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Prosperity, Region, and Institutions in Maritime China
Prosperity signifies success in economic performance. Economic performance always takes place in a spatial context. And institutions matter in economic performance. These three interwoven themes underlie this inquiry into the regional economy of southern Fukien province during the Sung and Yuan dynasties, when the area was one of the most prosperous regions in China. Through a meticulous reading of the sources, the author seeks to understand the meaning of prosperity in the premodern Chinese context and argues that we have to understand economic performance as a process occurring in space and influenced by institutions, which affect economic actors particularly through the means of transaction costs.
Emerging Regional Human Rights Systems in Asia
Analyses the emerging human rights norms, regional institutions and enforcement mechanisms in Asia.
Millard's Review of the Far East
Vol. 34 includes "Special tariff conference issue" Nov. 6, 1925.
The Military Establishment of the Yuan Dynasty
Much has been written in Western languages about the army of Cinggis Qan, although with differing emphases and unequal quality. Little, however, has been done on the military institutions of the Yuan dynasty. Part one of this book is description of the military system, the Imperial Guard, and the garrison system of the Yuan dynasty. This is followed by an annotated translation of the military chapters of the Yuan Shi (the official dynastic history).
The Plum in the Golden Vase or, Chin P'ing Mei, Volume Five
The fifth and final volume of a celebrated translation of the classic Chinese novel This is the fifth and final volume in David Roy's celebrated translation of one of the most famous and important novels in Chinese literature. The Plum in the Golden Vase or, Chin P’ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch’ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form—not only from a specifically Chinese perspective but in a world-historical context. This complete and annotated translation aims to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.
