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Direk
Direk, a collection of essays on Filipino filmmakers, presents an accessible and provocative introduction to Philippine cinema. Notable Filipino critics write on the canonical Filipino film directors: Ronald Baytan on Ishmael Bernal; Patrick F Campos on Kidlat Tahimik; Clodualdo Del Mundo, Jr. on Manuel Silos, Eddie Romero, and Lamberto Avellana; Vicente Garcia Groyon on Peque Gallaga; Shirley O. Lua on Fernando Poe, Jr; Gil Quito on Marilou Diaz-Abaya and Lav Diaz; Anne Frances N Sangil on Mike de Leon; Agustin Sotto on Gerardo de Leon; Nicanor G Tiongson on Manuel Conde; Rolando B Tolentino on Lino Brocka; Noel Vera on Mario OHara; and Lito B Zulueta on Brillante Ma Mendoza. A compelling work, the first of its kind, it is filled with insight and critical provocation. The work is essential reading for all who are interested in film making in all its multiple aspects, and provides hitherto unavailable information on Philippine filmmakers and cinema.
Read till it shatters
This book introduces readers to modern Thai literature through the themes of modernity, nationalism, identity and gender. In the cultural, political and social transformations that occurred in Thailand during the first half of the twentieth century, Thai literature was one of the vehicles that moved the changes. Taking seriously ‘read till it shatters’, a Thai phrase that instructs readers to take apart the text, to break it down, to deconstruct it, Thak Chaloemtiarana challenges the Thai literary canon from the margins and suggests ways of expanding and enriching it. Thai literature is scarce in translation and requires the skills of a scholar fluent in Thai to comprehend it. Thak is a ...
Balik-Tanaw: The Road Taken
Balik-Tanaw: The Road Taken is the memoir of the distinguished Filipino critic, Soledad S. Reyes. This book is a record of Reyess journey of more than seven decades where personal narrative intertwines with people and events, with social and political movements with which the country sought to negotiate the treacherous shoals in the postwar years. The account carries a fair amount of biographical data (as lodged in the critics memory in the absence of diaries), from her childhood into her college years. But as the context becomes wider and more complex, the narrative takes on a more analytical frame as she tries to make sense of disparate experiences whirling about her in the tumult of the 1970s and beyond, and in the startling changes in the political landscape, local and global, that now grip the Filipino nation. This account, according to the author, is a story of an individual constructing a narrative that seeks to impose order upon chaos by retrieving aspects of the past and weaving a series of recalcitrant experiences into a coherent whole. Published in association with De La Salle University Publishing House
The Uselessness of Art
Oscar Wilde's famous quip 'All art is quite useless' might not be as outrageous or demonstrably false as is often supposed. No-one denies that much art begins life with practical aims in mind: religious, moral, political, propagandistic, or the aggrandising of its subjects. But those works that survive the test of time will move into contexts where for new audiences any initial instrumental values recede and the works come to be valued for their own sake. The book explores this idea and its ramifications. The glorious Palaeolithic paintings on the walls of the Chauvet Cave present a stark example. In spite of total ignorance of their original purposes, we irresistibly describe the paintings ...
The Chinese Question
The rising strength of mainland China has spurred a revival of "Chineseness" in the Philippines. Perceived during the Cold War era as economically dominant, political disloyal, and culturally different, the "Chinese" presented themselves as an integral part of the Filipino imagined community. Today, as Filipinos seek associations with China, many of them see the local Chinese community as key players in East Asian regional economic development. With the revaluing of Chineseness has come a repositioning of "Chinese" racial and cultural identity. Philippine mestizos (people of mixed ancestry) form an important sub-group of the Filipino elite, but their Chineseness was occluded as they disappea...
What the Water Said
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Beauty for Ashes
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Watershed
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Frankie Sionil José
Frankie Sionil José of the Philippines is among Asia's leading fictionist. In a career spanning more than half a century that included editing Solidarity, which promotes writing in and about Southeast Asia, he has produced a remarkable body of fiction. Apart from winning various prizes, he was a Ramon Magsaysay awardee (1980) and a National Artist for Literature (2001). This tribute, in commemoration of José's 80th birthday, brings together reminiscences, poems, a substantial number of essays, all published for the first time. The comprehensive bibliography is indispensable to all who wish to study his work. By leading scholars of Filipino literature, the essays examine such themes as nation, history and society in José's works, and his use of English, of myth, through an examination of single or groups of texts of which the quintet that form the Rosales Saga is the most notable. They provide a challenging explication and assessment that, together with the other contributions, make the volume an authoritative, stimulating introduction to José, and to Filipino and Asian literature in English(es). It should be in all major libraries.
