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The essays in Indigenous Women and Work create a transnational and comparative dialogue on the history of the productive and reproductive lives and circumstances of Indigenous women from the late nineteenth century to the present in the United States, Australia, New Zealand/Aotearoa, and Canada. Surveying the spectrum of Indigenous women's lives and circumstances as workers, both waged and unwaged, the contributors offer varied perspectives on the ways women's work has contributed to the survival of communities in the face of ongoing tensions between assimilation and colonization. They also interpret how individual nations have conceived of Indigenous women as workers and, in turn, convert t...
Christi Belcourt's The Conversationis emblematic of her work. Made of dots created by dipping the end of a paintbrush or knitting needle into paint and pressing it onto the canvas, the painting evokes the traditional beadwork of First Nations and Métis women. Its twining stems, flower blossoms, and root systems highlight the abiding connections of life across Turtle Island, connections that Belcourt has spent her life fighting for through her art and her advocacy. Christi Belcourtis the first book devoted exclusively to Belcourt's life and work: her early paintings showcasing the natural world's beauty and interconnectedness, her monumental "flower beadwork " paintings, and her recent collaborations with Isaac Murdoch, an Anishinaabe knowledge keeper. Drawn from a national touring exhibition, these works of art inspire reflection, provoke conversation, and call for action. The book features a powerful artist's statement by Christi Belcourt, and illuminating essays written by scholars Sherry Farrell Racette, Dylan Miner, and exhibition curator Nadia Kurd.
This exhibition includes art from artists who live in all parts of Saskatchewan, from Wood Mountain in the south to Turner Lake in the north. From youth to elder, the artists mentor others to ensure the ongoing vitality of traditional arts in the province. From publisher description. From Clearing paths by Robertson.
Story presents a collage of images from Metis culture: strong loving families, beautiful artwork and an exciting and hardworking lifestyle.
First Nations peoples believe the eagle flies with a female wing and a male wing, showing the importance of balance between the feminine and the masculine in all aspects of individual and community experiences. Centuries of colonization, however, have devalued the traditional roles of First Nations women, causing a great gender imbalance that limits the abilities of men, women, and their communities in achieving self-actualization.Restoring the Balance brings to light the work First Nations women have performed, and continue to perform, in cultural continuity and community development. It illustrates the challenges and successes they have had in the areas of law, politics, education, community healing, language, and art, while suggesting significant options for sustained improvement of individual, family, and community well-being. Written by fifteen Aboriginal scholars, activists, and community leaders, Restoring the Balance combines life histories and biographical accounts with historical and critical analyses grounded in traditional thought and approaches. It is a powerful and important book.
Your 21/2-year-old is full of bouncing, dancing energy. Tips for reading and sharing: Recite portions of the text as you dance with your child Point to and identify the body parts mentioned in the story Make up playful extensions to the text, such as "I've got teeth in my mouth; I've got hair on my head."
The first collection of scholarly essays on women and art in Canadian history.
This is a collection of stories from the oral tradition of the Metis. Written in the dialect of the original storytellers, the stories are accompanied by paintings by Sherry Farrell Racette.
As both colonizer and colonized (sometimes even simultaneously), women were uniquely positioned at the axis of the colonial encounter � the so-called "contact zone" � between Aboriginals and newcomers. Aboriginal women shaped identities for themselves in both worlds. By recognizing the necessity to "perform," they enchanted and educated white audiences across Canada. On the other side of the coin, newcomers imposed increasing regulation on Aboriginal women's bodies. Contact Zones provides insight into the ubiquity and persistence of colonial discourse. What bodies belonged inside the nation, who were outsiders, and who transgressed the rules � these are the questions at the heart of this provocative book.
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