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Nationalism in Indian Cinema
Cinema is one of the most influential instruments in opinion building, and Indian cinema is no exception to this case. Indian cinema explores the niche of nationalism at the heart of the collective consciousness of several generations of Bharat's (India's) people. The contribution made to nation and opinion building by the Indian cinema community is not adequately acknowledged, and so this book celebrates these unsung heroes' contributions and ponders the power of cinema in perception building. This collection of essays examines the role played by Indian cinema in narrating, inspiring, determining, and challenging our comprehension of India as a nation.
Nationalism in Indian Cinema
Cinema is one of the most influential instruments in opinion building, and Indian cinema is no exception to this case. Indian cinema explores the niche of nationalism at the heart of the collective consciousness of several generations of Bharat’s (India’s) people. The contribution made to nation and opinion building by the Indian cinema community is not adequately acknowledged, and so this book celebrates these unsung heroes' contributions and ponders the power of cinema in perception building. This collection of essays examines the role played by Indian cinema in narrating, inspiring, determining, and challenging our comprehension of India as a nation.
Adaptations
Exploring the fantastic journey from written text to visual text, this volume is divided into two parts: the first broadly focuses on cinematic adaptations based on Indian literary texts, while the second looks at the adaptations of literary works from other countries.
Adaptations
This book invites readers to immerse themselves in the fantastic journey of written text to the screen. It is divided into two parts, the first of which broadly focuses on cinematic adaptations based on Indian literary texts. The second section explores the adaptations of literary works from other countries. In the world of Indian cinema, the first full-length Indian feature film, Raja Harishchandra, was based on a legend mentioned in Indian holy scriptures. Since then, several literary texts have been filmed, and this process has become a popular phenomenon. The recent film by Vishal Bhardwaj, Haider, an adaptation of William Shakespeare’s Hamlet, has raised the expectations of lovers of this symbiotic relationship between literature and film. This book engages with issues like ‘fidelity’ and ‘intertextuality’ in the works of Tagore, Satyajit Ray, Khushwant Singh, Vishal Bhardwaj, RK Narayan, as well as other authors and directors from India and other parts of the world.
Diasporic Choices
This volume was first published by Inter-Disciplinary Press in 2013. This volume examines the complex and inter-disciplinary issue of diaspora in the context of globalisation and contributing social, historical and cultural factors of the modern world. Each chapter offers a distinct point of view and a particular way of understanding diasporas in numerous cultures and societies in different parts of the globe. The collection consists of a series of detailed analyses of aspects ranging from diasporic representations in the cinema, literature and poetry to diasporic projections in current socio-political and international matters. Each chapter provides an individual examination of a particular aspect of diaspora in order to frame a bigger picture of modern diasporic choices.
The City Speaks
This book studies the significance and representation of the ‘city’ in the writings of Indian poets, graphic novelists, and dramatists. It demonstrates how cities give birth to social images, perspectives, and complexities, and explores the ways in which cities and the characters in Indian literature coexist to form a larger literary framework of interpretations. Drawing on the theoretical concepts of Western urban thinkers such as Henri Lefebvre, Georg Simmel, Walter Benjamin, Edward Soja, David Harvey, and Diane Levy, as well as South Asian thinkers such as Ashis Nandy, Arjun Appadurai, Vinay Lal, and Ravi Sundaram, the book projects against a seemingly monolithic and homogenous Western qualification of urban literatures and offers a truly unique and contentious presentation of Indian literature. Unfolding the urban-literary landscape of India, the volume lays the groundwork for an urban studies approach to Indian literature. It will be of great interest to scholars and students of literature, especially Indian writing in English, urban studies, and South Asian studies.
Government Gazette
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