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How can teacher educators provide prospective teachers with a philosophical foundation for dimensions of teaching associated with responsiveness to students? How can they help focus teacher candidates, during their through coursework and, especially, during clinical experiences, on developing their capacity to be responsive to students as unique human beings? Drawing from the literature base on teaching’s moral dimensions, this book establishes a conceptual framework for responsiveness, describes obstacles to its actualization, and suggests approaches for nurturing responsive capacities in teacher candidates. Voices of teacher candidates and teacher educators animate the conversation about...
In 1987, the death of Ben Linder, the first American killed by President Reagan's "freedom fighters" -- the U.S.-backed Nicaraguan Contras -- ignited a firestorm of protest and debate. In this landmark first biography of Linder, investigative journalist Joan Kruckewitt tells his story. In the summer of 1983, a 23-year-old American named Ben Linder arrived in Managua with a unicycle and a newly earned degree in engineering. In 1986, Linder moved from Managua to El Cuá, a village in the Nicaraguan war zone, where he helped form a team to build a hydroplant to bring electricity to the town. He was ambushed and killed by the Contras the following year while surveying a stream for a possible hydroplant. In 1993, Kruckewitt traveled to the Nicaraguan mountains to investigate Linder's death. In July 1995. she finally located and interviewed one of the men who killed Ben Linder, a story that became the basis for a New Yorker feature on Linder's death. Linder's story is a portrait of one idealist who died for his beliefs, as well as a picture of a failed foreign policy, vividly exposing the true dimensions of a war that forever marked the lives of both Nicaraguans and Americans.
Consummate painter, draftsman, sculptor, and architect, Michelangelo Buonarroti (1475–1564) was celebrated for his disegno, a term that embraces both drawing and conceptual design, which was considered in the Renaissance to be the foundation of all artistic disciplines. To his contemporary Giorgio Vasari, Michelangelo was “the divine draftsman and designer” whose work embodied the unity of the arts. Beautifully illustrated with more than 350 drawings, paintings, sculptures, and architectural views, this book establishes the centrality of disegno to Michelangelo’s work. Carmen C. Bambach presents a comprehensive and engaging narrative of the artist’s long career in Florence and Rome...
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