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Beijing Opera Costumes: The Visual Communication of Character and Culture illuminates the links between theatrical attire and social customs and aesthetics of China, covering both the theory and practice of stage dress. Distinguishing attributes include an introduction to the performance style, the delineation of the costume conventions, an analysis of the costumes through their historical precedents and theatrical modifications, and the use of garment shape, color, and embroidery for symbolic effect. Practical information covers dressing the performers and a costume plot, the design and creation of the make-up and hairstyles, and pattern drafts of the major garments. Photographs from live performances, as well as details of embroidery, and close-up photographs of the headdresses thoroughly portray the stunning beauty of this incomparable performance style. Presenting the brilliant colors of the elaborately embroidered silk costumes together with the intricate makeup and glittering headdresses, this volume embodies the elegance of the Beijing opera.
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A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR
Salvation and Modernity presents an interpretation of the phenomenon of intellectual Christians in contemporary Chinese society, with special focus paid to Liu Xiaofeng, by exploring the main issues of faith, salvation, and the quest for a modern China. Author Fredrik FSllman investigates similar developments in earlier centuries by linking past and present forms of cultural Christian phenomenon, and the beliefs and ideas of Liu Xiaofeng and other scholars. Their focus on Christianity implies a criticism of traditional Chinese value systems, in particular Confucianism and Daoism. The introduction of Christian theology and values into Chinese academia is a way of creating greater understanding for Western culture. Many cultural Christians argue that this advanced understanding is a prerequisite for establishing a modern China. Issues of personal faith and identity are also central in respect to modernity as well as to individual and national salvation.
'Defining Buddhism(s)' explores the multiple ways in which Buddhism has been defined and constructed by both Buddhists and scholars. In recent decades, scholars have become increasingly aware of their own role in the construction of how Buddhism is represented - a process in which multiple representations of Buddhism compete with and complement one another. The reader brings together key essays by leading scholars to examine the central methods and concerns of Buddhism. The essays aim to illuminate the challenges involved in defining historical, social, and political contexts and reveal how definitions of Buddhism have always been contested.
Written as a reference to be used within University, Departmental, Public, Institutional, Herbaria, and Arboreta libraries, this book provides the first starting point for better access to data on medicinal and poisonous plants. Following on the success of the author's CRC World Dictionary of Plant Names and the CRC World Dictionary of Grasses, the author provides the names of thousands of genera and species of economically important plants. It serves as an indispensable time-saving guide for all those involved with plants in medicine, food, and cultural practices as it draws on a tremendous range of primary and secondary sources. This authoritative lexicon is much more than a dictionary. It includes historical and linguistic information on botany and medicine throughout each volume.
Containing over 33,000 terms, the Chinese-English Dictionary of Chinese Medicine is the largest, fully searchable list of Chinese medical terms ever published. It is the only sufficiently comprehensive list of Chinese medical terms to be an ultimate go-to for any translator, student, or clinician. It contains a vast array of general terms, including the 5,000 or more of Practical Dictionary of Chinese Medicine (Paradigm Publications, 1997). It also contains the 1,500 standard and alternate acupoint names from Grasping the Wind (Paradigm Publications, 1989) and over 10,000 standard and alternate names of medicinals described in the Comprehensive Chinese Materia Medica (Paradigm Publications, ...