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This A-Z guide covers the life and careers of over 600 key figures in naval history, from the sixteenth century to the present day. Featuring influential figures from the UK, US and around the world, from the great admirals such as Nelson, to minesweepers, designers and administrators, it is an invaluable guide to those who have shaped naval history.
Cyclophanes, Volume II, provides a comprehensive review of the field of cyclophane chemistry for the period between the earlier volume in this series (Bridged Aromatic Compounds by A. H. Smith, 1964) and the present (generally through 1981). An attempt has been made to provide a selection of topics that delineate the past and present of cyclophane chemistry and point toward some of its future directions. The ordering of chapters has been chosen to present background, theory, structure, and spectroscopy followed by a somewhat arbitrary division of cyclophanes into subgroups, roughly in order of increasing structural complexity. Key topics discussed include the synthesis and properties of heterophanes, condensed benzenoid and nonbenzenoid cyclophanes, multibridged and multilayered cyclophanes, cyclophanes in host-guest chemistry, and cyclophanes as synthetic analogs of enzymes and receptors. Individual chapters have been written so that they may be read with little or no direct reference to other chapters. Each stands alone as a review of a particular area of cyclophane chemistry and therefore some overlap between chapters will be apparent.
From the rise of chemical technology in antiquity to the present day, Igniting the Chemical Ring of Fire tracks the development of professional chemistry communities in the countries of the Pacific Rim. Critical in this process was the development of local education and training in chemistry. The doctorate in chemistry is generally regarded as coming into existence in early 19th century Germany, with the model spreading globally as time passed. In early years it was common for international chemistry scholars to train at the ranking German or English universities before returning to their home countries to seed a local version of the doctorate. However, little has been formally written about this process outside of Europe.Representing a first in the field for countries of the Pacific Rim, this book documents the detailed history of chemical communities in ten countries from a team of internationally renowned historians. Providing insights into how and when these countries initiated local chemistry PhD programs and became independent chemical entities, Igniting the Chemical Ring of Fire shows that there is no single path to development.
In this revealing study, Daisuke Miyao explores "the aesthetics of shadow" in Japanese cinema in the first half of the twentieth century. This term, coined by the production designer Yoshino Nobutaka, refers to the perception that shadows add depth and mystery. Miyao analyzes how this notion became naturalized as the representation of beauty in Japanese films, situating Japanese cinema within transnational film history. He examines the significant roles lighting played in distinguishing the styles of Japanese film from American and European film and the ways that lighting facilitated the formulation of a coherent new Japanese cultural tradition. Miyao discusses the influences of Hollywood an...
Kampo medicine is a traditional medicine that originated from China over two thousand years ago. It was adopted by the Japanese and remained there for many years until modern times. Kampo medicine is now becoming increasingly recognized as an important therapeutic method alongside Western practice. In Japan itself, every principal hospital uses Kam
W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse—and in some instances, little-known—range of music theater pieces, Sheppard cites the work of Ig...