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The Columbia Guide to South African Literature in English Since 1945
From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to "rediscover the ordinary." The result has been a kaleidoscope of texts in...
Dinaane
The African writer, Yvonne Vera, used to recall that, as a young girl in the cotton fields, the urge to write was so strong that with no pen and paper available she picked up a twig and started to scratch words onto her skin. Stories in South Africa kept the dream of freedom alive during the colonial and apartheid years; and the tradition of the people and elders of a village meeting under the shade of a tree is based on telling stories as a way of arriving at an understanding. This rich tradition is brought to life here, by women who write of and from the landscape and its people. Part of a series showcasing contemporary women writers from around the world.
“The Park” by James Matthews. Short stories by South African authors in the classroom
Seminar paper from the year 2003 in the subject Didactics for the subject English - Literature, Works, grade: keine, University of Duisburg-Essen, language: English, abstract: The seminar “Language and Literature in the New South Africa” familiarized students with a range of contemporary and antecedent short stories by South African authors in context of the highly problematic terms of apartheid and post-apartheid especially with regard to South African culture. A major aspect of the seminar was the question of identity and culture as it is recognizable in language and literature. Community should be achieved as an important role in South Africa. To implicate the usability for (short) stories in the English language classroom, the fact that they in general meet a basic human need and a plurality of methodological approaches especially for young people in order to understand the “other” are to be emphasised.
The Standard in South African English and Its Social History
This study of the South African variety of English is an exercise in the sociology of language conducted mainly within the conceptual framework and methodology created by William Labov. It accepts that social process and social structure are reflected in patterns of covariation involving linguistic and social variables, and in attitudes to different varieties of speech within the community. This premise is pursued here in its historical implications: linguistuic evidence in present-day speech patterns of earlier states of the society and of the social, political and cultural changes that have brought about the present state. The second main focus in this volume is directed at the concept of standard variety, that is the social attributes and functions of a formal speech pattern for which the status of standard might be claimed.
The Short Story in South Africa
This book considers the key critical interventions on short story writing in South Africa written in English since the year 2000. The short story genre, whilst often marginalised in national literary canons, has been central to the trajectory of literary history in South Africa. In recent years, the short story has undergone a significant renaissance, with new collections and young writers making a significant impact on the contemporary literary scene, and subgenres such as speculative fiction, erotic fiction, flash fiction and queer fiction expanding rapidly in popularity. This book examines the role of the short story genre in reflecting or championing new developments in South African wri...
National Character in South African English Children's Literature
"This is the first full-length study of South African English youth literature to cover the entire period of its publication, from the late nineteenth century to the early twenty-first century. What gives this book particular strength is its coverage of literature up to the 1960s, which has until now recieved almost no scholarly attention. Not only is this earlier literature a rewarding subject for study in itself, but it also throws light on subsequent literary developments. Jenkins also makes comparisons with American, Canadian and Australian children's literature. This book is essential reading for anyone seeking to understand children's literature in the context of adult South African literature and South African cultural history."--BOOK JACKET.
African Short Stories: Vol 2
Bequeathing an enduring tenet for the creative enterprise, African Short Stories vol 2 boldly seeks to upturn the status quo by the art of narration. Whether they are stories of the whistle blower estranged and yet sounding the warning for heaven and earth to hear, or a ragtag army fleeing in the wake of a monstrous reptilian onslaught upon her peace, there pervades a sense of ultimate victory in this collection. We can feel the gentle kick of a baby in the womb of a maiden in desperation, or we can muse at the two adolescent genii on the trail of their dreams from the sunset of mutual deceit into the daylight of true becoming. Victory is laid out in that awesome kindness of a total stranger which affirms the divinity latent in even our most harrowing existence. With thirty five stories in two parts these literary experiments compel attention to the courageous hearts and minds that brighten the African universe of narration. Their vibrant notes coming from all corners of north, west, east and south fill us with encouragement and optimism for the contemporary short fiction in Africa.
