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The Malaysian Writers Society presents a decade of quality short stories in The Best of Malaysian Short Fiction in English 2010–2020. A wish for better weather has unexpected consequences. A pianist finds an unlikely audience in her next-door neighbour. A girl attempts Mount Kinabalu only to regret it. Curated by editors Zhui Ning Chang and JY Tan, The Best of Malaysian Short Fiction in English 2010–2020 spans the speculative and realist to thrillers and drama. It explores the bold new directions of contemporary Malaysian writing and hints at the new heights of our future national literature. The Best of Malaysian Short Fiction in English 2010–2020 includes: Hugo Award winner Zen Cho; 2019 Commonwealth Short Story Prize Regional Winner Saras Manickam; Fixi Novo Contest winners Terence Toh and Chua Kok Yee; and USA Today bestselling author Cassandra Khaw.
This collection of essays brings together work by some of the most internationally acclaimed critics of Malaysian literature in English from different parts of the world, including Australia, Canada, Japan, Malaysia, Singapore and the US. It investigates the works of major writers of the tradition in the genres of drama, fiction and poetry, from its beginnings to the present, focusing mainly on thematic and stylistic trends. The book pays particular attention to issues such as gender, ethnicity, nationalism, multiculturalism, diaspora, hybridity and transnationalism, which are central to the creativity and imagination of these writers. The chapters collectively address the challenges and achievements of writers in the English language in a country where English, first introduced by the colonisers, has experienced a mixed fate of ups and downs in the post-independence period, due to the changing, and sometimes strikingly different, policies adopted by the government. The book will be of interest to readers and researchers of Malaysian literature, Southeast Asian studies and postcolonial literatures.
This book is a collection of research-based papers on the development of Malaysian English (ME) from the immediate post-Independence period to the present. The chapters chart the chronological, linguistic as well as functional development of contemporary ME that provide new information on the variety beyond its identity as a postcolonial English.
Now back after 20 years with brand new words, expressions and idioms, this hilarious classic remains packed with humour, irreverence and loads of fun. It bids all Malaysians to lighten up, laugh at ourselves and revel in our unique, multicultural way of life. Forget about tenses, grammar, pronunciation, and just relek lah … Aiyoh. Manglish or Malaysian English is what Malaysians speak when we want to connect with each other or just hang loose. Borrowing from Malay, Chinese, Indian, Asli, British English, American English, dialects, popular mass media and plenty more, our unique English reflects our amazing diversity. Like a frothy teh tarik or a lip-smacking mouthful of divine durian, Manglish is uniquely Malaysian. Manglish is an entertaining, funny and witty compilation of commonly used Malaysian English words and expressions. Whether Malaysian, expat, visitor or a fresh-off-the-plane Mat Salleh, you’ll never be at a loss for words when conversing with Malaysians.
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