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The Unlikely Buddhologist
Mou Zongsan (1909-1995) was such a seminal, polymathic figure that scholars of Asian philosophy and religion will be absorbing his influence for at least a generation. Drawing on expertise in Confucian, Buddhist, Daoist, and modern Western thought, Mou built a system of “New Confucian” philosophy aimed at answering one of the great questions: “What is the relationship between value and being?” However, though Mou acknowledged that he derived his key concepts from Tiantai Buddhist philosophy, it remains unclear exactly how and why he did so. In response, this book investigates Mou’s buddhological writings in the context of his larger corpus and explains how and why he incorporated Buddhist ideas selectively into his system. Written extremely accessible, it provides a comprehensive unpacking of Mou’s ideas about Buddhism, Confucianism, and metaphysics with the precision needed to make them available for critical appraisal.
Failure, Nationalism, and Literature
How often do we think of cultural humiliation and failure as strengths? Against prevailing views on what it means to enjoy power as individuals, cultures, or nations, this provocative book looks at the making of cultural and national identities in modern China as building success on failure. It reveals the exercise of sovereign power where we least expect it and shows how this is crucial to our understanding of a modern world of conflict, violence, passionate suffering, and cultural difference.
Bulletin
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The Penumbra Unbound
The Penumbra Unbound is the first English language book-length study of the Neo-Taoist thinker Guo Xiang (d. 312 C.E.), commentator on the classic Taoist text, the Zhuangzi. The author explores Guo's philosophy of freedom and spontaneity, explains its coherence and importance, and shows its influence on later Chinese philosophy, particularly Chan Buddhism. The implications of his thought on freedom versus determinism are also considered in comparison to several positions advanced in the history of Western philosophy, notably those of Spinoza, Kant, Schopenhauer, Fichte, and Hegel. Guo's thought reinterprets the classical pronouncements about the Tao so that it in no way signifies any kind of metaphysical absolute underlying appearances, but rather means literally "nothing." This absence of anything beyond appearances is the first premise in Guo's development of a theory of radical freedom, one in which all phenomenal things are "self-so," creating and transforming themselves without depending on any justification beyond their own temporary being.
An Intellectual History of China, Volume One
Winner of the 2014 Choice Outstanding Academic Title Award In An Intellectual History of China, Professor Ge Zhaoguang presents a history of traditional Chinese knowledge, thought and belief to the late six century CE with a new approach offering a new perspective. It appropriates a wide range of source materials and emphasizes the necessity of understanding ideas and thought in their proper historical contexts. Its analytical narrative focuses on the dialectical interaction between historical background and intellectual thought. While discussing the complex dynamics of interaction among the intellectual thought of elite Chinese scholars, their historical conditions, their canonical texts and the “worlds of general knowledge, thought and belief,” it also illuminates the significance of key issues such as the formation of the Chinese world order and its underlying value system, the origins of Chinese cultural identity and foreign influences.
The Silk Road and Cultural Exchanges between East and West
The Silk Road and Cultural Exchanges Between East and West, originally written in Chinese by Rong Xinjiang and now translated into English, provides insights into previously unresolved issues concerning the interactions among the societies, economies, religions and cultures of the “Western Regions”, and beyond, during the first millennium.
Humour in Chinese Life and Letters
The present study emphasizes Chapter Six of Huai-nan Tzu in expounding the theory of kan-ying STIMULUS-RESPONSE; RESONANCE, which postulates that all things in the universe are interrelated and influence each other according to pre-set patterns.
Xu Fuguan in the Context of East Asian Confucianisms
Among twentieth-century Confucians, Xu Fuguan (1904–1982) remains preeminent. This volume, written by Chun-chieh Huang, an authority on Xu’s life and thought, offers English-speaking readers for the first time an exhaustive analysis of the philosopher’s original ideas and research. A distinguished member of the group of Contemporary New Confucians, Xu made a significant contribution to the revival of Chinese culture and society, and the present book outlines the specific features of his legacy in comparison with the views of some of his influential Chinese and Japanese contemporaries. The topics covered illustrate an overarching idea, namely, the innovative way in which Xu Fuguan answe...
Subjective Writing in Contemporary Chinese Literature
Translated from the original French publication, this book provides a comprehensive analysis of 20th century Chinese literature and examines the relationship between Chinese literary theory and modernity. The author surveys the work of leading writers including Zhang Ailing, Beidao, and Mu Dan. The author seeks to answer some fundamental questions in the study of Chinese literary history, such as: How does contemporary Chinese literature go from historical narrative to the narrative of the I, where rhythm and epic merge into writing, and where the instinctive load of the rhythm substantiates the epic? What are the steps and the forms of mediation that allow such a transition? Is the subject the only agent of the transition? What is its status? What is the role of poetic language that led to the birth of the subject and which separates it from empiricism? What are the difficulties faced by Chinese writers today? Young Chinese writers set off in search of a totally new writing to rediscover subjectivity, which is in no way limited to literature; it also covers areas such as the law, and the expression of the I confronted to an overpowering we.
Ritual Opera and Mercantile Lineage
Focusing on the Confucian transformation of Mulian opera, and especially on the interplay between the "civilizing" effect of ritual performance and the rise of gentrified mercantile lineages in sixteenth-century Huizhou prefecture, this book develops a radically novel interpretation of both Chinese popular culture and the Confucian tradition in late imperial China.
