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At eighteen, Somlata married into the Mitras: a once noble Bengali household whose descendants have taken to pawning off the family gold to keep up appearances. When Pishima, the embittered matriarch, dies, Somlata is the first to discover her aunt-in-law's body - and her sharp-tongued ghost. First demanding that Somlata hide her gold from the family's prying hands, Pishima's ghost continues to wreak havoc on the Mitras. Secrets spilt, cooking spoilt, Somlata finds herself at the centre of the chaos. And as the family teeter on the brink of bankruptcy, it looks like it's up to her to fix it. The Aunt Who Wouldn't Die is a frenetic, funny and fresh novel about three generations of Mitra women, a jewellery box, and the rickety family they hold together.
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“As the saying goes, the Ram was gone and so was his Ayodhya; I knew this only too well. Sita was underground; Lakshman, ostracized; Ramchandra’s youthful frame had long been borne away by the Sarayu. And the irresistible steamroller of time had pulverized the magnificent capital of the Koshals to dust. The modern town, 90 miles long and 36 miles wide, was nothing like the one described in The Ramayana. Maybe the ruins of the kingdom of Ayodhya were still buried somewhere under millions of tons of soil. Then where had this Ayodhya turned up from—this janmabhumi, Kaushalya Bhavan, Kaikeyi’s chambers? Or Raja Dasharath’s Durbar or Kanak Bhavan, for that matter? Were all of these only for show? Made to order? Archaeologists had still not been able to find the original Ayodhya, but that made no difference—there were realistic reasons for which it was necessary to prop up another Ayodhya. A legend was required, and whenever there is a need for one, it is King Vikramaditya with his scent of mythology who is summoned from the shadows of history.”
A host of mad and crazy folks live in Manoj's big rambling ancestral house. Dukkhohoron babu is the tutor who cannot teach unless he sits with his feet up. Satish Bharadwaj, the family priest who has two pet ghosts, Handu and Bhundu. Thakurjhee, the aunt who has a fiery temperament and is obsessed with cleanliness. Ganesh Ghoshal, the music teacher, who tries to hang himself at least twice or thrice every month and others with equally unusual habits! But when Manoj's uncle stumbles upon a revolver, chaos is unleashed in the neighborhood. Add to this the antics of the bumbling detective Baradacharan and the mystery of the missing prince and Manoj finds himself in the middle of a bizarre adventure, fraught with insane and hilarious episodes. A rollercoaster ride that goes from mad to madder.
Master storyteller Shirshendu Mukhopadhyay is the skilled portrayer of the world of phantoms. But all his ghosts are not spooky. Although not totally void of the quintessential eeriness, they are not to be feared, they do not mean any harm. Instead they are amiable, and live in harmony with humans, and sometimes also poke fun. Bhoutik Galpo Samagra is a unique collection of 20 such stories from his oeuvre. Each tale is unique on its own and promises to keep the reader on the edge.
An awe-inspiring collection of Shirshendu Mukhopadhyay's rare work- featuring 3 novels,30 short stories,9 sports articles,11 musings on society, 3 commentaries on politics, 1 essay on cinema and 15 memoirs - dug out from various archives. A collector's item worth preserving for posterity!
Shirshendu Mukhopadhyay is a prolific Bengali writer who has been writing for both children and adults. This book is a delightful and an extensive collection of the best 101 tales penned by him in Bengali. They evoke a myriad of emotions in the readers’ minds. A must have for Bengali literature lovers.
An eclectic collection of 32 stories that promise to leave you with a smile!