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A Taste of Honey
Presents the text of a play centering on the private life of an adolescent working-class girl faced with complex emotional problems
A Taste Of Honey
'Miss Delaney brings real people on to her stage... she is busy recording the wonder of life as she lives it' Kenneth Tynan, Observer A Taste of Honey became a sensational theatrical success when first produced in London by Joan Littlewood's Theatre Workshop in 1958. Now established as a modern classic, this comic and poignant play, by a then nineteen-year-old working-class Lancashire girl, was praised at its London premiere by Graham Greene as having 'all the freshness of Mr Osborne's Look Back in Anger and a greater maturity.' It was made into a highly acclaimed film in 1962. The play is about the adolescent Jo and her relationship with her irresponsible mum, Helen, the Nigerian sailor who leaves Jo pregnant and Geoffrey, the homosexual art student who moves in to help Jo with the baby. It is also about Jo's unshakeable optimism throughout her trials. This story of a mother and daughter relationship (imitated in many other modern British plays since), set in working-class Manchester, continues to engage new generations of audiences.
Tastes of Honey
'A sympathetic and perceptive account of a fine writer at a critical moment in our cultural life' KEN LOACH On 27 May 1958, A Taste of Honey opened in a small fringe theatre in London. Written by a nineteen-year-old bus driver's daughter from Salford, the play exposed a deeply polarised society in Britain, sparked press and political outrage and transformed its young author into an unexpected star. Shelagh Delaney's assertive female characters struck an immediate chord with working-class women who dreamed of more than just suburban housewifery, and her work and legacy would go on to inspire future generations of writers, musicians and artists. This is the remarkable story of how a working-class teenager stormed theatreland, exploded old certainties about class, race, sex and taste, and blazed an incendiary new path in British culture. 'A riveting book' DAVID HARE
A Study Guide for Shelagh Delaney's "A Taste of Honey"
A Study Guide for Shelagh Delaney's "A Taste of Honey," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
The Lion in Love
A 12th grade text offering instruction in composition, word study, grammar, usage, mechanics, and speech.
Rebel Writers: The Accidental Feminists
'Make this your next inspirational read. Trust us, it's Oprah's Book Club worthy' Vice In London in 1958, a play by a 19-year-old redefined women's writing in Britain. It also began a movement that would change women's lives forever. The play was A Taste of Honey and the author, Shelagh Delaney, was the first in a succession of young women who wrote about their lives with an honesty that dazzled the world. They rebelled against sexism, inequality and prejudice and in doing so challenged the existing definitions of what writing and writers should be. Bypassing the London cultural elite, their work reached audiences of millions around the world, paved the way for profound social changes and la...
A Study Guide for Shelagh Delaney's "A Taste of Honey"
A Study Guide for Shelagh Delaney's "A Taste of Honey," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.
British Realist Theatre
The British `New Wave' of dramatists, actors and directors in the late 1950s and 1960s created a defining moment in post-war theatre. British Realist Theatre is an accessible introduction to the New Wave, providing the historical and cultural background which is essential for a true understanding of this influential and dynamic era. Drawing upon contemporary sources as well as the plays themselves, Stephen Lacey considers the plays' influences, their impact and their critical receptions. The playwrights discussed include: * Edward Bond * John Osborne * Shelagh Delaney * Harold Pinter
