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A wealthy woman’s death in a picturesque corner of Connecticut pulls her down-on-his-luck handyman into a sprawling criminal underworld . . . Awakened in the night by a mysterious and alarming call, handyman Jed Cooper rushes to the stately home of his employer, an emotionally fragile choreographer who has secluded herself in Connecticut’s Litchfield Hills. But it’s too late. She’s dead and a shadowy figure has bolted into the darkness. Just in time for the cops to show up and find Jed standing over her body. Jed may be innocent but he can’t help feeling some haunting stirrings of guilt—after all, she’d been acting even more skittish than usual in recent days. Thanks to his ske...
At the outset, Miranda Davis has nothing much going for her. The tourists are long gone by October in the quaint Carolina town of Black Mountain, her realty business is at a standstill, and her weekend stint managing the local tavern offers little to pull her out of the doldrums. When prominent church lady Cloris Raintree offers a stipend to look into the whereabouts of a missing girl hiker on the Q.T, Miranda, along with her partner Harry (an unemployed features writer) agree. But then it all backfires. A burly figure shambles down a mountain slope with a semi-conscious girl draped over his shoulder. Miranda's attempts to uncover Cloris Raintree's true motives become near impossible as she ...
Over the years there has been much controversy and confusion about the true nature of The Actors Studio, a secluded workshop in New York City that for decades has had a marked influence on the stage and screen and yet functions like a secret society behind closed doors. It all began when Stanislavsky's Moscow Art Theater brought its brand of "realism" to the United States in 1923. The legendary Group Theater of the 1930s followed. Then came the creation of a studio workshop incorporating the provocative acting and directing techniques of Elia Kazan, and the emergence of Lee Strasberg as Studio head following Kazan's departure. Strasberg's background and the encounters between him and the act...
This guide for screenwriters and those interested in the screenwriting process has important information on every facet of the screenwriter's trade. Introductory chapters discuss skills essential for all screenwriters. The second part covers various options available to screenwriters (such as different genres, indie films, adaptation) with important methods for each. Part Three is a collection of revealing interviews by the author with several established and seasoned professionals. Instructors considering this book for use in a course may request an examination copy here.
Josh Bartlett had figured all the angles, changed his name, holed up as a small-town features writer in the seclusion of the Blue Ridge. Only a few weeks more and he'd begin anew, return to the Litchfield Hills of Connecticut and Molly (if she'd have him) and, at long last, live a normal life. After all, it was a matter of record that Zharko had been deported well over a year ago. The shadowy form John had glimpsed yesterday at the lake was only that --- a hazy shadow under the eaves of the activities building. It stood to reason his old nemesis was still ensconced overseas in Bucharest or thereabouts well out of the way. And no matter where he was, he wouldn't travel south over eight hundred miles to track Josh down. Surely that couldn't be, not now, not after all this.>/b>
Written in the style of a classic Brtish Mystery with a contemporary young American woman as the amateur sleuth. Entertaining. Keeps you guessing until the end. From a small secluded village in Connecticut to the English Countryside, readers are taken on a roller coaster of events and quirky characters as amateur sleuth Emily Ryder tries to solve a murder that everyone thinks was an accident. For tour guide Emily Ryder, the turning point came on that fateful early morning when her beloved mentor met an untimely death. It's labeled as an accident and Trooper Dave Roberts is more interested in Emily than in any suspicions around Chris Cooper's death. For Emily, if Chris hadn't been the Village Planner and the only man standing in the way of the development of an apartment and entertainment complex in their quaint village of Lydfield, Connecticut, she might have believed it was an accident, but too many pieces didn't fit. As Emily heads across the pond for a scheduled tour of Lydfield's sister village, Lydfield-in-the-Moor . . . she discovers that the murderer may be closer than she thought.
2021 Royal Dragonfly Book Award Winner – Mystery 2021 eLit Bronze Award Winner – Mystery Readers Favorite Book Award Winner – Sleuthing Mystery Small-town realtor, Miranda Davis, never expected to uncover a terrorist plot. But when her cousin, Skip, playfully broadcasts some intercepted code messages like “Countdown to D-Day” on his radio show, he begins to receive threatening anonymous messages – leaving Miranda to wonder if he’s stumbled into something much more sinister... After Skip’s beloved cat, Duffy, is snatched as a warning, Miranda finds herself roped into a dangerous mission to decipher a conspiracy that threatens to tip a crucial senatorial vote. As they’re forc...
Tinseltown Riff is a novel of suspense, crime, and Hollywood. Shelly Frome is a professor of dramatic arts emeritus, a former professional actor, a writer of mystery novels and articles and books on theatre and film. He also writes profiles of leading figures in the arts for a regional magazine covering the Berkshires, Hudson Valley and the Litchfield Hills
A crime story with southern gothic overtones which centers on thirty-something Josh Devlin, a failed journalist who, after a year of wandering, winds up in a Kentucky homeless shelter on a wintry December day. Josh comes upon a runaway named Alice holed up in an abandoned boxcar. Taken with her plight, and dejected over his own squandered life, Josh takes her back to Memphis, trying to get back on his feet while seeking a solution to Alice's troubles. A Delta bluesman's checkered past comes into play, and inevitably Josh finds himself on a collision course with a backwoods tracker fixated on the Civil War and, by extension, the machinations of the governor-elect of Mississippi--past sins have finally come due in the present.
This book examines the history and influence of the Group Theatre, the most significant acting company in America. Founded during the Great Depression, the Group presented the first plays of Clifford Odets, Sidney Kingsley, and William Saroyan, and launched the careers of Franchot Tone, John Garfield, Elia Kazan, Lee J. Cobb, Karl Malden, Martin Ritt, and Luther Adler. The intense realism of their performances inspired generations of writers, actors, and directors in both theater and film. After the Group closed, its former members directed or produced the Broadway plays Brigadoon, A Streetcar Named Desire, Death of a Salesman, Camino Real, Bus Stop, The Music Man, Equus, and Yentl. In Hollywood, Group alumni produced, directed, or starred in the award-winning films On the Waterfront, East of Eden, Twelve Angry Men, Hud, Fail-Safe, 1776, Serpico, Network, Norma Rae, and The Verdict. Four of the nation's best-known acting teachers--Lee Strasberg, Sanford Meisner, Robert Lewis, and Stella Adler--came from the Group. The studios they established remain the most highly regarded acting schools in the world, with venues on four continents.