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The Indiana Companion to Traditional Chinese Literature
  • Language: en
  • Pages: 1108

The Indiana Companion to Traditional Chinese Literature

"A vertitable feast of concise, useful, reliable, and up-to-dateinformation (all prepared by top scholars in the field), Nienhauser's now two-volumetitle stands alone as THE standard reference work for the study of traditionalChinese literature. Nothing like it has ever been published." --Choice The second volume to The Indiana Companion to TraditionalChinese Literature is both a supplement and an update to the original volume. VolumeII includes over 60 new entries on famous writers, works, and genres of traditionalChinese literature, followed by an extensive bibliographic update (1985-1997) ofeditions, translations, and studies (primarily in English, Chinese, Japanese, French, and German) for the 500+ entries of Volume I.

Science and Civilisation in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth
  • Language: en
  • Pages: 1146

Science and Civilisation in China: Volume 3, Mathematics and the Sciences of the Heavens and the Earth

After two volumes mainly introductory, Dr Needham now embarks upon his systematic study of the development of the natural sciences in China. The Sciences of the Earth follow: geography and cartography, geology, seismology and mineralogy. Dr Needham distinguishes parallel traditions of scientific cartography and religious cosmography in East and West, discussing orbocentric wheel-maps, the origins of the rectangular grid system, sailing charts and relief maps, Chinese survey methods, and the impact of Renaissance cartography on the East. Finally-and here Dr Needham's work has no Western predecessors-there are full accounts of the Chinese contribution to geology and mineralogy.

Science and Civilisation in China
  • Language: en
  • Pages: 548

Science and Civilisation in China

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The Plum in the Golden Vase or, Chin P'ing Mei, Volume Five
  • Language: en
  • Pages: 624

The Plum in the Golden Vase or, Chin P'ing Mei, Volume Five

The fifth and final volume of a celebrated translation of the classic Chinese novel This is the fifth and final volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

The Plum in the Golden Vase, Or, Chin P_ing Mei: The aphrodisiac
  • Language: en
  • Pages: 810

The Plum in the Golden Vase, Or, Chin P_ing Mei: The aphrodisiac

A five-volume translation of the classic sixteenth-century Chinese novel on the domestic life of a corrupt merchant.

A Catalogue of the Collection of Chinese and Manchu Books Given to the University of Cambridge
  • Language: en
  • Pages: 180
Guide to Microforms in Print
  • Language: en
  • Pages: 1416

Guide to Microforms in Print

  • Type: Book
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  • Published: 2009
  • -
  • Publisher: Unknown

None

Mesny's Chinese Miscellany
  • Language: en
  • Pages: 548

Mesny's Chinese Miscellany

  • Type: Book
  • -
  • Published: 1896
  • -
  • Publisher: Unknown

A text book of notes on China and the Chinese.

In the Service of the Khan
  • Language: en
  • Pages: 862

In the Service of the Khan

None

Possessing the Past
  • Language: en
  • Pages: 666

Possessing the Past

  • Categories: Art

A major scholarly work, published in conjunction with the exhibition titled "Splendors of Imperial China: Treasures from the National Palace Museum, Taipei" (on display at the Metropolitan Museum of Art during 1996, and scheduled for several other American cities during 1996-1997). Written by scholars of both Chinese and Western cultural backgrounds and conceived as a cultural history, the book synthesizes scholarship of the past three decades to present the historical and cultural significance of individual works of art and analyses of their aesthetic content, as well as reevaluation of the cultural dynamics of Chinese history. Includes some 600 illustrations, 436 in color. Annotation copyright by Book News, Inc., Portland, OR