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Chandra explores how English became an Indian language during the colonial period of 1850-1930. Using archival and literary sources, she focuses on elite language education for girls and women.
Ethnographic research in Pakistan, the Middle East, and the United States helps to explain how transnational working classes from Pakistan are produced in the context of American empire and its War on Terror.
Contested Bodies explores how the end of the transatlantic trade impacted Jamaican slaves and their children. Examining the struggles for control over biological reproduction, Turner shows how central childbearing was to the organization of plantation work, the care of slaves, and the development of their culture.
"After India's Partition and independence in 1947, "cleansing" Hindi by removing Urdu words was part of the nation's effort to disavow Islamic influence and to forge an exclusively Hindu "Indian" identity. Sanskritized Hindi was anointed the official language of India in 1950, a move protested by non-Hindi-speaking people; in 1963, lawmakers responded to these protests by making English an associate official language. Itself a language steeped in a history of colonial violence, English nevertheless was chosen to mend the gaps created by the imposition of Hindi and to uphold the ideal of democracy. This book considers English as part of the multilingual local milieu of India (a country where ...
Essays written by Antoinette Burton since the mid-1990s trace her thinking about modern British history and engage debates about how to think about British imperialism in light of contemporary events.
A unique narrative structure brings the history of race science in mid-twentieth century India to vivid life. Recent years have seen an explosion in studies of race science in the twentieth and twenty-first centuries, but the vast majority have remained focused either on Europe or North America and Australia. In this stirring history, Projit Bihari Mukharji shows that India appropriated and repurposed race science to its own ends and argues that these appropriations need to be understood within the national and regional contexts of postcolonial nation-making--not merely as footnotes to a European or Australo-American history of normal science. The book is constructed with seven factual chapt...
Introduction: Spectacular realism and political economic change -- The development story : caste, religion and poverty in "new" India -- Iconicity : moving between the real and the spectacular -- The entrepreneur : new identities for new times -- Love in new times.
The objective of women's liberation is to make value, which is fundamental for evening the odds to guarantee that nobody's freedoms are disregarded because of elements like race, orientation, language, religion, sexual direction, orientation personality, political or different convictions, ethnicity, social beginning, class, or abundance status. What is women's liberation? At its center, women's liberation is the faith in full friendly, monetary, and political fairness for women’s. Women's liberation to a great extent emerged because of Western practices that confined the privileges of women’s, however women's activist idea has worldwide indications and varieties. Women's liberation is c...
How ordinary forms of writing—including manuals, petitions, almanacs, and magazines—shaped the way colonial subjects understood their place in empire In Required Reading, Priyasha Mukhopadhyay offers a new and provocative history of reading that centers archives of everyday writing from the British empire. Mukhopadhyay rummages in the drawers of bureaucratic offices and the cupboards of publishers in search of how historical readers in colonial South Asia responded to texts ranging from licenses to manuals, how they made sense of them, and what this can tell us about their experiences living in the shadow of a vast imperial power. Taking these engagements seriously, she argues, is the fi...
This book offers the first social and intellectual history of Dalit performance of Tamasha—a popular form of public, secular, traveling theater in Maharashtra—and places Dalit Tamasha women who represented the desire and disgust of the patriarchal society at the heart of modernization in twentieth century India. Drawing on ethnographies, films, and untapped archival materials, Shailaja Paik illuminates how Tamasha was produced and shaped through conflicts over caste, gender, sexuality, and culture. Dalit performers, activists, and leaders negotiated the violence and stigma in Tamasha as they struggled to claim manuski (human dignity) and transform themselves from ashlil (vulgar) to assli...