You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This book describes the promise and pitfalls of using neuroscience to better understand creators and the audiences for their creations.
On the contradiction between Subhas Chandra Bose, 1897-1945 and Mahatma Gandhi, 1869-1948, during 1919 to 1939.
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning ...
The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them alo...
It was hot at Padachina even for a summer day. In this village were many houses, but not a soul could be seen anywhere. The bazaar was full of shops and the lanes were lined with houses built either of brick or of mud. Every house was quiet. The shops were closed, and no one knew where the shopkeepers had gone. Even the street beggars were absent. The weavers wove no more. The merchants had no business. Philanthropic persons had nothing to give. Teachers closed their schools. Things had come to such a pass that children were even afraid to cry. The streets were empty. There were no bathers in the river. There were no human beings about the houses, no birds in the trees, no cattle in the past...
Fields in Motion: Ethnography in the Worlds of Dance examines the deeper meanings and resonances of artistic dance in contemporary culture. The book comprises four sections: methods and methodologies, autoethnography, pedagogies and creative processes, and choreographies as cultural and spiritual representations. The contributors bring an insiders insight to their accounts of the nature and function of these artistic practices, giving voice to dancers, dance teachers, creators, programmers, spectators, students, and scholars. International and intergenerational, this collection of groundbreaking scholarly research points to a new direction for both dance studies and dance anthropology. Traditionally the exclusive domain of aesthetic philosophers, the art of dance is here reframed as cultural practice, and its significance is revealed through a chorus of voices from practitioners and insider ethnographers.
The Present Book Primarily Aims At Tracing Influences Central To Both Ngugi And Anand, Especially Of Marx, Gandhi And Fanon In The Constructions Of Their Fictional Worlds. Also, An Attempt Has Been Made Here To Examine And Present A Comparative Study Of Language Of The Fiction Which These Two Great Novelists Have Employed In Rendering The Chosen Fictional World. Besides Novels, Their Non-Fictional Writings Have Also Been Taken Into Account. The Interviews With Ngugi And Anand As Well As Anand S Letters Have Been Appended In The Book Which Are Sufficient Enough To Give A Glimpse Of The Amazing Concurrence That They Display In Their Approaches To The Problems Of Life And Literature. It Has Been Aptly Remarked On The Contents Of The Present Book: & Your Study Shows Acute Perceptiveness Of Motive Forces Behind My Novels And Ngugi Wa Thiong O Of Kenya...Your Study Will Be Valuable For The New Young Students.
"Through an in depth analysis of key Indian filmmakers and actors, including Sanjay Leela Bhansali, Kangana Ranaut, Akshay Kumar and Anupam Kher, Ajay Gehlawat considers the extent to which recent Bollywood films reflect several of the main tenets of the Hindutva movement. He examines the growing influence of the governing Bharatiya Janata Party (BJP) on film production, as seen in filmic collaborations on themes ranging from Modi's Clean India program to India's space program, and big budget historical epics such as Padmaavat (2018) and Manikarnika (2019), which attempt to reframe Indian history in accordance with Hindutva ideology"--
None