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Even in the twenty-first century, the contemporary Chinese prison camp remains a more obscure and poorly understood realm than the Forbidden City of old. Apolitical service organizations such as the International Red Cross have routinely been denied access to PRC prison camps and prison camp inmates who have smuggled out frank, unofficial accounts of their incarceration have only been published overseas, and often had their sentences extended as a result. Presenting extensive analysis of literary and biographical accounts, this illuminating book provides a window to the affective side and emotional tenor of day-to-day life in modern day labour camps. With contributions from well-known and respected scholars, the book covers the contentious issues of prison economics, prisoner 'remolding' and post-traumatic stress disorder. Drawing parallels with Soviet, Nazi and Japanese prison camp practice, this outstanding new book will be invaluable to those interested in how the human mind responds to extremity, as well as to scholars of Chinese history, politics, literature and sociology.
When this book was published in Japanese in 1982 it was awarded the prestigious Jiro Osaragi Prize. It is an important contribution to the understanding of the mental and spiritual world of Japan just over two generations ago. The author argues that just as the period of isolation up to the middle of the 19th century was crucial for Japan’s development, so the Second World War represented another crucial period for the country. These years were a period of intellectual isolation during which significant development took place.
"This book examines the development of Japanese literature depicting the native place (furusato) from the mid-Meiji period through the late 1930s as a way of articulating the uprootedness and sense of loss many experienced as Japan modernized. The 1890s witnessed the appearance of fictional works describing a city dweller who returns to his native place, where he reflects on the evils of urban life and the idyllic past of his childhood home. The book concentrates on four authors who typify this trend: Kunikida Doppo, Shimazaki Tōson, Satō Haruo, and Shiga Naoya. All four writers may be understood as trying to make sense of contemporary Japan. Their works reflect their engagement with the s...
This study of a series of artistic representations of the Asia Pacific War experience in a variety of Japanese media is premised on Walter Davis' assertion that traumatic events and experiences must be 'constituted' before they can be assimilated, integrated and understood. Arguing that the contribution of the arts to the constitution, integration and comprehension of traumatic historical events has yet to be sufficiently acknowledged or articulated, the contributors to this volume examine how various Japanese authors and other artists have drawn upon their imaginative powers to create affect-charged forms and images of the extreme violence, psychological damage and ideological contradiction surrounding the War. In so doing, they seek to further the process whereby reading and viewing audiences are encouraged to virtually engage, internalize, 'know' and respond to trauma in concrete, ethical terms.
Originally a student of Meiji Japan, Gordon Daniels is widely known for his work on the Pacific War and the Occupation of Japan, with particular regard to the world of communications in film and propaganda as well as Japanese sport. He has also been closely involved with the post-war era of international relations and Japan, as well as studies in Japanese history and historiography. In the 1980s he made significant contributions in reporting on the scope and development of Japanese Studies in Britain. His most recent work has been as joint editor (and contributor) with Chushichi Tsuzuki of Social and Cultural Perspectives - the fifth of the five-volume series on the history of Anglo-Japanese Relations (Palgrave, 2002).
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For a majority of filmgoers, the names most usually associated with classic Japanese cinema are those of Kurosawa and Ozu. Yet during the early 1950s, at the same time that Kurosawa was becoming known to the public through the release of classics like Rashomon and The Seven Samurai, another Japanese director, Kenji Mizoguchi, quietly came out with a trilogy of films - The Life of Oharu, Ugetsu Monogatari and Sansho the Bailiff - that are the equal of Kurosawa's in mastery, and which by any account rank among the greatest and most enduring masterpieces of world cinema. As a storyteller, Mizoguchi was drawn to the plight and oppression of women throughout the ages - it was, for him, the 'subje...
Awesome Nightfall: The Life, Times, and Poetry of Saigyo captures the power of Saigyo's poetry and this previously overlooked poet's keen insight into the social and political world of medieval Japan. It also offers a fascinating look into the world of Japanese Buddhism prior to the wholesale influence of Zen.