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Speculation, N.
Poems that imagine a world beyond the prevailing public speculation on Black death. Shayla Lawz's debut collection, speculation, n., brings together poetry, sound, and performance to challenge our spectatorship and the reproduction of the Black body. It revolves around a central question: what does it mean--in the digital age, amidst an inundation of media--to be a witness? Calling attention to the images we see in the news and beyond, these poems explore what it means to be alive and Black when the world regularly speculates on your death. The speaker, a queer Black woman, considers how often her body is coupled with images of death and violence, resulting in difficultly moving toward life....
The Math of Saint Felix
Poetry. African & African American Studies. Women's Studies. Diane Exavier's book-length lyric is an attempt to do the math of a woman, of a family, of a country, of a diaspora. The sum of one life reveals the permutations of many: daughters, sisters, lovers. The cost of one death is uncountable. Exavier's voice has the heart-stilling gravity of a weary prophet. With THE MATH OF SAINT FELIX, she has continued the work of generations. This book is ledger and legacy.
Sho
2021 NATIONAL BOOK AWARD FINALIST FOR POETRY Eschewing series and performative typography, Douglas Kearney’s Sho aims to hit crooked licks with straight-seeming sticks. Navigating the complex penetrability of language, these poems are sonic in their espousal of Black vernacular traditions, while examining histories, pop culture, myth, and folklore. Both dazzling and devastating, Sho is a genius work of literary precision, wordplay, farce, and critical irony. In his “stove-like imagination,” Kearney has concocted poems that destabilize the spectacle, leaving looky-loos with an important uncertainty about the intersection between violence and entertainment.
The Nightfields
A WASHINGTON POST BEST POETRY COLLECTION OF 2020 A new collection from a poet whose books "are an amazing experience: harrowing, ravishing, essential, unstoppable" (Louise Glück) Joanna Klink's fifth book begins with poems of personal loss--a tree ripped out by a windstorm, a friendship broken off after decades, the nearing death of parents. Other poems take on the cost of not loving fully, or are written from bewilderment at the accumulation of losses and at the mercilessness of having, as one ages, to rule things out. There are elegies for friends, and a group of devotional poems. The Nightfields closes with thirty-one metaphysical poems inspired by the artist James Turrell's Roden Crater, an extinct volcano in Arizona that Turrell has been transforming into an observatory for the perception of time. The sequence unfolds as a series of revelations that begin in psychic fear and move gradually toward the possibility of infinitude and connection.
The High Alive
Poetry. Fiction. Drama. African & African American Studies. LGBTQIA Studies. THE HIGH ALIVE: AN EPIC HOODOO DIPTYCH, published tête-bêche (head to toe), is made up of "The Light Body" and "The Utterances." Together, they take up excess and extinction in speculative lyric. Page is transformed into space for a performative prose in this mythopoesis of blackness and queerness, of return and foray. "The Light Body" surveys the spiritual architecture of the site where longing encounters memory, and grief allows survival, inside and against the reverberations of war. Noah and Micah return to their home in rural Mississippi, where the lovers call upon--SHU--, a manifestation of the owner of roads...
Prose Architectures
"A book of pen-and-ink drawings by artist, poet, and fiction writer, Renee Gladman"--
Maafa
A myth in which a black female epic hero who is the African holocaust personified has killed her father and been granted eternal life.
Claim Tickets for Stolen People
In Claim Tickets for Stolen People, Quintin Collins embraces a range of poetic forms and registers to show the resilience of Blackness in a colonized world. The tension between mortality and vitality is ever-present, whether Collins is charting his daughter's emergence into being, cataloging the toll of white violence, or detailing the exuberance of community, family, and Chicago and Boston life. In Collins's hands, the world is exquisitely physical and no element is without its own perspective, whether it is a truck sheared by a highway bridge or bees working through the knowledge that humans will kill them, burn their homes, and steal their honey. All goes toward honoring Black grief, Black anger, Black resistance, Black hope--and the persistence of Black love.
Mcsweeney's Issue 64
Items in container: Main book -- Aleatory fiction [booklet] -- Voicemails to the editor -- Crypto acoustic auditory non-hallucatination -- Audio tours of your home -- Get on board -- KidzWorks! -- Douteflower -- ClearVoice -- Speculation, N. -- Clinical judgment.
Chouette
'A MARVEL' RUMAAN ALAM 'MAGNIFICENT' NEW YORK TIMES 'A TRIUMPH' i 'SUBLIME' GUARDIAN 'DAZZLING' OBSERVER When Chouette is born, Tiny's husband and family are devastated by her condition and strange appearance. Doctors tell them to expect the worst. Chouette won't learn to walk; she never speaks; she lashes out when frightened and causes chaos in public. Tiny's husband wants to make her better but Tiny thinks their child is perfect the way she is. In her fierce self-possession, her untameable will, Chouette teaches Tiny to break free of expectations - no matter what it takes. LONGLISTED FOR THE PEN/FAULKNER AWARD
