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Literary and Visual Representations of HIV/AIDS
Literary and Visual Representations of HIV/AIDS: Forty Years Later depicts how film and literature about the HIV/AIDS crisis expand upon the issues generated by the epidemic. This collection fills an important gap in the scholarship on HIV/AIDS, by bringing together essays by both established and junior scholars on visual and literary representations of HIV/AIDS. Almost forty years after the first reported cases of what would later be defined as AIDS, this book looks back across the decades at works of literature and film to discuss how the representation of HIV/AIDS has shifted in media. This book argues that literature constitutes a very powerful response to AIDS that ripples into film and politics, driving the changes in past and contemporary representations of HIV/AIDS. The book also expands discussion of the issues generated and amplified by the epidemic to consider how HIV/AIDS has been portrayed in the United States, Western and Southern Africa, Western Europe, and East Asia.
Remapping the Past
This study investigates how writers of Deng Xiaopinga (TM)s China undermined the grand narrative of official history by rewriting the past. It showcases fictions of history by eleven Chinese, Muslim and Tibetan authors in terms of spatial schemes of fictional historiography.
Life and Death Are Wearing Me Out
One of the Nobel Prize Winners in Literature Ideal for fans of Chinese Playground, We Are Party People, Death of Me, Skate with Me, A Farmer’s Life for Me, and similar works Written by today’s most revered, controversial, and feared Chinese novelist Mo Yan’s Life and Death Are Wearing Me Out is a remarkable story. The absurd, real, comical, and tragic are combined into a fantastic read. The hero—or antihero—is Ximen Nao, a landowner known for his kindness to his peasants. His tale is a heart-wrenching and unique journey and completely riveting tale that shares the author’s love of a homeland caught by ills political, traditional, and inevitable.
Questioning the Chinese Model
In the early twenty-first century, the Chinese literary world saw an emergence of fictional works – dubbed as "oppositional political novels" – that took political articulation as their major purpose and questioned the fundamental principles and intrinsic logic of the Chinese model. Based on close readings of five representative oppositional Chinese political novels, Questioning the Chinese Model examines the sociopolitical connotations and epistemological values of these novels in the broad context of modern Chinese intellectual history and contemporary Chinese politics and society. Zhansui Yu provides a sketch of the social, political, and intellectual landscape of present-day China. H...
Mo Yan in Context
In 2012 the Swedish Academy announced that Mo Yan had received the Nobel Prize in Literature for his work that "with hallucinatory realism merges folk tales, history, and the contemporary." The announcement marked the first time a resident of mainland China had ever received the award. This is the first English-language study of the Chinese writer's work and influence, featuring essays from scholars in a range of disciplines, from both China and the United States. Its introduction, twelve articles, and epilogue aim to deepen and widen critical discussions of both a specific literary author and the globalization of Chinese literature more generally. The book takes the "root-seeking" movement ...
She Who Became the Sun
Two-time British Fantasy Award Winner Astounding Award Winner Lambda Literary Award Finalist Hugo Award Finalist Locus Award Finalist Otherwise Award Finalist "Magnificent in every way."—Samantha Shannon, author of The Priory of the Orange Tree "A dazzling new world of fate, war, love and betrayal."—Zen Cho, author of Black Water Sister She Who Became the Sun reimagines the rise to power of the Ming Dynasty’s founding emperor. To possess the Mandate of Heaven, the female monk Zhu will do anything “I refuse to be nothing...” In a famine-stricken village on a dusty yellow plain, two children are given two fates. A boy, greatness. A girl, nothingness... In 1345, China lies under harsh...
Discourses of Disease
The meanings of disease have undergone such drastic changes with the introduction of modern Western medicine into China during the last two hundred years that new discourses have been invented to theorize illness, redefine health, and reconstruct classes and genders. As a consequence, medical literature is rewritten with histories of hygiene, studies of psychopathology, and stories of cancer, disabilities and pandemics. This edited volume includes studies of discourses about both bodily and psychiatric illness in modern China, bringing together ground-breaking scholarships that reconfigure the fields of history, literature, film, psychology, anthropology, and gender studies by tracing the pathological path of the “Sick Man of East Asia” through the nineteenth and twentieth centuries into the new millennium.
AIDS-Trauma and Politics
AIDS-Trauma and Politics considers American literary representations of the social and political silence surrounding the AIDS crisis in the U.S. in the 1980s. The book offers close readings of such authors as Paul Monette, Mark Doty, Rafael Campo, Sarah Schulman, Tony Kushner, and Larry Kramer in order to argue that the AIDS crisis was born largely without a witness and, as a result, marks a significant trauma in U.S. history. Grounded by trauma studies, AIDS-Trauma and Politics argues that the arts, exemplified here by literature and film, uniquely underscore social problems otherwise overlooked by such discourses as politics, the law, and journalism. Defining the 1980s AIDS crisis as a perfect case, this book proposes to redefine trauma not simply as an event that happened too soon, but rather as an ongoing series of oversights resulting in a failure to acknowledge or witness the humanity of those who suffer.
The New Human in Literature
Twentieth-century literature changed understandings of what it meant to be human. Mads Rosendahl Thomsen, in this historical overview, presents a record of literature's changing ideas of mankind, questioning the degree to which literature records and creates visions of the new human. Grounded in the theory of Niklas Luhmann and drawing on canonical works, Thomsen uses literary changes in the mind, body and society to define the new human. He begins with the modernist minds of Virginia Woolf, Williams Carlos Williams and Louis-Ferdinand Celine's, discusses the society-changing concepts envisioned by Chinua Achebe, Mo Yan and Orhan Pamuk. He concludes with science fiction, discussing Don DeLillo and Michel Houellebecq's ideas of revolutionizing man through biotechnology. This is a study about imagination, aesthetics and ethics that demonstrates literature's capacity to not only imagine the future but portray the conflicting desires between individual and various collectives better than any other media. A study that heightens reflections on human evolution and posthumanism.
