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In Dark Water
Beneath the surface lie deadly secrets... DI Shona Oliver agreed to move to Dumfries with her ex-banker husband when their teenage daughter got in with a bad crowd in London. As a Glasgow native, she’s back on home turf. Living on the shores of the Solway Firth allows Shona to continue as an RNLI volunteer, and a call out to recover a woman’s body indicates foul play. Police in Cumbria take the case but links back to Scotland keep Shona’s team involved. As they investigate, reports of people trafficking and a spate of thefts from local shops compete for attention with a large scale drug bust. But Shona’s work may all be in vain when those close to her threaten to tear the case apart ...
Secrets of the Sprakkar
The Canadian first lady of Iceland pens a book about why this tiny nation is leading the charge in gender equality, in the vein of The Moment of Lift. Iceland is the best place on earth to be a woman—but why? For the past twelve years, the World Economic Forum’s Global Gender Gap Report has ranked Iceland number one on its list of countries closing the gap in equality between men and women. What is it about Iceland that enables its society to make such meaningful progress in this ongoing battle, from electing the world’s first female president to passing legislation specifically designed to help even the playing field at work and at home? The answer is found in the country’s sprakkar...
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Searching for Shona
In a spur-of-the-moment decision made in the chaos of a crowded Edinburgh railway station at the start of World War II, two young evacuees trade places, names and lives. Shy, wealthy Marjorie Malcolm Scott, on her way to stay with relatives in Canada, becomes Shona McInnes, an adventurous orphan bound for a small town in the south of Scotland. Neither girl foresees that the war will last for six years. In taking Shona's name, Marjorie inherits a battered suitcase containing Shona's only possessions--a few shabby clothes and an oil painting of a large Victorian house, Shona's only clue to her past. Marjorie also has charge of Anna, a backward child from the orphanage who was assigned to Shona's care. Marjorie and Anna are billeted with two kindly, but eccentric, middle-aged sisters. Despite the hardship of war, Marjorie's life as Shona is happy in ways it never was before. But as she makes plans for the future, the question of who she really is haunts her, and at the war's end she knows she must search for the real Shona and settle the question of her identity.
The Redemption of Alexander Seaton
A sleuth to rival Shardlake or Cadfael - a mystery that will chill your blood. 'Transports your body and soul to another time and place' CRAIG RUSSELL 'A delight on all levels . . . engaging and moving' MANDA SCOTT 'A truly memorable and exciting read' HISTORICAL NOVELS REVIEW Banff, Scotland in the 1620s. A young man walks unsteadily through the streets. Is he just drunk or is there something more sinister happening? When he collapses in front of two sisters on that dark, wet night, the women guess that he's been poisoned. His body is discovered in the house of Alexander Seaton - a fallen minister, the discovery of whose clandestine love affair has left him disgraced. Why was the body in Se...
A Social History of the Shona Novel
Shona literature now comprises 85% of literature published for schools in Zimbabwe, an indication of its significance for the understanding of the philosophical and historical base of (the understanding of) a language, people and nation. Chiwome's book argues that the productivity of Shona fiction is inseparable from the dialects of history; first colonialism, then development, and exposes colonialist notions about Shona cultural values and the implications for reading and writing the literature. He analyses Shona writers' predilections for certain genres of fiction asking why colonialism did not produce historical/committed literature, and why moralistic and fantastical modes prevail. In the latter part of the book, he adopts Manichean and Fanonian psychoanalytic approaches to African fictional characters suffering inferiority and collective paranoia, and discusses how this relates to the aesthetic qualities of the literatures of decolonisation.
