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Migration and Multiculturalism in Scandinavia
Scandinavian societies have historically, and problematically, been understood as homogenous, when in fact they have a long history of ethnic and cultural pluralism due to colonialism and territorial conquest. Amid global tensions around border security and refugee crises, these powerful conversations with nineteen scholars about the past, present, and future of a region in transition capture the current cultural moment.
On the Divide
On the Divide analyzes the iconic image that Cather helped develop for herself, in contrast to the anonymous face she adopted for promotional activities and the very different private self she shared only with friends and family. Delving into CatherOCOs correspondence and the little-known promotional material she produced anonymously, David Porter provides new insight into the extentOCoand directionOCoof her control. He also considers the contrasting influences of Mary Baker Eddy, whose biography Cather ghostwrote, and Sarah Orne Jewett on the authorOCOs emerging artistic persona. The study goes on to explore the many ways in which these OC dividesOCO in CatherOCOs life found expression in her writing. Extending from CatherOCOs early stories to her final novel, PorterOCOs book documents the degree to which CatherOCOs understanding of her own different and often conflicting sides, and of her penchant for playing diverse roles, enabled her as a novelist to create characters so torn, so complex, and so profoundly human.
Axes
Traces the intimate relationship between the texts published by Willa Cather and William Faulkner between 1922 and 1962.
The Only Wonderful Things
Drawing on newly uncovered archives, The Only Wonderful Things offers a groundbreaking look at American novelist Willa Cather's creative process by arguing that the writer's life partner, magazine editor Edith Lewis, had a crucial impact on Cather's literary work.
The Rough, Stormy Age of Vikings
"Describes disgusting details about daily life in the Viking age, including housing, food, and sanitation"--Provided by publisher.
Measures of Possibility
"The author confronts the thorny question of whether any set of editing practices can adequately represent in print the distinctive characteristics of Emily Dickinson's writing".--BOOKJACKET.
Lions of the North
Often labeled "neo-Nazis" or "right-wing extremists," radical nationalists in the Nordic countries have always relied on music to voice their opposition to immigration and multiculturalism. These actors shook political establishments throughout Sweden, Denmark, and Norway during the 1980s and 1990s by rallying around white power music and skinhead subculture. But though nationalists once embraced a reputation for crude chauvinism, they are now seeking to reinvent themselves as upstanding and righteous, and they are using music to do it. Lions of the North explores this transformation of anti-immigrant activism in the Nordic countries as it manifests in thought and sound. Offering a rare ethnographic glimpse into controversial and secretive political movements, it investigates changes in the music nationalists make and patronize, reading their puzzling embrace of lite pop, folk music, even rap and reggae as attempts to escape stereotypes and craft a new image for themselves. Lions of the North not only exposes the dynamic relationship between music and politics, but also the ways radical nationalism is adapting to succeed in some of the most liberal societies in the world.
Why Sámi Sing
Why Sámi Sing is an anthropological inquiry into a singing practice found among the Indigenous Sámi people, living in the northernmost part of Europe. It inquires how the performance of melodies, with or without lyrics, may be a way of altering perception, relating to human and non-human presences, or engaging with the past. According to its practitioners, the Sámi "yoik" is more than a musical repertoire made up by humans: it is a vocal power received from the environment, one that reveals its possibilities with parsimony through practice and experience. Following the propensity of Sámi singers to take melodies seriously and experiment with them, this book establishes a conversation between Indigenous and Western epistemologies and introduces the "yoik" as a way of knowing in its own right, with both convergences and divergences vis-à-vis academic ways of knowing. It will be of particular interest to scholars of anthropology, ethnomusicology, and Indigenous studies.
By Night
Saint Paul’s Church in Philadelphia where most of these sermons were given is reminiscent in architecture to those old pilgrimage churches of France, with its rose window and gargoyles, flying buttress and flêche that pierces the horizon of Chestnut Hill. At one time the cross at the top of the flêche was the highest point in Philadelphia. Coming to Saint Paul’s brings one to “a place of peace for me,” as one parishioner described it that “helps me to try and work toward peace in the world.” “An omen of peace for the parish” is how our third rector described a gathering of clergy from North and South at Saint Paul’s only six months after Lincoln’s assassination. Enemies...
Shakespeare and Masculinity in Southern Fiction
The book advances the idea that American, Southern, white, planter class authors have appropriated models and modes of masculinity from William Shakespeare. Keener traces the history of this appropriation and its attendant masculinities from authors as early as William Gilmore Simms, through Thomas Nelson Page and Thomas Dixon, to William Faulkner.
