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Shortlisted for the Saskatchewan Book Award (Poetry Book) 2023 Shortlisted for the Saskatchewan Book Award (City of Saskatoon) 2023 Shortlisted for the Derek Walcott Prize for Poetry 2022 Shortlisted for the Pat Lowther Memorial Award 2022 Field Requiem bears witness to the violence inherent in the shift to industrialised farming in prairie Canada. Sheri Benning's poems chart the ways in which a way of life collapses, the world of the family farm, even as the speaker suffers, too. The first poem in the collection, 'Winter Sleep', is a fever dream: the borders between past and present, between the unconscious and the real, break down. The poem reckons with the devastating social and environme...
Earth After Rain flourishes in sensuous delight and plumbs the depth of topography, memory and family. Benning brings Saskatchewan’s boreal forests, lakes and fauna alive, absorbing detail and meshing it with the sinews of bone, the half-light of moon, and the silent majesty of stone.
Poetry. Here are poems of remembrance and deep grieving, recalling in etched details iconic moments which are alive with the unspoken-moments between father and daughter, mother and child, sister and sister, lover and lover, poet and friend. "These thrillingly beautiful poems invoke what the thinnest scrap of moon can offer of its cold glowing remnant to the imagination: loss, sorrow, and hope. The hyphen, prominent in Benning's language use, makes impressive the connection, and the distance, between words and the living cosmos. Benning's fresh romanticism colours the lexicon of THIN MOON PSALM and its emotional territory. The prairie landscape and sky-world, the temporality of passionate human connection; the physicality of memory and grief are the deep streams of metaphor this book engages. Sheri Benning is a marvel of a poet"--Sharon Thesen.
No Far Shore is a rich exploration of various coastlines across England, Wales, Ireland, Canada and the US, in the form of travel writing, narrative non-fiction, memoir and poetry. In it poet Anne-Marie Fyfe visits the meeting place of land and sea, and takes in the maps, waves, lighthouses, islands, north, journeys, boats and fishermen which mark this changing boundary. She looks too at the work of a number of writers for whom the coast has been influential (and who in some cases have a surprising link to her hometown of Cushenden in Northern Ireland). They include Elizabeth Bishop, Herman Melville, Eavan Boland, Moira O'Neill, Robinson Jeffers, George Mackay Brown, C.P. Cavafy and Louis MacNeice. In addition, Fyfe also travels into her past, and that of her family, and charting her own relationship with a number of coasts and the way that they have shaped her life and those of others. Living next to the sea brings almost as many subjects as the waves falling on to the land, from the quiet ease of fishing to the impact of the shipwreck of the Princess Victoria, from the lyricism of nature poetry to the specialism of morse code and cartography.
A cloth bag containing ten copies of the title.
The Season's Vagrant Light is Sheri Benning's first collection of poetry to be published outside her native Canada. It includes the best poems from both of her two previous publications, together with a generous selection of new work. Benning's early poems are infused with the light and hue of her homeland, its cities; sewn by rivers', its horizons spilling snow, spilling stars'. The newer work travels farther afield, to Russia, New Mexico, Scotland. Throughout, Benning's poetry is alive to the quiet intimacies between father and daughter, mother and child, between siblings and between lovers
Shortlisted for the Derek Walcott Prize for Poetry 2022 Carola Luther's new book On the Way to Jerusalem Farm explores the complexities of living in a damaged world. How, it asks, does such a world live in us, and we in it? At the centre of the collection are three sequences, 'Letters to Rasool', 'Birthday at Emily Court' and 'The Escape'. On the Way to Jerusalem Farm moves through the world, seeking and finding not answers, but sometimes, a means of continuing. The speaker in 'Letters to Rasool' travels onward through scarred and depleted landscapes, and searches for a lost beloved. The ageing residents of Emily Court celebrate a birthday and dance. Spring of a kind still comes. And in 'The Escape' there are colours to be found in the distant sea: 'A whole translucent geology, / cross-sections of light and water'. Poetry for Luther is a way of finding a way, of making connections and sharing our complex lives in an interdependent present. The roles of lover and beloved become – almost – interchangeable in these richly visualised poems.
A terrifying 1930s ghost story set in the haunting wilderness of the far north. January 1937. Clouds of war are gathering over a fogbound London. Twenty-eight year old Jack is poor, lonely and desperate to change his life. So when he's offered the chance to join an Arctic expedition, he jumps at it. Spirits are high as the ship leaves Norway: five men and eight huskies, crossing the Barents Sea by the light of the midnight sun. At last they reach the remote, uninhabited bay where they will camp for the next year. Gruhuken. But the Arctic summer is brief. As night returns to claim the land, Jack feels a creeping unease. One by one, his companions are forced to leave. He faces a stark choice. Stay or go. Soon he will see the last of the sun, as the polar night engulfs the camp in months of darkness. Soon he will reach the point of no return - when the sea will freeze, making escape impossible. And Gruhuken is not uninhabited. Jack is not alone. Something walks there in the dark...
"A young drama teacher in the West of Scotland suffers deep psychological problems which affect all areas of her life. She fails to find meaning in anything around her, but in her search she strips situations of their conventional values and sees them in a sharp, new light." --Publisher's description.
Winner of the Forward Prize for Best First Collection A Sunday Times, New Statesman and Telegraph Book of the Year 2019 'Every poem in this book is a marvel. Taken all together they make up a work of almost miraculous depth and beauty' Sally Rooney 'A poetry debut fit to compare with Seamus Heaney. This wonderful long poem is up there with the greats' Sunday Times When Stephen Sexton was young, video games were a way to slip through the looking glass; to be in two places at once; to be two people at once. In these poems about the death of his mother, this moving, otherworldly narrative takes us through the levels of Super Mario World, whose flowered landscapes bleed into our world, and ours, strange with loss, bleed into it. His remarkable debut is a daring exploration of memory, grief and the necessity of the unreal.