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In Shelley Ann Clark’s seductive debut novel, two damaged souls discover that when they’re together, their bodies hit all the right notes. Rock diva Emme Hayes already broke up one band after sleeping with the lead singer, and she swears she won’t let sex screw things up again. The problem is, her new bass player—a lean, muscular, tattooed mystery man who makes her want to demand his absolute attention—has her so worked up she can hardly carry a tune. Emme promises he’s off-limits. She just doesn’t know how she’ll be able to confine the heat to her love songs. The moment Tom McKinney lays eyes on Emme strutting around the stage of his blues bar—all curves, eye liner, and te...
The Sale of a Country is a riveting account of what took place behind the scenes at the Canadian Free Trade Negotiations Offi ce. Shrouded in a veil of secrecy, clandestine meetings, midnight shredding of briefi ng books and key working papers, there was still time for the creation of a “SEX PIT”. The man who was parachuted in by former Prime Minister Brian Mulroney to do the deed was a sexual predator. His need for sex led to carelessness and bad judgment that almost destroyed the Prime Minister’s plan to leave a legacy that he was the one who had achieved a Free Trade Agreement with one of the world’s most powerful countries, the United States of America, where everyone else had failed.
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‘I couldn't put it down, read it cover to cover in a day... A fabulous chilling thriller.’ NetGalley reviewer, ⭐⭐⭐⭐⭐ A mysterious figure. A whispering community. A deadly secret...
A provocative look at modern Canadian women at work and at home.
Dana Van Kooy draws critical attention to Percy Bysshe Shelley as a dramatist and argues that his dramas represent a critical paradigm of romanticism in which history is 'staged'. Reading Shelley's dramas as a series of radical stages - historical reenactments and theatrical reproductions - Van Kooy highlights the cultural significance of the drama and the theatre in shaping and contesting constructions of both the sovereign nation and the global empire in the post-Napoleonic era. This book is about the power of performance to challenge and reformulate cultural memories that were locked in historical narratives and in Britain's theatrical repertoire. It examines each of Shelley's dramas as a...
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY LIBRARY JOURNAL RITA finalist and New York Times bestselling author Ruthie Knox kicks off a steamy series set in the city that never sleeps—alone, at least. May Fredericks hates New York. Which is fair enough, since New York seems to hate her back. After relocating to Manhattan from the Midwest to be with her long-distance boyfriend, NFL quarterback Thor Einarsson, May receives the world’s worst marriage proposal, stabs the jerk with a shrimp fork, and storms off alone—only to get mugged. Now she’s got no phone, no cash, and no friends. How’s a nice girl supposed to get back to safe, sensible Wisconsin? Frankly, Ben Hausman couldn’t care...
She's not at all what he expected. He's just as sinfully sexy as she remembered. And together they're about to heat up the track. Grady Hart is the black sheep of his family. For years he's managed the Hart Racing team, but while racing is in his blood, his real passion lies under the hood. Ready to start out on his own, all he needs to do is find a replacement for his old job. However, the best candidate for crew chief isn't someone he would have expected: sweet, proper Annabelle Murrary, the literal Girl Next Door who's definitely grown up since high school. All her life Annabelle has tried to fit into the role of perfect daughter-and failed. Divorced, broke and living back home with her mother, she's tired of trying to live up to her parents' impossible standards. Taking on the position as crew chief for a successful racing team-and getting her hands dirty-is just what she's looking for...but first she has to get past her old crush on her new boss. After all, it's never smart to mix business with pleasure, or is it?