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Love Imagined
ÿLove Imaginedÿis an American woman?s unique struggle for identity. "Joining the long history of women of color fighting to claim literary space to tell our stories, Sherry Quan Lee shares her truth with fierce courage and strength in Love Imagined. ... Quan Lee crafts a riveting tale of Minnesota life set within the backdrop of racial segregation, the Cold War, the sexual revolution while navigating it all through the lens of her multi-layered identities. A true demonstration of the power of an intersectional perspective." --Kandace Creel Falc¢n, Ph.D., Director of Women?s and Gender Studies, Minnesota State University, Moorhead "Love Imagined: this fascinating, delightful, important boo...
How Dare We! Write
ÿHow Dare We! Write: a multicultural creative writing discourseÿoffers a much needed corrective to the usual dry and uninspired creative writing pedagogy. The collection asks us to consider questions, such as ?What does it mean to work through resistance from supposed mentors, to face rejection from publishers and classmates, and to stand against traditions that silence you?" and "How can writers and teachers even begin to make diversity matter in meaningful ways on the page, in the classroom, and on our bookshelves?" How Dare We! Writeÿis an inspiring collection of intellectually rigorous lyric essays and innovative writing exercises; it opens up a path for inquiry, reflection, understan...
Septuagenarian
Septuagenarian: love is what happens when I die is a memoir in poetic form. It is the author's journey from being a mixed-race girl who passed for white to being a woman in her seventies who understands and accepts her complex intersectional identity; and no longer has to imagine love. It is a follow-up to the author's previous memoir (prose), Love Imagined: a mixed-race memoir, A Minnesota Book Award finalist. Praise for Sherry Quan Lee's Septuagenarian In Septuagenarian, Sherry Quan Lee accepts her own invitation to look at life in retrospect, but with a new lens. Pulling from and expanding upon her previous body of work, she examines the version of herself that was writing at that time. T...
Chinese Blackbird
Through elegant poetry, full of exquisite imagery and detail, Quan Lee describes her personal, transformative journey in which she explores how race, class, gender, and sexual identity inform who she is.
A Good Time for the Truth
In this provocative book, sixteen of Minnesota’s best writers provide a range of perspectives on what it is like to live as a person of color in one of the whitest states in the nation. They give readers a splendid gift: the gift of touching another human being’s inner reality, behind masks and veils and politeness. They bring us generously into experiences that we must understand if we are to come together in real relationships. Minnesota communities struggle with some of the nation’s worst racial disparities. As its authors confront and consider the realities that lie beneath the numbers, this book provides an important tool to those who want to be part of closing those gaps. With contributions by: Taiyon J. Coleman, Heid E. Erdrich, Venessa Fuentes, Shannon Gibney, David Grant, Carolyn Holbrook, IBé, Andrea Jenkins, Robert Karimi, JaeRan Kim, Sherry Quan Lee, David Mura, Bao Phi, Rodrigo Sanchez-Chavarria, Diane Wilson, Kao Kalia Yang
How Dare We! Write
How Dare We! Write: a multicultural creative writing discourse offers a much-needed corrective to the usual dry and uninspired creative writing pedagogy. The collection asks us to consider questions, such as "What does it mean to work through resistance from supposed mentors, to face rejection from publishers and classmates, and to stand against traditions that silence you?" and "How can writers and teachers even begin to make diversity matter in meaningful ways on the page, in the classroom, and on our bookshelves?" The expanded 2nd edition includes six new works, Creating Literary Spaces, that reach beyond the personal, beyond the present, into unknown spaces that make a difference. How Da...
The Girls of Slender Means (New Directions Classic)
"Long ago in 1945 all the nice people in England were poor, allowing for exceptions," begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself—"three times window shattered since 1940 but never directly hit"—its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful war wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in the Sunday Times of London, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called "one of this century's finest creators of comic-metaphysical entertainment."
Daaku
Violence, wild partying and flashy spending mark Ruby Pandher's comeback as he recovers from a failed hit by his own associates. His eyes and perspective are widened by the new contacts he makes as he tries to measure up to, and then sideline, big-time gangster Khalsi. Joining forces with a sinister associate and sounding very much like themodern businessman, he sets out to expand his criminal enterprises--and while battling his conscience and wondering what a life outside the underworld would be like.
Bird Eating Bird
Bird Eating Bird is a new collection of poems from Kristin Naca, winner of the 2008 National Poetry Series mtvU prize as chosen by Pulitzer Prize winner Yusef Komunyakaa. Playful and serious all at once, Kristin’s work explores the richness of her cultural and linguistic heritage and perpetuates NPS’s tradition of promoting exceptional poetry from lesser-known poets.
The Secret Keeper
A cloth bag containing ten copies of the title.
