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This is the tale of the many possible lives of Anastasia Valerie Stein which come to touch one another through a twist in the fabric of space-time: Ann, unhappy wife and mother in a world much like our own; Val, independent teacher in a timeline of scarcity; Stacey, a free spirit with two lovers, and Tasha, strangest of all, a professional sorceress in a world where the Third Reich rules England. Together they join to confront a force that manipulates all their worlds, and discover a truth that transcends their individual lives. Finch combines compelling, believable characters, the ancient magic of the Tarot, and quantum physics to weave a spellbinding tale of the infinite possibilities of space and time.
There was something strange about Ann Bonney's mission to the unexplored world called Chameleon. Though only women were judged fit for space, Earth's Central Computer had for some reason placed a man among them ... an artist who was not docile like other men. For Language Specialist Gia Kennedy, the answer lay in the baffling rituals of the planet's primitive natives -- an answer that hovered just out of reach. There, in the heart of an alien wilderness, Gia would defy her culture and discover an ancient truth.
The galaxy-wide Guild of Xenolinguists handles all cross-cultural communications by sending agents abroad to learn new languages and program translation computers. The travails of novice linguists animate these 11 stories as they face much more than simple translation work, taking on alien parasites and viruses, a mysterious and violent star-faring race, dolphin instructors, and large tyrant ants. As cultures and languages collide, first contact quickly becomes a matter of morality, galactic politics, death, and war.
This volume provides a state-of-the-art overview of the relationship between language and cognition with a focus on bilinguals, bringing together contributions from international leading figures in various disciplines . It is essential reading for researchers and postgraduate students with an interest in language and cognition, or in bilingualism and second languages.
This book argues that feminist science fiction shares the same concerns as feminist epistemology—challenges to the sex of the knower, the valuation of the abstract over the concrete, the dismissal of the physical, the focus on rationality and reason, the devaluation of embodied knowledge, and the containment of (some) bodies. Ritch Calvin argues that feminist science fiction asks questions of epistemology because those questions are central to making claims of subjectivity and identity. Calvin reveals how women, who have historically been marginal to the deliberations of philosophy and science, have made significant contributions to the reconsideration and reformulation of the epistemological models of the world and the individuals in it.
This innovative volume provides a state-of-the-art overview of the relationship between language and cognition with a focus on bilinguals. It brings together contributions from international leading figures in various disciplines and showcases contemporary research on the emerging area of bilingual cognition. The first part of the volume discusses the relationship between language and cognition as studied in various disciplines, from psychology to philosophy to anthropology to linguistics, with chapters written by some of the major thinkers in each discipline. The second part concerns language and cognition in bilinguals. Following an introductory overview and contributions from established figures in the field, bilingual cognition researchers provide examples of their latest research on topics including time, space, motion, colors, and emotion. The third part discusses practical applications of the idea of bilingual cognition, such as marketing and translation. The volume is essential reading for researchers and postgraduate students with an interest in language and cognition, or in bilingualism and second languages.
The Fantastic Other is a carefully assembled collection of essays on the increasingly significant question of alterity in modern fantasy, the ways in which the understanding and construction of the Other shapes both our art and our imagination. The collection takes a unique perspective, seeing alterity not merely as a social issue but as a biological one. Our fifteen essays cover the problems posed by the Other, which, after all, go well beyond the bounds of any single critical perspective. With this in mind, we have selected studies to show how insights from deconstruction, Marxism, feminism, and Freudian, Jungian and evolutionary psychology help us understand an issue so central to the act of reading.
This book recreates an exciting and productive period in which creative artists felt they were witnessing the birth of a new age. Aaron Copland, Henry Cowell, George Gershwin, Roy Harris, and Virgil Thomson all began their careers then, as did many of their less widely recognized compatriots. While the literature and painting of the 1920's have been amply chronicled, music has not received such treatment. Carol Oja's book sets the growth of American musical composition against parallel developments in American culture, provides a guide for the understanding of the music, and explores how the notion of the concert tradition, as inherited from Western Europe, was challenged and revitalized through contact with American popular song, jazz, and non-Western musics.
Science fiction is at the intersection of numerous fields. It is a literature which draws on popular culture, and which engages in speculation about science, history, and all types of social relations. This volume brings together essays by scholars and practitioners of science fiction, which look at the genre from these different angles. After an introduction to the nature of science fiction, historical chapters trace science fiction from Thomas More to more recent years, including a chapter on film and television. The second section introduces four important critical approaches to science fiction drawing their theoretical inspiration from Marxism, postmodernism, feminism and queer theory. The final and largest section of the book looks at various themes and sub-genres of science fiction. A number of well-known science fiction writers contribute to this volume, including Gwyneth Jones, Ken MacLeod, Brian Stableford Andy Duncan, James Gunn, Joan Slonczewski, and Damien Broderick.