what is evil?
Beamtimes and Lifetimes
Looks at the life of particle physicists, showing who these people are and what their world is really like. Traweek shows their similarities and differences, how their careers are shaped, how they interact with their colleagues and how their ideas about time and space shape their social structure.
The Author
This volume investigates the changing definitions of the author, what it has meant historically to be an 'author', and the impact that this has had on literary culture. Andrew Bennett presents a clearly-structured discussion of the various theoretical debates surrounding authorship, exploring such concepts as authority, ownership, originality, and the 'death' of the author. Accessible, yet stimulating, this study offers the ideal introduction to a core notion in critical theory.
